Bach 333 - J.S. Bach The New Complete Edition

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 11 beschikbaar)

Aantekening

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Aantekening het laatst bewerkt op 2020-03-13 23:27 UTC.

Nummerlijst

1cd: Cantatas 150, 4, 71, 196 (1706-1708)
2cd: Cantatas 131, 106, 143, 18 (1708-1713)
3cd: Cantatas 182, 12, 54, 172 (1714)
4cd: Cantatas 21, 199 (1714)
5cd: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6cd: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7cd: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8cd: Cantatas 75, 76, 24 (1723)
9cd: Cantatas 167, 147, 186, 136 (1723)
10cd: Cantatas 105, 46, 179, 50, 69a (1723)
11cd: Cantatas 77, 25, 119, 138 (1723)
12cd: Cantatas 95, 148, 48, 109 (1723)
13cd: Cantatas 89, 60, 90, 70, 40 (1723)
14cd: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15cd: Cantatas 73, 81, 83, 144, 181 (1724)
16cd: Cantatas 18, 66, 134, 67 (1724)
17cd: Cantatas 104, 166, 86, 37, 44 (1724)
18cd: Cantatas 173, 184, 194 (1724)
19cd: Cantatas 20, 2, 7, 135 (1724)
20cd: Cantatas 10, 93, 107, 178 (1724)
21cd: Cantatas 94, 101, 113 (1724)
22cd: Cantatas 33, 78, 99, 8 (1724)
23cd: Cantatas 130, 114, 96, 5 (1724)
24cd: Cantatas 180, 38, 115, 139 (1724)
25cd: Cantatas 26, 116, 62, 91, 121 (1724)
26cd: Cantatas 133, 122, 41, 123 (1724-1725)
27cd: Cantatas 124, 3, 111, 92 (1725)
28cd: Cantatas 125, 126, 127 (1725)
29cd: Cantatas 1, 6, 42 (1725)
30cd: Cantatas 85, 103, 108, 87, 128 (1725)
31cd: Cantatas 183, 74, 68, 175, 176 (1725)
32cd: Cantatas 168, 137, 164, 79, 110 (1725)
33cd: Cantatas 57, 151, 28, 16 (1725-1726)
34cd: Cantatas 32, 13, 72, 43 (1726)
35cd: Cantatas 146, 129, 39 (1726)
36cd: Cantatas 88, 170, 187, 45 (1726)
37cd: Cantatas 102, 35, 17, 19 (1726)
38cd: Cantatas 27, 47, 169, 56 (1726)
39cd: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40cd: Cantatas 82, 157, 84 (1727)
41cd: Cantatas 34, 193, 117, 188 (1727-1728)
42cd: Cantatas 171, 156, 159, 120a (1729)
43cd: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44cd: Cantatas 29, 140, 36 (1731)
45cd: Cantatas 177, 9, 97, 14 (1732-1735)
46cd: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47cd: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48cd: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49cd: 4-Part Chorales, BWV 250-318 AC-GO
50cd: 4-Part Chorales, BWV 319-381 GO-ME
51cd: 4-Part Chorales, BWV 382-438 MI-WO
52cd: Magnificat BWV 243, 243a
53cd: Motets
54cd: Mass in B minor (1 Mortensen)
55cd: Mass in B minor (2 Mortensen)
56cd: Mass in B minor (1 Brüggen)
57cd: Mass in B minor (2 Brüggen) / Missa BWV 233
58cd: Missas BWV 234-236
59cd: St. John Passion (1724) (1 Gardiner)
60cd: St. John Passion (1724) (2 Gardiner)
61cd: St. John Passion (1749) (1 Suzuki)
62cd: St. John Passion (1749) (2 Suzuki)
63cd: St. Matthew Passion (1 Gardiner)
#TitelWaarderingDuur
1St. Matthew Passion, BWV 244: Part I. 1. Chorus: "Kommt, ihr Töchter, helft mir klagen"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) en Ulrich Vette (engineer)
koor:
London Oratory Junior Choir (in 1988-04) en The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
The English Baroque Soloists (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
6:55
2St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 2. "Da Jesus diese Rede vollendet hatte"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:36
3St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 3. Chorale: "Herzliebster Jesu, was hast du verbrochen"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1988-04)
tekstschrijver:
Johann Heermann
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 166)
deel van:
Matthäus-Passion, BWV 244: Teil I
0:39
4St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 4a. Recitative: "Da versammelten sich die Hohenpriester" / 4b. Chorus: "Ja nicht auf das Fest" / 4c. Recitative: "Da nun Jesus war zu Bethanien" / 4d. Chorus: "Wozu dienet dieser Unrat" / 4e. "Da das Jesus merkete"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
2:51
5St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 5. Recitative: "Du lieber Heiland du"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:53
6St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 6. Aria: "Buß und Reu"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
4:13
7St. Matthew Passion, BWV 244: Part I. Verrat durch Judas: 7. Recitative: "Da ging hin der Zwölfen einer"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
basvocalen [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:34
8St. Matthew Passion, BWV 244: Part I. Verrat durch Judas: 8. Aria: "Blute nur, du liebes Herz"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
sopraanvocalen:
Ann Monoyios (soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
4:43
9St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 9a. Recitative: "Aber am ersten Tage der süßen Brot" / 9b. Chorus: "Wo willst du, dass wir dir bereiten" / 9c. Recitative: "Er sprach: Gehet hin in die Stadt" / 9d. Recitative: "Und sie wurden sehr betrübt" / 9e. Chorus: "Herr, bin iche"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:54
