The Complete Wilhelm Furtwängler on Record

~ Release by Wilhelm Furtwängler (see all versions of this release, 1 available)

Annotation

A 55-CD collection of Wilhelm Furtwängler's complete studio recordings. Remastered in high definition (192 kHz/24-bit) from the original tapes or best available sources by Art & Son Studio, Annecy.

Fidelio (discs 48-49) is listed in the collection booklet and CD sleeve notes as op. 62. The tracklist entered here was corrected to be the proper op. 72.

https://www.amazon.fr/Complete-Furtwangler-Record-Wilhelm/dp/B095L94DT1/ref=sr_1_1?crid=1M4CFO3A81B8S&keywords=the+complete+wilhelm+furtw%C3%A4ngler+on+record&qid=1640426633&sprefix=the+complete%2Caps%2C90&sr=8-1

Annotation last modified on 2022-04-13 19:03 UTC.

Tracklist

1▶CD: Weber / Beethoven / Mendelssohn / Bach / Schubert
2▶CD: Wagner / Schubert / R. Strauss
3▶CD: Mendelssohn / Berlioz / Dvořák / Bach / Rossini / Brahms / Weber
4▶CD: Wagner / Beethoven / Mozart / Rossini / Weber / J. Strauss II
5▶CD: Beethoven: Symphony no. 9
6▶CD: Wagner: Die Walküre Act III
7▶CD: Wagner: Die Götterdämmerung Excerpts I
8▶CD: Wagner: Die Götterdämmerung Excerpts II
9▶CD: Beethoven: Symphony no. 5 / Wagner: Tristan und Isolde Excerpts / Parsifal Excerpts
10▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
11▶CD: Furtwängler / Beethoven / Bruckner / Gluck
12▶CD: Brahms: Haydn Variations / Beethoven: Symphony no. 6 “Pastoral”
13▶CD: Beethoven: Violin Concerto
14▶CD: Beethoven: Symphony no. 3 “Eroica” / Coriolan Overture
15▶CD: Mozart: Serenade “Gran Partita”
16▶CD: Brahms: Symphony no. 1
17▶CD: Brahms: Symphony no. 2
18▶CD: Wagner: Die Götterdämmerung, Act III / Mendelssohn: Hebrides Overture / Mozart: Symphony no. 40
19▶CD: Wagner: Siegfried Idyll / Tannhäuser / Die Götterdämmerung / Der fliegende Holländer Excerpts
20▶CD: Brahms / Wagner / Berlioz / Mozart / Brahms / Wagner
21▶CD: Wagner: Lohengrin (Prelude to Act I) / Brahms: Violin Concerto
22▶CD: Beethoven: Symphony no. 7 / Schubert: Symphony no. 8 “Unfinished”
23▶CD: R. Strauss / J. Strauss II / Beethoven
24▶CD: Wagner / Weber / Schubert / Tchaikovsky / Strauss / Mozart
25▶CD: Schubert / Tchaikovsky / Cherubini
26▶CD: Haydn / Nicolai / Schumann / Smetana
27▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Mendelssohn: Violin Concerto
28▶CD: Beethoven: Symphony no. 9 “Choral”
29▶CD: Schubert / Furtwängler
30▶CD: Furtwängler / Haydn
31▶CD: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
32▶CD: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
33▶CD: Beethoven: Symphony no. 3 “Eroica”
34▶CD: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
35▶CD: Beethoven: Violin Concerto / Romances nos. 1 & 2
36▶CD: Schumann: Symphony no. 4 / Franck: Symphony in D minor
37▶CD: Bartók: Violin Concerto no. 2
38▶CD: Beethoven: Symphony no. 5
39▶CD: Wagner / R. Strauss / Liszt
40▶CD: Wagner / Weber / Gluck / Beethoven
41▼CD: Bach: Matthäus-Passion (First Part)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: First Part. Hall ambience
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
[no artist]1:13
2Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:14
3Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
4Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1954-04-14 until 1954-04-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:41
5Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
6Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:18
7Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:38
8Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:38
9Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:58
10Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:24
11Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
12Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:43
13Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:40
14Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:16
15Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:28
16Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:01
17Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:32
18Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:10
19Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:54
20Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:33
21Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:56
22Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
23Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:13
24Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:07
25Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:25
26Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
27Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:33
28Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:37
29Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:04
30Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:42
31Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:44
32Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
33Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:27
42▶CD: Bach: Matthäus-Passion (Second Part beginning)
43▶CD: Bach: Matthäus-Passion (Second Part conclusion)
44▶CD: Wagner: Tristan und Isolde (Act I beginning)
45▶CD: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
46▶CD: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
47▶CD: Wagner: Tristan und Isolde (Act III conclusion)
48▶CD: Beethoven: Fidelio (Act I)
49▶CD: Beethoven: Fidelio (Act II)
50▶CD: Wagner: Die Walküre (Act I)
51▶CD: Wagner: Die Walküre (Act II beginning)
52▶CD: Wagner: Die Walküre (Act II conclusion)
53▶CD: Wagner: Die Walküre (Act III)
54▶CD: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
55▶CD: Bonus - Documentary: Wilhelm Furtwängler - A Memoir