Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
#TitleRatingLength
1Ihr Menschen, rühmet Gottes Liebe, BWV 167: 1. Aria: Ihr Menschen, rühmet Gottes Liebe
tenor vocals:
Jörg Dürmüller (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
4:18
2Ihr Menschen, rühmet Gottes Liebe, BWV 167: 2. Recitative: Gelobet sei der Herr Gott Israel
alto vocals:
Bogna Bartosz (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:33
3Ihr Menschen, rühmet Gottes Liebe, BWV 167: 3. Aria: Gottes Wort, das trüget nicht
alto vocals:
Bogna Bartosz (in 1998-03)
soprano vocals:
Dorothea Röschmann (soprano) (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
7:45
4Ihr Menschen, rühmet Gottes Liebe, BWV 167: 4. Recitative: Des Weibes Samen kam
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:19
5Ihr Menschen, rühmet Gottes Liebe, BWV 167: 5. Chorale: Sei Lob und Preis mit Ehren
choir vocals:
Amsterdam Baroque Choir (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Gramann (in 1530)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
2:11
6Herz und Mund und Tat und Leben, BWV 147: 1. Chorus: Herz und Mund und Tat und Leben
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:01
7Herz und Mund und Tat und Leben, BWV 147: 2. Recitative: Gebenedeiter Mund!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:42
8Herz und Mund und Tat und Leben, BWV 147: 3. Aria: Schäme dich, o Seele, nicht
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:13
9Herz und Mund und Tat und Leben, BWV 147: 4. Recitative: Verstockung kann Gewaltige verblenden
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:34
10Herz und Mund und Tat und Leben, BWV 147: 5. Aria: Bereite dir, Jesu, noch itzo die Bahn
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03) and Ruth Holton (soprano) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:30
11Herz und Mund und Tat und Leben, BWV 147: 6. Chorale: Wohl mir, dass ich Jesum habe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:28
12Herz und Mund und Tat und Leben, BWV 147: 7. Aria: Hilf, Jesu, hilf
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:18
13Herz und Mund und Tat und Leben, BWV 147: 8. Recitative: Der höchsten Allmacht Wunderhand
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03), Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:15
14Herz und Mund und Tat und Leben, BWV 147: 9. Aria: Ich will von Jesu Wundern singen
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:33
15Herz und Mund und Tat und Leben, BWV 147: 10. Chorale: Jesus bleibet meine Freude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:34
16Ärgre dich, o Seele, nicht, BWV 186: 1. Chorus: Ärgre dich, o Seele, nicht
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:17
17Ärgre dich, o Seele, nicht, BWV 186: 2. Recitative: Die Knechtsgestalt, die Not, der Mangel
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:32
18Ärgre dich, o Seele, nicht, BWV 186: 3. Aria: Bist du, der mir helfen soll
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:58
19Ärgre dich, o Seele, nicht, BWV 186: 4. Recitative: Ach, dass ein Christ so sehr
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:21
20Ärgre dich, o Seele, nicht, BWV 186: 5. Aria: Mein Heiland lässt sich merken
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:43
21Ärgre dich, o Seele, nicht, BWV 186: 6. Chorale: Ob sichs anließ, als wollt er nicht
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:06
22Ärgre dich, o Seele, nicht, BWV 186: 7. Recitative: Es ist die Welt die große Wüstenei
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:32
23Ärgre dich, o Seele, nicht, BWV 186: 8. Aria: Die Armen will der Herr umarmen
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:04
24Ärgre dich, o Seele, nicht, BWV 186: 9. Recitative: Nun mag die Welt mit ihrer Lust vergehen
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:45
25Ärgre dich, o Seele, nicht, BWV 186: 10. Aria: Lass, Seele, kein Leiden
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 1998-06)
soprano vocals:
Midori Suzuki (vocalist) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:46
26Ärgre dich, o Seele, nicht, BWV 186: 11. Chorale: Die Hoffnung wart’ der rechten Zeit
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:04
27Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 1. [Chorus:] Erforsche mich, Gott, und erfahre mein Herz
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Coro "Erforsche mich, Gott, und erfahre mein Herz" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
3:45
28Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 2. Recitative: Ach, dass der Fluch, so dort die Erde schlägt
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
tenor vocals:
Makoto Sakurada (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitativo (Tenor) "Ach, daß der Fluch, so dort die Erde schlägt" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:06
29Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 3. Aria: Es kömmt ein Tag
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
countertenor vocals:
Kai Wessel (countertenor) (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (Alt) "Es kömmt ein Tag" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
4:20
30Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 4. Recitative: Die Himmel selber sind nicht rein
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitativo (Bass) "Die Himmel selber sind nicht rein" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:02
31Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 5. Aria: Uns treffen zwar der Sünden Flecken
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-09)
tenor vocals:
Makoto Sakurada (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (Duetto Tenor, Bass) "Uns treffen zwar der Sünden Flecken" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
3:43
32Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 6. Chorale: Dein Blut, der edle Saft
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft" (in 1998-09)
composer:
Johann Heermann and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 27)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:02
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]