The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Opera Arias (1947)
2▶CD: Choruses / Rosenkavalier And Salome Excerpts.
3▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
8▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22▶CD: Arias and Orchestral Music – 1954
23▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25▶CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26▶CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30▶CD: Falstaff (Philharmonia Orchestra & Chorus)
31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41▶CD: Don Carlo (1884 4 Act Version)
42▶CD: Don Carlo (1884 4 Act Version)
43▶CD: Don Carlo (1884 4 Act Version)
44▶CD: Otello (Berliner Philharmoniker)
45▶CD: Otello (Berliner Philharmoniker)
46▶CD: Il Trovatore (Berliner Philharmoniker)
47▶CD: Il Trovatore (Berliner Philharmoniker)
48▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51▶CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52▶CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53▶CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57▶CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61▶CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62▶CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63▶CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64▶CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65▶CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66▶CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67▶CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68▼CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
#TitleArtistRatingLength
1Madama Butterfly: Act I. "E soffitto… e pareti…"
producer:
Walter Legge (British classical producer)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:12
2Madama Butterfly: Act I. "Questa è la cameriera"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:14
3Madama Butterfly: Act I. "Dovunque al mondo"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:15
4Madama Butterfly: Act I. "Quale smania vi prende!"
producer:
Walter Legge (British classical producer)
baritone vocals:
Mario Borriello (baritone)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:02
5Madama Butterfly: Act I. "Quanto cielo!… Ancora un passo or via"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:00
6Madama Butterfly: Act I. "Gran ventura"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:41
7Madama Butterfly: Act I. "L'Imperial Commissario"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:32
8Madama Butterfly: Act I. "Vieni, amor mio!"
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:37
9Madama Butterfly: Act I. "Ieri son salita tutta sola"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
bass vocals [Il commissario]:
Enrico Campi (operatic bass-baritone) (from 1955-08-01 until 1955-08-06)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini5:05
10Madama Butterfly: Act I. "Ed eccoci in famiglia"
producer:
Walter Legge (British classical producer)
bass vocals [Il bonzo]:
Plinio Clabassi (operatic bass) (from 1955-08-01 until 1955-08-06)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
chorus master:
Norberto Mola (chorus master) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini5:33
11Madama Butterfly: Act I. "Viene la sera"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:20
12Madama Butterfly: Act I. "Bimba dagli occhi pieni di malìa"
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:36
13Madama Butterfly: Act I. "Vogliatemi bene, un bene piccolino"
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:23
14Madama Butterfly: Act II. "E Izaghi ed Izanami"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Suzuki]:
Lucia Danieli (mezzo-soprano) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini7:19
15Madama Butterfly: Act II. "Un bel dì vedremo"
producer:
Walter Legge (British classical producer)
editor:
Jennifer Howells
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:38
16Madama Butterfly: Act II. "C'è. Entrate"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:29
17Madama Butterfly: Act II. "Non lo sapete insomma"
producer:
Walter Legge (British classical producer)
baritone vocals [Sharpless]:
Mario Borriello (baritone) (from 1955-08-01 until 1955-08-06)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [Goro]:
Renato Ercolani (tenor) (from 1955-08-01 until 1955-08-06)
tenor vocals [Yamadori]:
Mario Carlin (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:54
69▶CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70▶CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71▶CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)