Bach 333 - J.S. Bach The New Complete Edition

~ Pubblicazione di Johann Sebastian Bach (visualizza tutte le versioni di questa pubblicazione: 11 disponibili)

Annotazione

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotazione modificata l'ultima volta il 2020-03-13 23:27 UTC.

Elenco tracce

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▼CD: Mass in B minor (2 Brüggen) / Missa BWV 233
#TitoloValutazioneDurata
1Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 1. Credo in unum Deum
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:02
2Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 2. Patrem omnipotentem
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:46
3Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 3. Et in unum Dominium
voce d’alto:
Michael Chance (British countertenor) (nel 1989-03)
voce di soprano:
Jennifer Smith (soprano) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:31
4Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 4. Et incarnatus est
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:05
5Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 5. Crucifixus
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:00
6Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 6. Et resurrexit
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:46
7Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 7. Et in Spiritum sanctum
voce di basso:
Harry van der Kamp (operatic bass) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:07
8Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 8. Confiteor
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:02
9Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 9. Et expecto
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:46
10Mass in B minor, BWV 232: Part III: Sanctus
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:11
11Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 1. Osanna in excelsis
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:26
12Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 2. Benedictus
voce di tenore:
Nico van der Meel (tenor) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:59
13Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 3. Osanna in excelsis
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:25
14Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 4. Agnus Dei
voce d’alto:
Michael Chance (British countertenor) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:08
15Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 5. Dona nobis pacem
cori:
Nederlands Kamerkoor (Netherlands Chamber Choir) (nel 1989-03)
orchestra:
Orchestra of the Eighteenth Century (nel 1989-03)
direttore d'orchestra:
Frans Brüggen (recorder player, baroque flautist, conductor) (nel 1989-03)
registrata presso:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Paesi Bassi, Kingdom of the Netherlands (nel 1989-03)
registrazione dal vivo di:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (nel 1989-03)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Dona nobis pacem
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:06
16Sanctus in C major, BWV 237
produttore:
Sieuwert Verster
orchestra:
Bach Collegium Japan
direttore d'orchestra:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (nel 2013-09)
tecnico di bilanciamento:
Jens Braun (classical engineer)
registrata presso:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Giappone
registrazione di:
Sanctus C-Dur, BWV 237
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 237)
1:31
17Sanctus in D major, BWV 238
produttore:
Christopher Adler (American composer & musician) e Christopher Alder (editor/engineer/producer)
voce d’alto e voce di controtenore:
Angus Davidson (Countertenor) (nel 1997-05)
voce di baritono e voce di basso:
Peter Harvey (bass-baritone) (nel 1997-05)
voce di soprano:
Ann Monoyios (soprano) (nel 1997-05)
voce di tenore:
Charles Daniels (tenor) (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
tecnico di bilanciamento:
Andrew Wedman (producer and engineer)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Sanctus D-Dur, BWV 238 (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 238)
2:35
18Missa in F major, BWV 233: 1. Kyrie
produttore:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania (nel 1738)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione di:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
parte di:
Messe F-Dur, BWV 233
5:03
19Missa in F major, BWV 233: 2. Gloria
produttore:
Christopher Adler (American composer & musician)
cori:
Gabrieli Consort (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania (nel 1738)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Messe F-Dur, BWV 233
5:09
20Missa in F major, BWV 233: 3. Domine Deus
produttore:
Christopher Adler (American composer & musician)
voce di basso:
Peter Harvey (bass-baritone) (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania (nel 1738)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Messe F-Dur, BWV 233
3:39
21Missa in F major, BWV 233: 4. Qui tollis
produttore:
Christopher Adler (American composer & musician)
voce di soprano:
Ann Monoyios (soprano) (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania (nel 1738)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
parte di:
Messe F-Dur, BWV 233
5:23
22Missa in F major, BWV 233: 5. Quoniam
produttore:
Christopher Adler (American composer & musician)
voce d’alto:
Angus Davidson (Countertenor) (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Missa in F major, BWV 233: Quoniam tu solus sanctus (for organ, Isoir) (nel 1997-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiatore organo :
André Isoir (organist)
arrangiamento di:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
3:18
23Missa in F major, BWV 233: 6. Cum Sancto Spiritu
produttore:
Christopher Adler (American composer & musician)
cori:
Gabrieli Consort (nel 1997-05)
orchestra:
Gabrieli Players (nel 1997-05)
direttore d'orchestra:
Paul McCreesh (conductor) (nel 1997-05)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1998)
registrata presso:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germania (nel 1997-05)
registrazione di:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (nel 1997-05)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania
ha composto a:
Leipzig, Sachsen (Saxony), Germania (nel 1738)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
parte di:
Messe F-Dur, BWV 233
2:30
24Kyrie in F major, BWV 233a
produttore:
Johannes Kammann
orchestra:
Die Kölner Akademie
direttore d'orchestra:
Michael Alexander Willens (conductor)
registrata presso:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 2018-01)
registrazione di:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 233a) e Bach Compendium (numero: BC E 7)
3:11
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Accreditamenti

Pubblicazione

ASIN:US: B07D2Y539K [info]
voce della discografia:https://www.bach333.com/en/ [info]

Gruppo di pubblicazioni

parte di:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (ordine: 1)
sito web a sé stante:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]