Tracklist

1CD: Opera Arias (1947)
2CD: Choruses / Rosenkavalier And Salome Excerpts.
3CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7CD: Salome (Wiener Philharmoniker)
8CD: Salome (Wiener Philharmoniker)
9CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15CD: Missa Solemnis in D major
16CD: Missa Solemnis in D major, Mozart, Strauss
17CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19CD: Così fan tutte (Philharmonia Orchestra & Chorus)
#TitleArtistRatingLength
1Così fan tutte: Ouverture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Ouvertura (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:12
2Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:48
3Così fan tutte: Atto I. “Cessate di scherzar”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Cessate di scherzar” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:49
4Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:18
5Così fan tutte: Atto I. Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:52
6Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:23
7Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:42
8Così fan tutte: Atto I. “Mi par che stamattina”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:30
9Così fan tutte: Atto I. “Barbaro fato!” / No. 5: “Vorrei dir, e cor non ho”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:44
10Così fan tutte: Atto I. “Stelle! Per carità, Signor Alfonso”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:41
11Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:38
12Così fan tutte: Atto I. “O cielo, questo è il tamburo funesto”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “O cielo, questo è il tamburo funesto” (Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:23
13Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:50
14Così fan tutte: Atto I. “Non v’è più tempo”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:25
15Così fan tutte: Atto I. “Muoio d’affano!” / No. 9: “Di scrivermi ogni giorno” / No. 8a: “Bella vita militar”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 8a Coro “Bella vita militar!” (Coro) (ripresa) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:44
16Così fan tutte: Atto I. “Oh Dei, come veloce se ne va quella barca!”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Dove son?… Son partiti” (Dorabella, Don Alfonso, Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:37
17Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:21
18Così fan tutte: Atto I. “Quanto smorfie… quante buffonerie!”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:53
19Così fan tutte: Atto I. “Che vita maledetta”
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:52
20Così fan tutte: Atto I. “Ah scostati! / No. 11: "Smanie implacabili che m’agitate”
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:44
21Così fan tutte: Atto I. “Signora Dorabella, Signora Fiordiligi”
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:05
22Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:19
23Così fan tutte: Atto I. “Despinatte!” … “Chi batte?”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:48
24Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:41
25Così fan tutte: Atto I. “O, ciel!”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:43
26Così fan tutte: Atto I. No. 14: “Come scoglio immoto resta”
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:44
27Così fan tutte: Atto I. “Ah, non partite!”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:28
28Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:29
29Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:00
30Così fan tutte: Atto I. “E avete ancora coraggio di fiatar?”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:24
31Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa” (Ferrando)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:36
32Così fan tutte: Atto I. “E come credi che l’affar finirà?”
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. Recitativo “Oh la saria da ridere” (Don Alfonso, Despina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:50
20CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22CD: Arias and Orchestral Music – 1954
23CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30CD: Falstaff (Philharmonia Orchestra & Chorus)
31CD: Falstaff (Philharmonia Orchestra & Chorus)
32CD: Fidelio (Berliner Philharmoniker)
33CD: Fidelio (Berliner Philharmoniker)
34CD: Missa Solemnis in D major
35CD: Ein deutsches Requiem, Op. 45
36CD: Pelléas et Mélisande (Berliner Philharmoniker)
37CD: Pelléas et Mélisande (Berliner Philharmoniker)
38CD: Pelléas et Mélisande (Berliner Philharmoniker)
39CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41CD: Don Carlo (1884 4 Act Version)
42CD: Don Carlo (1884 4 Act Version)
43CD: Don Carlo (1884 4 Act Version)
44CD: Otello (Berliner Philharmoniker)
45CD: Otello (Berliner Philharmoniker)
46CD: Il Trovatore (Berliner Philharmoniker)
47CD: Il Trovatore (Berliner Philharmoniker)
48CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)