Whatever: The ’90s Pop & Culture Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Shine
engineer and mixer:
Matthew Serletic and Ed Roland
producer:
Ed Roland
bass:
Will Turpin
drums (drum set):
Shane Evans
guitar:
Dean Roland and Ed Roland
guitar [lead guitar]:
Ross Childress
vocals:
Ed Roland
arranger:
Ed Roland
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1993)
produced for:
Rising Storm Productions
recorded at and mixed at:
MSE Studios in Miami, Florida, United States, Real 2 Reel Studios (original location, Stockbridge 76-00) in Stockbridge, Georgia, United States and Rising Storm Studios in Atlanta, Georgia, United States
recording of:
Shine
lyricist and composer:
Ed Roland
publisher:
Roland/Lentz Music
Collective Soul4.655:07
2Far Behind
assistant engineer:
Jon Plum
engineer:
Kelly Gray
producer and mixer:
Candlebox and Kelly Gray
bass:
Bardi Martin
drums (drum set):
Scott Mercado
guitar:
Peter Klett
vocals:
Kevin Martin (Candlebox vocalist)
recorded at:
Robert Lang Studios in Shoreline, Washington, United States (on 1992-04-19)
recording of:
Far Behind
lyricist:
Kevin Martin (Candlebox vocalist)
composer:
Candlebox
Candlebox4.64:56
3You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree3.354:07
4Girl, You’ll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:10
5She Don’t Use Jelly
recording of:
She Don’t Use Jelly
writer:
Wayne Coyne, Steven Drozd, Michael Ivins and Ronald Jones (guitarist for the Flaming Lips)
The Flaming Lips3:25
6M.I.A.
7 Year Bitch3:54
721st Century (Digital Boy)
producer:
Bad Religion (in 1990-05)
drums (drum set):
Pete Finestone (US drummer, Bad Religion) (in 1990-05)
electric bass guitar:
Jay Bentley (in 1990-05)
electric guitar:
Brett Gurewitz (guitarist and songwriter in Bad Religion) (in 1990-05) and Greg Hetson (in 1990-05)
lead vocals:
Greg Graffin (in 1990-05)
recording of:
21st Century (Digital Boy) (in 1990-05)
lyricist and composer:
Brett Gurewitz (guitarist and songwriter in Bad Religion)
Bad Religion4.452:48
8Sugar Free Jazz
recording engineer and mixer:
Tchad Blake
engineer:
John Paterno
producer:
Tchad Blake and Soul Coughing
recording of:
Sugar Free Jazz
writer:
Soul Coughing
Soul Coughing33:54
9Mockingbirds
recording of:
Mockingbirds
lyricist and composer:
Grant Lee Phillips (American singer‐songwriter and multi‐instrumentalist)
Grant Lee Buffalo4.54:40
10What’s the Frequency, Kenneth?
additional engineer:
David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
engineer:
Pat McCarthy
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Victor Janacua
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1994)
recorded at:
Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Louie’s Clubhouse in Los Angeles, California, United States
music videos:
What’s the Frequency, Kenneth? (music video) by R.E.M. (American rock band)
recording of:
What’s the Frequency, Kenneth?
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.23:59
11Revolve
recording of:
Revolve
lyricist:
Buzz Osborne
composer:
Mark Deutrom and Buzz Osborne
Melvins4:44
12Buddy Holly
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
performer:
Weezer (American rock band)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 484) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 497)
recording of:
Buddy Holly (from 1993-08 until 1993-09)
lyricist, writer and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.252:40
13Here and Now
producer:
Mike Denneen
bass guitar [bass]:
Scott Riebling
drums (drum set) [drums]:
Stacy Jones (US musician, songwriter, producer; in American Hi-Fi, Letters to Cleo)
guitar:
Michael Eisenstein and Greg McKenna
background vocals [backing vocals]:
Mary Beth Ramshy
vocals:
Kay Hanley
recording of:
Here & Now
writer:
Letters to Cleo
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Rebecca Lula Music
Letters to Cleo43:39
14Good
recording engineer and producer:
Dan Rothchild
phonographic copyright (℗) by:
Swell Records (label associated with Better Than Ezra) (in 1993) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1995)
recording of:
Good
lyricist and composer:
Kevin Griffin (member of Better Than Ezra)
Better Than Ezra4.253:06
15Run‐Around
additional assistant recording engineer:
Brian Sperber
assistant recording engineer:
Todd Vos
engineer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
producer and mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional assistant mixer:
Jay Ryan (recording engineer)
assistant mixer:
Eric Thompson (Sound and mixing engineer)
acoustic guitar, electric guitar and mandolin:
Chan Kinchla
bass and fretless bass:
Bobby Sheehan
drums (drum set) and percussion:
Brendan Hill (Blues Traveler)
harmonica and background vocals and lead vocals:
John Popper
keyboard and piano:
Chuck Leavell
percussion:
Bashiri Johnson
arranger:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Blues Traveler and Steve Thompson (producer)
music videos:
Run-Around by Blues Traveler
recording of:
Run-Around
lyricist and composer:
John Popper
publisher:
Blues Traveler Publishing Corporation
Blues Traveler4.454:40
16I’ll Be There for You (Theme From “Friends”)
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:07
17Tomorrow
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at and engineered at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
produced at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 17)
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:27
18Not a Pretty GirlAni DiFranco4.53:56
19Carnival
engineer and mixer:
John Holbrook
producer:
Natalie Merchant
bass:
Barrie Maguire (US bassist for The Wallflowers)
drums (drum set) [drums]:
Peter Yanowitz
guitar:
Jennifer Turner
percussion:
Adrián López Guevarra (from 1994-12 until 1995-03)
guest background vocals [backing vocals]:
Katell Keineg (from 1994-12 until 1995-03)
vocals:
Natalie Merchant (from 1994-12 until 1995-03)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1994-12 until 1995-03)
mixed at:
RPM Studios in New York, New York, United States
recording of:
Carnival (from 1994-12 until 1995-03)
lyricist and composer:
Natalie Merchant
publisher:
Indian Love Bride Music
Natalie Merchant3.55:56
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