Whatever: The ’90s Pop & Culture Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Itszoweezee (Hot)
recording engineer:
Tim Latham the "international sound pimp"
assistant engineer:
Sean Coffey (US recording engineer)
producer:
De La Soul
mixer:
Tim Latham
recorded at and mixed at:
Platinum Island in New York, New York, United States
recording of:
Itzsoweezee (Hot)
composer:
Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos) and Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul4:49
2Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:15
3Radiation Vibe
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 380)
recording of:
Radiation Vibe
writer:
Chris Collingwood and Adam Schlesinger
Fountains of Wayne3.653:41
4The Impression That I Get
music videos:
The Impression That I Get by The Mighty Mighty Bosstones
recording of:
The Impression That I Get
writer:
Dicky Barrett and Joe Gittleman
The Mighty Mighty Bosstones4.13:15
5Turn It On
recording engineer and producer:
John Goodmanson (from 1996-12 until 1997-01)
recorded at:
John and Stu’s Place in Seattle, Washington, United States (from 1996-12 until 1997-01)
recording of:
Turn It On (from 1996-12 until 1997-01)
writer:
Carrie Brownstein, Corin Tucker and Janet Weiss
publisher:
Code Word Nemesis
Sleater‐Kinney3.752:47
6Bitch
drum machine [drum/loop] programming:
Geza X
assistant engineer:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
engineer:
Jim Ebert and Geza X
producer:
Geza X
mixer:
Jim Ebert
acoustic guitar, electric guitar and background vocals:
Meredith Brooks (US singer/songwriter and guitarist)
bass and fretless bass:
Paul Bushnell (session bassist, producer and music director)
drums (drum set):
Josh Freese (American drummer)
keyboard [keyboards]:
David Ricketts (of David & David)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at:
City Lab Sound Design in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks3.854:12
7Mmmbop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
guitar:
Isaac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 61)
recording of:
MMMBop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.54:28
8Brian Wilson (live)
live recording of:
Brian Wilson (in 1996)
lyricist and composer:
Steven Page (Barenaked Ladies)
publisher:
Treat Baker Music Inc. (in 1992)
Barenaked Ladies34:46
9Brick
Ben Folds Five4:33
10Sex and Candy
engineer:
Ken Gioia and Jim Sabella
producer:
John Wozniak (Marcy Playground singer & guitarist)
mixer:
Ken Gioia and Marcy Playground
acoustic guitar and electric guitar:
John Wozniak (Marcy Playground singer & guitarist)
bass and drums (drum set):
Jared Kotler
vocals:
John Wozniak (Marcy Playground singer & guitarist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at and mixed at:
Sabella Studios in Roslyn, New York, United States
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 285)
recording of:
Sex and Candy
lyricist and composer:
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground3.92:53
11Walking on the Sun
lead vocals:
Steve Harwell
music videos:
Walkin’ on the Sun by Smash Mouth (US rock band from San Jose, CA)
recording of:
Walkin’ on the Sun
publisher:
Smash Mouth (US rock band from San Jose, CA)
writer:
Smash Mouth (US rock band from San Jose, CA)
Smash Mouth4.153:25
12Tubthumping
edit of:
Tubthumping (album version) by Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba4.353:58
136 Underground
engineer:
Jim Abbiss
producer and mixer:
Jim Abbiss and Line of Flight
samples:
Golden Girl (stereo) by John Barry (English score composer)
recording of:
6 Underground
orchestrator:
Richard Benbow and Simon Warner
composer:
John Barry (English score composer), Chris Corner, Liam Howe and Ian Pickering
Sneaker Pimps4.64:06
14Lullaby
recording of:
Lullaby
lyricist and composer:
Shawn Mullins
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Roadieodie Music Inc.
Shawn Mullins5:28
15Slide
assistant engineer:
Greg Collins (engineer) and Darrell Thorp (record producer, mixer and engineer)
engineer:
Ken Allardyce
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph‐Puig
bass:
Robby Takac
drums (drum set):
Mike Malinin
guitar family:
John Rzeznik
vocals:
John Rzeznik and Robby Takac
recording of:
Slide (Goo Goo Dolls song)
lyricist and composer:
John Rzeznik
Goo Goo Dolls3.53:33
16Kiss Me
engineer and mixer:
Russ Long (engineer)
drums (drum set) and percussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographic copyright (℗) by:
Squint Entertainment (in 1998)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 15)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.33:27
17Steal My Sunshine
recording of:
Steal My Sunshine
writer:
Marc Costanzo and Gregg Diamond
publisher:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) and Gregg Diamond Music
is based on:
More, More, More
LEN53:59
18What It’s Like
engineer:
John Gamble (member of the SD50s)
producer:
Everlast (US rapper/singer/songwriter Erik Schrody), John Gamble (member of the SD50s) and Dante Ross
mixer:
Jamie Staub
bass:
Ben Bocardo
cello:
Elizabeth Wright
guitar family:
Everlast (US rapper/singer/songwriter Erik Schrody)
viola:
John Wang
violin:
Alen C. Agadhzhanyan and Jacqueline Suzuki
strings arranger:
Giovanni Loria and SD50’s
recording of:
What It’s Like (Everlast)
lyricist and composer:
Erik Schrody
Everlast4.15:03
19Natural Blues
mixed in:
Sheffield, South Yorkshire, England, United Kingdom
engineer and producer:
Moby (electronic musician Richard Melville Hall)
mixer:
I Monster
performer:
Moby (electronic musician Richard Melville Hall)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1999)
samples:
Trouble So Hard by Vera Hall
recording of:
Natural Blues
writer:
Vera Hall, Alan Lomax (US ethnomusicologist) and Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Trouble So Hard
Moby3.54:13