10St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 10. Chorale: "Ich bins, ich sollte büßen"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1988-04)
tekstschrijver:
Paul Gerhardt (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 294)
deel van:
Matthäus-Passion, BWV 244: Teil I
0:42
11St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 11. Recitative: "Er antwortete und sprach"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
basvocalen [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
2:34
12St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 12. Recitative: "Wiewohl mein Herz in Tränen schwimmt"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
sopraanvocalen:
Barbara Bonney (soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:18
13St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 13. Aria: "Ich will dir mein Herze schenken"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
sopraanvocalen:
Barbara Bonney (soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
2:56
14St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 14. Recitative: "Und da sie den Lobgesang gesprochen hatten"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:53
15St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 15. Chorale: "Erkenne mich, mein Hüter"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1988-04)
tekstschrijver:
Paul Gerhardt (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 163)
deel van:
Matthäus-Passion, BWV 244: Teil I
0:50
16St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 16. Recitative: "Petrus aber antwortete"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
baritonvocalen [Peter]:
Olaf Bär (baritone) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:52
17St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 17. Chorale: "Ich will hier bei dir stehen"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:52
18St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 18. Recitative: "Da kam Jesus mit ihnen zu einen Hofe"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:28
19St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 19. Recitative: "O Schmerz! Hier zittert das gequälte Herz"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
tenorvocalen:
Howard Crook (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:58
20St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 20. Aria: "Ich will bei meinen Jesu wachen"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenorvocalen:
Howard Crook (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
4:57
21St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 21. Recitative: "Und ging hin ein wenig"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:37
22St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 22. Recitative: "Der Heiland fällt vor seinem Vater nieder"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [bass]:
Olaf Bär (baritone) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
0:53
23St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 23. Aria: "Gerne will ich mich bequemen"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [bass]:
Olaf Bär (baritone) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
4:02
24St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 24. Recitative: "Und er kam zu seinen Jüngern"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:07
25St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
opnametechnicus:
Klaus Behrens (engineer)
geluidstechnicus en balanstechnicus:
Ulrich Vette (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
John Eliot Gardiner (in 1988-04)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 342)
deel van:
Matthäus-Passion, BWV 244: Teil I
0:57
26St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 26. Recitative: "Und er kam und fand sie aber schlafend"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
basvocalen [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
2:26
27St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 27a. Aria (Duet): "So ist mein Jesus nun gefangen" / 27b. [Chorus:] "Sind Blitze, sind Donner in Wolken verschwunden"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
contratenorvocalen:
Michael Chance (British countertenor) (in 1988-04)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
sopraanvocalen:
Barbara Bonney (soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
5:28
28St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
1:48
29St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 29. Chorale: "O Mensch, bewein dein Sünde groß"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil I
6:06
30St. Matthew Passion, BWV 244: Part II. 30. Aria: "Ach, nun ist mein Jesus hin"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
3:28
