The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Opera Arias (1947)
2▶CD: Choruses / Rosenkavalier And Salome Excerpts.
3▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
4▶CD: Die Zauberflöte (Orquesta Filarmónica de Viena)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▼CD: Salome (Wiener Philharmoniker)
#TitleArtistRatingLength
1Salome, Op. 54: "Wie schön ist die Prinzessin Salome heute Nacht!"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:52
2Salome, Op. 54: "Nach mir wird Einer kommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Ein Cappadocier]:
Helge von Bömches (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
3Salome, Op. 54: "Ich will nicht bleiben"
producer:
Michel Glotz
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:49
4Salome, Op. 54: "Siehe, der Herr ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Ein Sklave]:
Horst Nitsche (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:38
5Salome, Op. 54: "Jauchze nicht, du Land Palästina"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:26
6Salome, Op. 54: "Du wirst das für mich tun"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:22
7Salome, Op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:37
8Salome, Op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:48
9Salome, Op. 54: "Wird dir nicht bange, Tochter der Herodias?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:27
10Salome, Op. 54: "Wo ist Salome? Wo ist die Prinzessin?"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:38
11Salome, Op. 54: "Es ist kalt hier. Es weht ein Wind"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:27
12Salome, Op. 54: "Salome, komm, trink Wein mit mir"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:49
13Salome, Op. 54: "Sieh, die Zeit ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:54
14Salome, Op. 54: "Warhaftig, Herr es wäre besser"
producer:
Michel Glotz
baritone vocals [Fünfter Jude]:
Erich Kunz (baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (Belgian 20th century operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Dritter Jude]:
Martin Vantin (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Vierter Jude]:
Gerhard Unger (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Jude]:
David Knutson (operatic tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:58
15Salome, Op. 54: "Siehe, der Tag ist nahe, der Tag des Herrn"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (Belgian 20th century operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Nazarener]:
Dieter Ellenbeck (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (James Locke, engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:03
8▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
11▶CD: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
12▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
13▶CD: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
14▶CD: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
15▶CD: Missa Solemnis in D major
16▶CD: Missa Solemnis in D major, Mozart, Strauss
17▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
18▶CD: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
19▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
20▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
21▶CD: Così fan tutte (Philharmonia Orchestra & Chorus)
22▶CD: Arias and Orchestral Music – 1954
23▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
24▶CD: Die Fledermaus (Philharmonia Orchestra & Chorus)
25▶CD: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
26▶CD: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
27▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
28▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
29▶CD: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
30▶CD: Falstaff (Philharmonia Orchestra & Chorus)
31▶CD: Falstaff (Philharmonia Orchestra & Chorus)
32▶CD: Fidelio (Berliner Philharmoniker)
33▶CD: Fidelio (Berliner Philharmoniker)
34▶CD: Missa Solemnis in D major
35▶CD: Ein deutsches Requiem, Op. 45
36▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
37▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
38▶CD: Pelléas et Mélisande (Berliner Philharmoniker)
39▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
40▶CD: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
41▶CD: Don Carlo (1884 4 Act Version)
42▶CD: Don Carlo (1884 4 Act Version)
43▶CD: Don Carlo (1884 4 Act Version)
44▶CD: Otello (Berliner Philharmoniker)
45▶CD: Otello (Berliner Philharmoniker)
46▶CD: Il Trovatore (Berliner Philharmoniker)
47▶CD: Il Trovatore (Berliner Philharmoniker)
48▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
49▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
50▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
51▶CD: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
52▶CD: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
53▶CD: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
54▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
55▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
56▶CD: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
57▶CD: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
58▶CD: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
59▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
60▶CD: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
61▶CD: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
62▶CD: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
63▶CD: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
64▶CD: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
65▶CD: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
66▶CD: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
67▶CD: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
68▶CD: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
69▶CD: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
70▶CD: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
71▶CD: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)