The Complete Wilhelm Furtwängler on Record

~ Release by Wilhelm Furtwängler (see all versions of this release, 1 available)

Annotation

A 55-CD collection of Wilhelm Furtwängler's complete studio recordings. Remastered in high definition (192 kHz/24-bit) from the original tapes or best available sources by Art & Son Studio, Annecy.

Fidelio (discs 48-49) is listed in the collection booklet and CD sleeve notes as op. 62. The tracklist entered here was corrected to be the proper op. 72.

https://www.amazon.fr/Complete-Furtwangler-Record-Wilhelm/dp/B095L94DT1/ref=sr_1_1?crid=1M4CFO3A81B8S&keywords=the+complete+wilhelm+furtw%C3%A4ngler+on+record&qid=1640426633&sprefix=the+complete%2Caps%2C90&sr=8-1

Annotation last modified on 2022-04-13 19:03 UTC.

Tracklist

1▶CD: Weber / Beethoven / Mendelssohn / Bach / Schubert
2▶CD: Wagner / Schubert / R. Strauss
3▶CD: Mendelssohn / Berlioz / Dvořák / Bach / Rossini / Brahms / Weber
4▶CD: Wagner / Beethoven / Mozart / Rossini / Weber / J. Strauss II
5▶CD: Beethoven: Symphony no. 9
6▶CD: Wagner: Die Walküre Act III
7▶CD: Wagner: Die Götterdämmerung Excerpts I
8▶CD: Wagner: Die Götterdämmerung Excerpts II
9▶CD: Beethoven: Symphony no. 5 / Wagner: Tristan und Isolde Excerpts / Parsifal Excerpts
10▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
11▶CD: Furtwängler / Beethoven / Bruckner / Gluck
12▶CD: Brahms: Haydn Variations / Beethoven: Symphony no. 6 “Pastoral”
13▶CD: Beethoven: Violin Concerto
14▶CD: Beethoven: Symphony no. 3 “Eroica” / Coriolan Overture
15▶CD: Mozart: Serenade “Gran Partita”
16▶CD: Brahms: Symphony no. 1
17▶CD: Brahms: Symphony no. 2
18▶CD: Wagner: Die Götterdämmerung, Act III / Mendelssohn: Hebrides Overture / Mozart: Symphony no. 40
19▶CD: Wagner: Siegfried Idyll / Tannhäuser / Die Götterdämmerung / Der fliegende Holländer Excerpts
20▶CD: Brahms / Wagner / Berlioz / Mozart / Brahms / Wagner
21▶CD: Wagner: Lohengrin (Prelude to Act I) / Brahms: Violin Concerto
22▶CD: Beethoven: Symphony no. 7 / Schubert: Symphony no. 8 “Unfinished”
23▶CD: R. Strauss / J. Strauss II / Beethoven
24▶CD: Wagner / Weber / Schubert / Tchaikovsky / Strauss / Mozart
25▶CD: Schubert / Tchaikovsky / Cherubini
26▶CD: Haydn / Nicolai / Schumann / Smetana
27▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Mendelssohn: Violin Concerto
28▶CD: Beethoven: Symphony no. 9 “Choral”
29▶CD: Schubert / Furtwängler
30▶CD: Furtwängler / Haydn
31▶CD: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
32▶CD: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
33▶CD: Beethoven: Symphony no. 3 “Eroica”
34▶CD: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
35▶CD: Beethoven: Violin Concerto / Romances nos. 1 & 2
36▶CD: Schumann: Symphony no. 4 / Franck: Symphony in D minor
37▶CD: Bartók: Violin Concerto no. 2
38▶CD: Beethoven: Symphony no. 5
39▶CD: Wagner / R. Strauss / Liszt
40▶CD: Wagner / Weber / Gluck / Beethoven
41▶CD: Bach: Matthäus-Passion (First Part)
42▶CD: Bach: Matthäus-Passion (Second Part beginning)
43▼CD: Bach: Matthäus-Passion (Second Part conclusion)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
2Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:47
3Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:24
4Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:21
5Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:15
6Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:34
7Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:50
8Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:35
9Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:51
10Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:37
11Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:39
12Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
tenor vocals:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:41
13Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:34
44▶CD: Wagner: Tristan und Isolde (Act I beginning)
45▶CD: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
46▶CD: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
47▶CD: Wagner: Tristan und Isolde (Act III conclusion)
48▶CD: Beethoven: Fidelio (Act I)
49▶CD: Beethoven: Fidelio (Act II)
50▶CD: Wagner: Die Walküre (Act I)
51▶CD: Wagner: Die Walküre (Act II beginning)
52▶CD: Wagner: Die Walküre (Act II conclusion)
53▶CD: Wagner: Die Walküre (Act III)
54▶CD: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
55▶CD: Bonus - Documentary: Wilhelm Furtwängler - A Memoir