Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▼CD: St. Matthew Passion (2 McCreesh)
#TitleRatingLength
1St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 36a. Recitative: "Und der Hohepriester antwortete" / 36b. Chorus: "Er ist Todes schuldig" / 36c. Recitative: "Da speieten sie aus" / 36d. Chorus: "Weissage uns, Christe"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
1:53
2St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 37. Chorale: "Wer hat dich so geschlagen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 2002-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
0:46
3St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 38a. Recitative: "Petrus aber saß draußen" / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "Da hub er an, sich zu verfluchen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
2:23
4St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 39. Aria: "Erbarme dich, mein Gott"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 2002-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:13
5St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 40. Chorale: "Bin ich gleich von dir gewichen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 2002-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:03
6St. Matthew Passion, BWV 244: Part II. Judas im Tempel: 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" / 41b. Chorus: "Was gehet uns das an?" / 41c. Recitative: "Und er warf die Silberlinge in den Tempel"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
1:37
7St. Matthew Passion, BWV 244: Part II. Judas im Tempel: 42. Aria: "Gebt mir meinen Jesum wieder"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:46
8St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 43. Recitative: "Sie hielten aber einen Rat"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
tenor vocals:
Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:02
9St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 44. Chorale: "Befiehl du deine Wege"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 2002-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
10St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 45a. Recitative: "Auf das Fest aber hatte der Landpfleger Gewohnheit" / 45b. Chorus: "Lass ihn kreuzigen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
2:08
11St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 46. Chorale: "Wie wunderbarlich ist doch diese Strafe"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 2002-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
0:38
12St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 47. Recitative: "Der Landpfleger sagte"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 2002-04)
tenor vocals:
Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:21
13St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 48. Recitative: "Er hat uns allen wohlgetan"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals:
Deborah York (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:01
14St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 49. Aria: "Aus Liebe will mein Heiland sterben"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals:
Deborah York (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:58
15St. Matthew Passion, BWV 244: Part II. Jesus vor Pilatus: 50a. Recitative: "Sie schrieen aber noch mehr" / 50b. Chorus: "Lass ihn kreuzigen" / 50c. Recitative: "Da aber Pilatus sahe" / 50d. Chorus: "Sein Blut komme über uns" / 50e. Recitative: "Da gab er ihnen Barrabam los"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
1:46
16St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 51. Recitative: "Erbarm es Gott!"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:58
17St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 52. Aria: "Können Tränen meiner Wangen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:51
18St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 53a. Recitative: "Da nahmen die Kriegsknechte" / 53b. Chorus: "Gegrüßet seist du, Judenkönig" / 53c. Recitative: "Und speieten ihn an"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
1:06
19St. Matthew Passion, BWV 244: Part II. Jesu Geißelung: 54. Chorale "O Haupt voll Blut un Wunden"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 2002-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
1:59
20St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 55. Recitative: "Und da sie ihn verspottet hatten"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals:
Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
21St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 56. Recitative: "Ja freilich will in uns das Fleisch und Blut"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:46
22St. Matthew Passion, BWV 244: Part II. Simon von Kyrene: 57. Aria: "Komm, süßes Kreuz, so will ich sagen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:49
23St. Matthew Passion, BWV 244: Part II. Kreuzigung: 58a. Recitative: "Und da sie an die Stätte kamen" / 58b. Chorus: "Der du den Tempel Gottes zerbrichst" / 58c. Recitative: "Desgleichen auch die Hohenpriester" / 58d. Chorus: "Andern hat er geholfen" / 58e. Recitative: "Desgleichen schmäheten ihn auch die Mörder"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
3:18
24St. Matthew Passion, BWV 244: Part II. Kreuzigung: 59. Recitative: "Ach Golgatha, unselges Golgotha"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:23
25St. Matthew Passion, BWV 244: Part II. Kreuzigung: 60. Aria: "Sehet, Jesus hat die Hand"
recording engineer:
Graham Meek (in 2002-05)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:52
26St. Matthew Passion, BWV 244: Part II. Kreuzigung: 61a. Recitative: "Und von der sechsten Stunde an" / 61b. Chorus: "Der rufet dem Elias" / 61c. Recitative: "Und bald lief einer unter ihnen" / 61d. Chorus: "Halt, lass sehen" / 61e. Recitative: "Aber Jesus schriee abermal laut"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
2:11
27St. Matthew Passion, BWV 244: Part II. Kreuzigung: 62. Chorale: "Wenn ich einmal soll scheiden"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 2002-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:09
28St. Matthew Passion, BWV 244: Part II. Kreuzigung: 63a. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / 63b. Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" / 63c. Recitative: "Und es waren viel Weiber da"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
2:29
29St. Matthew Passion, BWV 244: Part II. Kreuzabnahme: 64. Recitative: "Am Abend, da es kühle war"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:03
30St. Matthew Passion, BWV 244: Part II. Kreuzabnahme: 65. Aria: "Mache dich, mein Herze, rein"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:51
31St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 66a. Recitative: "Und Joseph nahm den Leib" / 66b. Chorus: "Herr, wir haben gedacht" / 66c. Recitative: "Pilatus sprach zu ihnen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
2:36
32St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 67. Recitative: "Nun ist der Herr zur Ruh gebracht"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:46
33St. Matthew Passion, BWV 244: Part II. Und Joseph nahm den Leib: 68. Chorus: "Wir setzen uns mit Tränen nieder"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:40
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]