31St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 31. Recitative: "Die aber Jesum gegriffen hatten"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
0:53
32St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 32. Chorale: "Mir hat die Welt trüglich gericht'"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1988-04)
tekstschrijver:
Adam Reusner
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 213)
deel van:
Matthäus-Passion, BWV 244: Teil II
0:39
33St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
basvocalen [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
contratenorvocalen [First Witness]:
Michael Chance (British countertenor) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
tenorvocalen [Second Witness]:
Howard Crook (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
1:02
34St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
tenorvocalen:
Howard Crook (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
1:16
35St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
tenorvocalen:
Howard Crook (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
3:34
36St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 36a. Recitative: "Und der Hohepriester antwortete" / 36b. Chorus: "Er ist des Todes schuldig" / 36c. Recitative: "Da speieten sie aus" / 36d. Chorus: "Weissage uns, Christe"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
baritonvocalen [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
basvocalen [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
koor:
London Oratory Junior Choir (in 1988-04) en Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
was koorleider:
Patrick Russill (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1988-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
1:54
37St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 37. Chorale: "Wer hat dich so geschlagen"
opnametechnicus:
Klaus Behrens (engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balanstechnicus:
Ulrich Vette (engineer)
opgenomen bij:
Snape Maltings Concert Hall in Suffolk, England, Verenigd Koninkrijk (in 1988-04)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1988-04)
tekstschrijver:
Paul Gerhardt (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Breitkopf 389 Choralgesänge (nummer: 292)
deel van:
Matthäus-Passion, BWV 244: Teil II
0:50
64cd: St. Matthew Passion (2 Gardiner)
65cd: St. Matthew Passion (1 McCreesh)
66cd: St. Matthew Passion (2 McCreesh)
67cd: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68cd: Easter Oratorio / Ascension Oratorio (Leonhardt)
69cd: Christmas Oratorio (1 Gardiner)
70cd: Christmas Oratorio (2 Gardiner)
71cd: Christmas Oratorio (1 Chailly)
72cd: Christmas Oratorio (2 Chailly)
73cd: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74cd: Cantatas 134a, 203, 173a (1719-c. 1723)
75cd: Cantatas 36c, 205, 34a (1725-1726)
76cd: Cantatas 207, 204, 216a (1726-1728)
77cd: Cantatas 198, 201 (1727-1729)
78cd: Cantatas 213, 214 (1733)
79cd: Cantatas 211, 215 (1734)
80cd: Cantatas 206, 30a (1736-1737)
81cd: Cantatas 209, 210, 212 (1730s-1740s)
82cd: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83cd: Cantatas 56, 82, 4
84cd: Cantatas 31, 104, 57
85cd: Cantatas 199, 173, 74, 151
86cd: Easter Oratorio / Cantata 140
87cd: Cantatas 170, 159, 102
88cd: Cantatas 80, 52, 84, 209
89cd: Cantatas 82, 158, 56
90cd: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91cd: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92cd: Cantatas 92, 126, 182 (Easter)
93cd: Cantatas 1, 4, 67, 104 (Easter)
94cd: Cantatas 34, 68, 39 (Whitsun)
95cd: Cantatas 30, 147 (Whitsun)
96cd: Cantatas 76, 21 (Trinity)
97cd: Cantatas 135, 10, 45, 105 (Trinity)
98cd: Cantatas 51, 78, 8, 130 (Trinity)
99cd: Cantatas 27, 5, 60, 26 (Trinity)
100cd: St. Matthew Passion (1 Richter)
101cd: St. Matthew Passion (2 Richter)
102cd: St. Matthew Passion (3 Richter)
103cd: Great Singers (1952-1965)
104cd: Great Singers (1967-2011)
105cd: Great Singers (Period Instruments)
106cd: Organ Works (Introduction 1)
107cd: Organ Works (Introduction 2)
108cd: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109cd: Passacaglia & Fugue, BWV 582 / Other Weimar works
110cd: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111cd: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112cd: 6 Trio Sonatas, BWV 525-530 (Koopman)
113cd: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114cd: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115cd: Early Chorale Preludes / Chorale Partitas
116cd: Chorale Preludes (Mühlhausen & Weimar)
117cd: Breitkopf Collection, BWV 690-713
118cd: Orgelbüchlein (Preston)
119cd: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120cd: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121cd: 21 Chorale Preludes, BWV 669-689 (Walcha)
122cd: Clavier-Übung III (1) (Preston)
123cd: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124cd: Free Works of Unproven Authenticity
125cd: Chorale-Based Works of Unproven Authenticity (Fragments)
