The Complete Roulette Sarah Vaughan Studio Sessions

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

1▶CD
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4▼CD
#TitleRatingLength
1My Favorite Things
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
My Favorite Things (The Sound of Music) (on 1961-07-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
2:46
2Ev’ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:26
3Wonder Why
vocals:
Sarah Vaughan (on 1961-07-18)
recording of:
Wonder Why (Rich, Young and Pretty) (on 1961-07-18)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:20
4Easy to Love
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
recording of:
Easy to Love (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:12
5Sophisticated Lady
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Sophisticated Lady (on 1961-07-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:52
6Great Day
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
(It’s Gonna Be a) Great Day (on 1961-07-18)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:18
7Ill Wind
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Ill Wind (on 1961-07-18)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:13
8If Love Is Good to Me
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
recording of:
If Love Is Good to Me (on 1961-07-18)
lyricist:
Redd Evans
composer:
Fred Spielman (songwriter)
2:12
9In a Sentimental Mood
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
In a Sentimental Mood (on 1961-07-18)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:05
10Vanity
bass:
George Duvivier
guitar:
Mundell Lowe
vocals:
Sarah Vaughan
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Vanity
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
4:18
11Through the Years
double bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Through the Years (on 1961-07-18)
lyricist:
Edward Heyman
composer:
Vincent Youmans
3:12
12Just in Time
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (from 1962-08-07 until 1962-08-08)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:21
13When Sunny Gets Blue
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Sunny Gets Blue (in 1962-08)
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:51
14All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
2:57
15I Understand
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
I Understand (in 1962-08)
lyricist:
Kim Gannon
composer:
Mabel Wayne
4:28
16Goodnight Sweetheart
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Goodnight, Sweetheart
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ray Noble
translator:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) and EMI Robbins Catalog Inc. (ASCAP)
part of:
1941
3:36
17Baby, Won’t You Please Come Home
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Baby Won’t You Please Come Home (from 1962-08-07 until 1962-08-08)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:37
18When Lights Are Low
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Lights Are Low (from 1962-08-07 until 1962-08-08)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
2:57
19Key Largo
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Key Largo (in 1962-08)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
3:29
20Just Squeeze Me
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1962-08)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:14
21All or Nothing at All
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All or Nothing at All (from 1962-08-07 until 1962-08-08)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:13
22The Very Thought of You
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
The Very Thought of You (in 1962-08)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:14
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Credits

Release

ASIN:US: B000M6CLLI [info]