Whatever: The ’90s Pop & Culture Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Itszoweezee (Hot)
recording engineer:
Tim Latham the "international sound pimp"
assistierende(r) Techniker(in):
Sean Coffey (US recording engineer)
Produzent(in):
De La Soul
Mix:
Tim Latham
aufgenommen bei und mixed at:
Platinum Island in New York, New York, Vereinigte Staaten
recording of:
Itzsoweezee (Hot)
Komponist(in):
Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos) und Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul4:49
2Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:15
3Radiation VibeFountains of Wayne3.653:41
4The Impression That I GetThe Mighty Mighty Bosstones4.13:15
5Turn It On
recording engineer und Produzent(in):
John Goodmanson (von 1996-12 bis 1997-01)
aufgenommen bei:
John and Stu’s Place in Seattle, Washington, Vereinigte Staaten (von 1996-12 bis 1997-01)
recording of:
Turn It On (von 1996-12 bis 1997-01)
Verfasser(in):
Carrie Brownstein, Corin Tucker und Janet Weiss
publisher:
Code Word Nemesis
Sleater‐Kinney3.752:47
6Bitch
drum machine [drum/loop]-Programmierung:
Geza X
assistierende(r) Techniker(in):
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri und Charles Nasser
Techniker(in):
Jim Ebert und Geza X
Produzent(in):
Geza X
Mix:
Jim Ebert
Akustikgitarre, E-Gitarre und Hintergrundgesang:
Meredith Brooks (US singer/songwriter and guitarist)
Bass und Fretless Bass:
Paul Bushnell (session bassist, producer and music director)
Keyboard [keyboards]:
David Ricketts (of David & David)
Schlagzeug:
Josh Freese (American drummer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
aufgenommen bei:
City Lab Sound Design in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks3.854:12
7Mmmbop
Programmierung und Techniker(in):
Mac Quale (US composer)
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Gitarre:
Isaac Hanson
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 61)
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.54:28
8Brian Wilson (live)
live recording of:
Brian Wilson (in 1996)
Texter und Komponist(in):
Steven Page (Barenaked Ladies)
publisher:
Treat Baker Music Inc. (in 1992)
Barenaked Ladies34:46
9Brick
Ben Folds Five4:33
10Sex and Candy
Techniker(in):
Ken Gioia und Jim Sabella
Produzent(in):
John Wozniak (Marcy Playground singer & guitarist)
Mix:
Ken Gioia und Marcy Playground
Akustikgitarre und E-Gitarre:
John Wozniak (Marcy Playground singer & guitarist)
Bass und Schlagzeug:
Jared Kotler
vocals:
John Wozniak (Marcy Playground singer & guitarist)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
aufgenommen bei und mixed at:
Sabella Studios in Roslyn, New York, Vereinigte Staaten
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 33) und Indie 88: Top 500 Indie Rock Songs (Nummer: 285)
recording of:
Sex and Candy
Texter und Komponist(in):
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground3.92:53
11Walking on the Sun
Sologesang:
Steve Harwell
Musikvideos:
Walkin’ on the Sun von Smash Mouth (US rock band from San Jose, CA)
recording of:
Walkin’ on the Sun
publisher:
Smash Mouth (US rock band from San Jose, CA)
Verfasser(in):
Smash Mouth (US rock band from San Jose, CA)
Smash Mouth4.153:25
12Tubthumping
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba4.353:58
136 Underground
Techniker(in):
Jim Abbiss
Produzent(in) und Mix:
Jim Abbiss und Line of Flight
Samples:
Golden Girl (stereo) von John Barry (English score composer)
recording of:
6 Underground
Orchestrator(in):
Richard Benbow und Simon Warner
Komponist(in):
John Barry (English score composer), Chris Corner, Liam Howe und Ian Pickering
Sneaker Pimps4.64:06
14Lullaby
recording of:
Lullaby
Texter und Komponist(in):
Shawn Mullins
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Roadieodie Music Inc.
Shawn Mullins5:28
15Slide
assistierende(r) Techniker(in):
Greg Collins (engineer) und Darrell Thorp (record producer, mixer and engineer)
Techniker(in):
Ken Allardyce
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
guitar family:
John Rzeznik
Schlagzeug:
Mike Malinin
vocals:
John Rzeznik und Robby Takac
recording of:
Slide (Goo Goo Dolls song)
Texter und Komponist(in):
John Rzeznik
Goo Goo Dolls3.53:33
16Kiss Me
Techniker(in) und Mix:
Russ Long (engineer)
Schlagzeug und Perkussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1998)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 15)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.33:27
17Steal My Sunshine
recording of:
Steal My Sunshine
Verfasser(in):
Marc Costanzo und Gregg Diamond
publisher:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) und Gregg Diamond Music
basiert auf:
More, More, More
LEN53:59
18What It’s Like
Techniker(in):
John Gamble (member of the SD50s)
Produzent(in):
Everlast (US rapper/singer/songwriter Erik Schrody), John Gamble (member of the SD50s) und Dante Ross
Mix:
Jamie Staub
Bass:
Ben Bocardo
Bratsche / Viola:
John Wang
Cello:
Elizabeth Wright
Geige / Violine:
Alen C. Agadhzhanyan und Jacqueline Suzuki
guitar family:
Everlast (US rapper/singer/songwriter Erik Schrody)
Saiteninstrumente arranger:
Giovanni Loria und SD50’s
recording of:
What It’s Like (Everlast)
Texter und Komponist(in):
Erik Schrody
Everlast4.15:03
19Natural Blues
mixed in:
Sheffield, South Yorkshire, England, Vereinigtes Königreich
Techniker(in) und Produzent(in):
Moby (electronic musician Richard Melville Hall)
Mix:
I Monster
Interpret(in):
Moby (electronic musician Richard Melville Hall)
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1999)
Samples:
Trouble So Hard von Vera Hall
recording of:
Natural Blues
Verfasser(in):
Vera Hall, Alan Lomax (US ethnomusicologist) und Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
basiert auf:
Trouble So Hard
Moby3.54:13