The Complete Roulette Sarah Vaughan Studio Sessions

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1I Believe in You
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1962-08-13)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
3:05
2Honeysuckle Rose
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
Honeysuckle Rose (on 1962-09-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:19
3Moonlight on the Ganges
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
Moonlight on the Ganges (on 1962-08-15)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
2:39
4The Lady’s in Love With You
alto saxophone:
Bill Green (woodwind) (on 1962-09-09), Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Jimmy Rowles (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Lady’s in Love With You (on 1962-09-09)
lyricist:
Frank Loesser
composer:
Burton Lane
2:17
5After You’ve Gone
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
After You’ve Gone (on 1962-08-15)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:39
6A Garden in the Rain
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-14)
cover recording of:
A Garden in the Rain (on 1962-08-14)
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
publisher:
Campbell Connelly & Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
3:19
7I Can’t Give You Anything but Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1962-08-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:11
8The Trolley Song
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-09-09)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
2:41
9I’m Gonna Live Till I Die
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-14)
cover recording of:
I’m Gonna Live Till I Die (on 1962-08-14)
writer:
Mann Curtis, Al Hoffman and Walter Kent
2:07
10Falling in Love With Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
Falling in Love With Love (on 1962-08-13)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
11Great Day
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
(It’s Gonna Be a) Great Day (on 1962-09-09)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:03
12Nobody Else but Me
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
Nobody Else but Me (on 1962-08-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:13
13The Lady’s in Love With You (first version)
alto saxophone:
Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Lou Levy (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
The Lady’s in Love With You (on 1962-08-15)
lyricist:
Frank Loesser
composer:
Burton Lane
2:44
14Perdido
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Perdido (with lyrics) (on 1961-01-13)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
52:14
15Lover Man
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (jazz trombonist) (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (American jazz trumpeter) (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Lover Man (on 1961-01-12)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:59
16I Cried for You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
I Cried for You (on 1961-01-13)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
52:57
17Alone
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (jazz trombonist) (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (American jazz trumpeter) (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Alone (from the film: "A Night at the Opera") (on 1961-01-12)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
3:57
18There Are Such Things
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
recording of:
There Are Such Things (on 1961-01-13)
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
19Mean to Me
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (jazz trombonist) (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (American jazz trumpeter) (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Mean to Me (on 1961-01-12)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:51
20The Gentleman Is a Dope
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-11)
drums (drum set):
Sonny Payne (on 1961-01-11)
guitar:
Freddie Green (on 1961-01-11)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-11)
reeds:
Marshall Royal (on 1961-01-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-11) and Billy Mitchell (US jazz saxophonist) (on 1961-01-11)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-11), Al Grey (trombone) (on 1961-01-11) and Benny Powell (jazz trombonist) (on 1961-01-11)
trumpet:
Sonny Cohn (on 1961-01-11), Thad Jones (American jazz trumpeter) (on 1961-01-11), Joe Newman (US jazz trumpeter) (on 1961-01-11) and Snooky Young (on 1961-01-11)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-11) and Frank Wess (on 1961-01-11)
vocals:
Sarah Vaughan (on 1961-01-11)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-11)
recording of:
The Gentleman Is a Dope (Allegro) (on 1961-01-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
2:46
21You Go to My Head
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
guitar:
Freddie Green (on 1961-01-10)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-10)
reeds:
Marshall Royal (on 1961-01-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-10) and Billy Mitchell (US jazz saxophonist) (on 1961-01-10)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-10), Al Grey (trombone) (on 1961-01-10) and Benny Powell (jazz trombonist) (on 1961-01-10)
trumpet:
Sonny Cohn (on 1961-01-10), Thad Jones (American jazz trumpeter) (on 1961-01-10), Joe Newman (US jazz trumpeter) (on 1961-01-10) and Snooky Young (on 1961-01-10)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-10) and Frank Wess (on 1961-01-10)
vocals:
Sarah Vaughan (on 1961-01-10)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Go to My Head (on 1961-01-10)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
54:53
22Until I Met You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Until I Met You (Corner Pocket) (on 1961-01-13)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
53:11
23You Turned the Tables on Me
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
piano:
Kirk Stuart and Count Basie (pianist) (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (baritone saxophonist) (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
tenor saxophone:
Frank Foster (saxophonist) and Billy Mitchell (US jazz saxophonist)
trombone:
Henry Coker (jazz trombonist) (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (jazz trombonist) (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (American jazz trumpeter) (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Charlie Fowlkes (baritone saxophonist) and Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Turned the Tables on Me (on 1961-01-10)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:24
24Little Man You’ve Had a Busy Day
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Frank Foster (saxophonist)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Little Man, You've Had a Busy Day (on 1961-01-13)
writer:
Al Hoffman, Maurice Sigler and Mabel Wayne
publisher:
Al Hoffman Songs Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:54
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Credits

Release

ASIN:US: B000M6CLLI [info]