The Complete Roulette Sarah Vaughan Studio Sessions

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

1▶CD
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#TitleRatingLength
1You’re Mine You
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
You’re Mine, You (in 1962-01)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
4:01
2The Best Is Yet to Come
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
2:53
3Witchcraft
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Witchcraft (in 1962-01)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:59
4So Long
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones
arranger:
Quincy Jones
recording of:
So Long (in 1962-01)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
2:55
5The Second Time Around
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
The Second Time Around
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Twentieth Century Music Corp. (in 1960, in 1988)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:43
6I Could Write a Book
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
I Could Write a Book (in 1962-01)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
2:24
7Maria
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
recording of:
West Side Story: Maria (Tony) (in 1962-01)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:14
8Baubles, Bangles and Beads
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (in 1962-01)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:38
9Fly Me to the Moon
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:57
10Moonglow
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Moonglow (in 1962-01)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
2:31
11Invitation
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Invitation (in 1962-01)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
2:19
12On Green Dolphin Street
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
3:05
13One Mint Julip
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
One Mint Julep (in 1962-01)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
2:49
14Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
(Mama) He Treats Your Daughter Mean
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
2:42
15The Best Is Yet to Come (first version)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
3:04
16Baubles, Bangles and Beads (first version)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (in 1962-01)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:42
17Teach Me Tonight
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (jazz trombonist) (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (jazz trombonist) (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (American jazz trumpeter) (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19) and Joe Williams (US jazz vocalist) (on 1960-07-19)
arranger:
Ernie Wilkins
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
cover recording of:
Teach Me Tonight (on 1960-07-19)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:53
18If I Were a Bell
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (jazz trombonist) (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (jazz trombonist) (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (American jazz trumpeter) (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19) and Joe Williams (US jazz vocalist) (on 1960-07-19)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
cover recording of:
If I Were a Bell (Guys and Dolls) (on 1960-07-19)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
2:45
19Until I Met You (first version)
bass:
Eddie Jones (US jazz double bassist) (on 1960-07-19)
drums (drum set):
Sonny Payne (on 1960-07-19)
guitar:
Freddie Green (on 1960-07-19)
piano:
Kirk Stuart (on 1960-07-19)
reeds:
Marshall Royal (on 1960-07-19)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-07-19) and Billy Mitchell (US jazz saxophonist) (on 1960-07-19)
trombone:
Henry Coker (jazz trombonist) (on 1960-07-19), Al Grey (trombone) (on 1960-07-19) and Benny Powell (jazz trombonist) (on 1960-07-19)
trumpet:
Sonny Cohn (on 1960-07-19), Thad Jones (American jazz trumpeter) (on 1960-07-19), Joe Newman (US jazz trumpeter) (on 1960-07-19) and Snooky Young (on 1960-07-19)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1960-07-19) and Frank Wess (on 1960-07-19)
vocals:
Sarah Vaughan (on 1960-07-19)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-07-19)
recording of:
Until I Met You (Corner Pocket) (on 1960-07-19)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
2:52
20The Green Leaves of Summer
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
The Green Leaves of Summer (The Alamo) (on 1960-10-08)
lyricist:
Paul Francis Webster
composer:
Dimitri Tiomkin
part of:
The 33rd Academy Award for Best Original Song (number: 2)
part of:
The Alamo
2:58
21Them There Eyes
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
Them There Eyes (on 1960-10-08)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
2:02
22Don’t Go to Strangers
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
cover recording of:
Don’t Go to Strangers (on 1960-10-08)
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
2:33
23Love
bass:
Richard Davis (American jazz bassist) (on 1960-10-08)
bongos and tambourine:
Percy Brice (on 1960-10-08)
drums (drum set):
Alvin Stoller (on 1960-10-08)
guitar:
George van Eps (on 1960-10-08)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-10-08)
reeds:
Chuck Gentry (on 1960-10-08), Justin Gordon (on 1960-10-08), Harry Klee (on 1960-10-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-10-08) and Wilbur Schwartz (on 1960-10-08)
trombone:
Milt Bernhart (on 1960-10-08), Ed Kusby (on 1960-10-08), Tommy Shepard (trombonist) (on 1960-10-08) and Lloyd Ulyate (on 1960-10-08)
trumpet:
Frank Beach (trombone, trumpet) (on 1960-10-08), Conrad Gozzo (on 1960-10-08), Manny Klein (on 1960-10-08) and Ray Triscari (on 1960-10-08)
vocals:
Sarah Vaughan (on 1960-10-08)
conductor:
Billy May (on 1960-10-08)
arranger:
Billy May
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-10-08)
recording of:
Love (on 1960-10-08)
writer:
Ralph Blane and Hugh Martin
publisher:
Leo Feist, Inc.
2:21
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Credits

Release

ASIN:US: B000M6CLLI [info]