126cd: Keyboard Works (Introduction 1: Harpsichord)
127cd: Keyboard Works (Introduction 2: Piano)
128cd: Early Fugues & Capriccios
129cd: Early Suites & Sonatas
130cd: Toccatas, BWV 910-916
131cd: Virtuoso Fantasias & Fugues
132cd: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133cd: 2- & 3-Part Inventions / Preludes, BWV 924-943
134cd: English Suites 1-3 (Dreyfus)
135cd: English Suites 4-6 (Dreyfus)
136cd: French Suites 1-4 (Hogwood)
137cd: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138cd: Partitas 1, 2, 6 (Rousset)
139cd: Partitas 3-5 (Rousset)
140cd: Italian Concerto / French Overture / 4 Duets (Rousset)
141cd: The Well-Tempered Clavier, Book I (1 Gilbert)
142cd: The Well-Tempered Clavier, Book I (2 Gilbert)
143cd: The Well-Tempered Clavier, Book II (1 Gilbert)
144cd: The Well-Tempered Clavier, Book II (2 Gilbert)
145cd: Goldberg Variations (Rousset)
146cd: Goldberg Variations (Esfahani)
147cd: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148cd: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149cd: French Suites 1-3 (Perahia)
150cd: French Suites 4-6 (Perahia)
151cd: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152cd: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153cd: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154cd: The Well-Tempered Clavier, Book I (1 Pollini)
155cd: The Well-Tempered Clavier, Book I (2 Pollini)
156cd: The Well-Tempered Clavier, Book II (1 Schiff)
157cd: The Well-Tempered Clavier, Book II (2 Schiff)
158cd: Goldberg Variations (Schiff)
159cd: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160cd: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161cd: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162cd: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163cd: Orgelbüchlein (Walcha)
164cd: Brandenburg Concertos 1-6 (Goebel)
165cd: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166cd: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167cd: Orchestral Suites 1-3 (Goebel)
168cd: Orchestral Suites 2-4 (Goebel / Hogwood)
169cd: Orchestral Suites 1-4 (Pinnock)
170cd: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171cd: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172cd: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173cd: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174cd: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175cd: Brandenburg Concertos (Landmark Performances 1935-1964)
176cd: Brandenburg Concertos (Landmark Performances 1967-2013)
177cd: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178cd: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179cd: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180cd: Concertos (Alternative Instrumentations)
181cd: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182cd: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183cd: Suites for "Lute"
184cd: Cello Suites 1, 3, 5 (Watkin)
185cd: Cello Suites 2, 4, 6 (Watkin)
186cd: Violin Sonatas BWV 1014-1018
187cd: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188cd: 5 Flute Sonatas / Partita for Solo Flute
189cd: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190cd: Musical Offering / Canons (Goebel)
191cd: The Art of Fugue (Accademia Bizantina, Dantone)
192cd: The Art of Fugue (Aimard)
193cd: The Art of Fugue (1742) (Gilbert)
194cd: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195cd: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196cd: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197cd: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198cd: Cello Suites 1-3 (Fournier)
199cd: Cello Suites 4-6 (Fournier)
200cd: Solo & Chamber Works (Alternative Instrumentations)
201cd: Clavier-Büchlein W. F. Bach (1)
202cd: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203cd: Notenbüchlein A. M. Bach (1725) (1)
204cd: Notenbüchlein A. M. Bach (1725) (2)
205cd: Schemelli Gesangbuch BWV 439-474
206cd: Schemelli Gesangbuch BWV 475-507
207cd: Bach: Early Influences
208cd: Concertos at Weimar (Telemann / Prince Johann Ernst)
209cd: Concertos at Weimar (Vivaldi)
210cd: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211cd: The Bach Family
212cd: Bach & Other Composers (c. 1715-1730)
213cd: Bach & Other Composers (c. 1730-1742)
214cd: Bach & Other Composers (1742-1750)
215cd: Bach Renewed (From Bach's Sons to Mahler)
216cd: Bach Reimagined (Chaconne & Passacaglia)
217cd: Bach Orchestrated (Reger to Stokowski)
218cd: Inspired by Bach (Gounod to Pärt)
219cd: Bach & The Virtuoso Piano (Liszt and Busoni)
220cd: Bach & The Virtuoso Piano (The 20th Century)
221cd: Bach à la Jazz
222cd: New Colours of Bach
223dvd-video: Bach: A Passionate Life

Relaties

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ASIN:US: B07D2Y539K [info]
discografisch lemma:https://www.bach333.com/en/ [info]

Uitgavegroep

deel van:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (volgorde: 1)
eigen website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]