Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▼CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
#TitleRatingLength
1Komm, du süße Todesstunde, BWV 161: 1. Aria: Komm, du süße Todesstunde
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:24
2Komm, du süße Todesstunde, BWV 161: 2. Recitative: Welt! deine Lust ist Last
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1997-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:03
3Komm, du süße Todesstunde, BWV 161: 3. Aria: Mein Verlangen ist, den Heiland zu umfangen
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:00
4Komm, du süße Todesstunde, BWV 161: 4. Recitative: Der Schluss ist schon gemacht
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:29
5Komm, du süße Todesstunde, BWV 161: 5. [Chorus:] Wenn es meines Gottes Wille
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:53
6Komm, du süße Todesstunde, BWV 161: 6. Chorale: Der Leib zwar in der Erden
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:33
7Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 1. Aria: Ach! ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Peter Harvey (bass-baritone) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:52
8Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 2. Recitative: O großes Hochzeitfest
tenor vocals:
Christoph Genz (tenor) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:42
9Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 3. Aria: Jesu, Brunnquell aller Gnaden
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:36
10Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 4. Recitative: Mein Jesu, lass mich nicht
alto vocals:
Sara Mingardo (contralto) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:42
11Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 5. Duet: In meinem Gott bin ich erfreut!
alto vocals:
Sara Mingardo (contralto) (on 2000-11-04)
tenor vocals:
Christoph Genz (tenor) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:11
12Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 6. Chorale: Ach, ich habe schon erblicket
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:11
13Jesus nahm zu sich die Zwölfe, BWV 22: 1. [Arioso & Chorus:] Jesus nahm zu sich die Zwölfe
choir vocals:
Choir of Clare College, Cambridge (on 2000-03-05), Choir of Trinity College, Cambridge (on 2000-03-05) and Monteverdi Choir (English vocal Baroque ensemble) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (Tenore, Basso) e Coro "Jesus nahm zu sich die Zwölfe und sprach" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
4:51
14Jesus nahm zu sich die Zwölfe, BWV 22: 2. Aria: Mein Jesu, ziehe mich nach dir
alto vocals:
Claudia Schubert (mezzo-soprano) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (Alto) "Mein Jesu, ziehe mich nach dir" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
4:32
15Jesus nahm zu sich die Zwölfe, BWV 22: 3. Recitative: Mein Jesu, ziehe mich, so werd ich laufen
bass vocals:
Peter Harvey (bass-baritone) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo (Basso) "Mein Jesu, ziehe mich, so werd ich laufen" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
1:57
16Jesus nahm zu sich die Zwölfe, BWV 22: 4. Aria: Mein alles in allem, mein ewiges Gut
tenor vocals:
James Oxley (tenor) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (Tenore) "Mein alles in allem, mein ewiges Gut" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:44
17Jesus nahm zu sich die Zwölfe, BWV 22: 5. Chorale: Ertöt uns durch dein Güte
choir vocals:
Choir of Clare College, Cambridge (on 2000-03-05), Choir of Trinity College, Cambridge (on 2000-03-05) and Monteverdi Choir (English vocal Baroque ensemble) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:03
18Du wahrer Gott und Davids Sohn, BWV 23: 1. Duet: Du wahrer Gott und Davids Sohn
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
7:45
19Du wahrer Gott und Davids Sohn, BWV 23: 2. Recitative: Ach! gehe nicht vorüber
recording engineer:
Eckhard Steiger (producer and engineer)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
1:22
20Du wahrer Gott und Davids Sohn, BWV 23: 3. Chorus: Aller Augen warten, Herr
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
bass vocals:
Jan Van der Crabben (Belgian baritone vocalist) (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
5:12
21Du wahrer Gott und Davids Sohn, BWV 23: 4. Chorale: Christe, du Lamm Gottes
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
bass vocals:
Jan Van der Crabben (Belgian baritone vocalist) (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
5:43
22Wer mich liebet, der wird mein Wort halten, BWV 59: 1. Duet: Wer mich liebet, der wird mein Wort halten
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
3:16
23Wer mich liebet, der wird mein Wort halten, BWV 59: 2. Recitative: O, was sind das vor Ehren
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
2:11
24Wer mich liebet, der wird mein Wort halten, BWV 59: 3. Chorale: Komm, heiliger Geist, Herre Gott
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:49
25Wer mich liebet, der wird mein Wort halten, BWV 59: 4. Aria: Die Welt mit allen Königreichen
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
2:30
26Wer mich liebet, der wird mein Wort halten, BWV 59: Chorale: Du heilige Brunst, süßer Trost from BWV 226
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": V. Choral "Gott Heil"ger Geist" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:54
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]