The Complete Wilhelm Furtwängler on Record

~ Release by Wilhelm Furtwängler (see all versions of this release, 1 available)

Annotation

A 55-CD collection of Wilhelm Furtwängler's complete studio recordings. Remastered in high definition (192 kHz/24-bit) from the original tapes or best available sources by Art & Son Studio, Annecy.

Fidelio (discs 48-49) is listed in the collection booklet and CD sleeve notes as op. 62. The tracklist entered here was corrected to be the proper op. 72.

https://www.amazon.fr/Complete-Furtwangler-Record-Wilhelm/dp/B095L94DT1/ref=sr_1_1?crid=1M4CFO3A81B8S&keywords=the+complete+wilhelm+furtw%C3%A4ngler+on+record&qid=1640426633&sprefix=the+complete%2Caps%2C90&sr=8-1

Annotation last modified on 2022-04-13 19:03 UTC.

Tracklist

1▶CD: Weber / Beethoven / Mendelssohn / Bach / Schubert
2▶CD: Wagner / Schubert / R. Strauss
3▶CD: Mendelssohn / Berlioz / Dvořák / Bach / Rossini / Brahms / Weber
4▶CD: Wagner / Beethoven / Mozart / Rossini / Weber / J. Strauss II
5▶CD: Beethoven: Symphony no. 9
6▶CD: Wagner: Die Walküre Act III
7▶CD: Wagner: Die Götterdämmerung Excerpts I
8▶CD: Wagner: Die Götterdämmerung Excerpts II
9▶CD: Beethoven: Symphony no. 5 / Wagner: Tristan und Isolde Excerpts / Parsifal Excerpts
10▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
11▶CD: Furtwängler / Beethoven / Bruckner / Gluck
12▶CD: Brahms: Haydn Variations / Beethoven: Symphony no. 6 “Pastoral”
13▶CD: Beethoven: Violin Concerto
14▶CD: Beethoven: Symphony no. 3 “Eroica” / Coriolan Overture
15▶CD: Mozart: Serenade “Gran Partita”
16▶CD: Brahms: Symphony no. 1
17▶CD: Brahms: Symphony no. 2
18▶CD: Wagner: Die Götterdämmerung, Act III / Mendelssohn: Hebrides Overture / Mozart: Symphony no. 40
19▶CD: Wagner: Siegfried Idyll / Tannhäuser / Die Götterdämmerung / Der fliegende Holländer Excerpts
20▶CD: Brahms / Wagner / Berlioz / Mozart / Brahms / Wagner
21▶CD: Wagner: Lohengrin (Prelude to Act I) / Brahms: Violin Concerto
22▶CD: Beethoven: Symphony no. 7 / Schubert: Symphony no. 8 “Unfinished”
23▶CD: R. Strauss / J. Strauss II / Beethoven
24▶CD: Wagner / Weber / Schubert / Tchaikovsky / Strauss / Mozart
25▶CD: Schubert / Tchaikovsky / Cherubini
26▶CD: Haydn / Nicolai / Schumann / Smetana
27▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Mendelssohn: Violin Concerto
28▶CD: Beethoven: Symphony no. 9 “Choral”
29▶CD: Schubert / Furtwängler
30▶CD: Furtwängler / Haydn
31▶CD: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
32▶CD: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
33▶CD: Beethoven: Symphony no. 3 “Eroica”
34▶CD: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
35▶CD: Beethoven: Violin Concerto / Romances nos. 1 & 2
36▶CD: Schumann: Symphony no. 4 / Franck: Symphony in D minor
37▶CD: Bartók: Violin Concerto no. 2
38▶CD: Beethoven: Symphony no. 5
39▶CD: Wagner / R. Strauss / Liszt
40▶CD: Wagner / Weber / Gluck / Beethoven
41▶CD: Bach: Matthäus-Passion (First Part)
42▼CD: Bach: Matthäus-Passion (Second Part beginning)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:47
2Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
3Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:36
4Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:53
5Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:48
6Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:44
7Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:22
8Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:35
9Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1954-04-14 until 1954-04-17)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:00
10Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
11Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:01
12Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
13Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
14Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:42
15Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:12
16Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:22
17Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
18Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:23
19Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:20
43▶CD: Bach: Matthäus-Passion (Second Part conclusion)
44▶CD: Wagner: Tristan und Isolde (Act I beginning)
45▶CD: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
46▶CD: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
47▶CD: Wagner: Tristan und Isolde (Act III conclusion)
48▶CD: Beethoven: Fidelio (Act I)
49▶CD: Beethoven: Fidelio (Act II)
50▶CD: Wagner: Die Walküre (Act I)
51▶CD: Wagner: Die Walküre (Act II beginning)
52▶CD: Wagner: Die Walküre (Act II conclusion)
53▶CD: Wagner: Die Walküre (Act III)
54▶CD: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
55▶CD: Bonus - Documentary: Wilhelm Furtwängler - A Memoir