101 No. 1 Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Spectrum (Say My Name) (Calvin Harris remix radio edit)
remixer:
Calvin Harris (Scottish DJ and producer)
phonographic copyright (℗) by:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (from 2012 to present)
remix of:
Spectrum by Florence + the Machine
recording of:
Spectrum
writer:
Paul Epworth and Florence Welch (English singer)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Florence + the Machine3.753:39
2Good Times
guest vocals:
Jodie Connor
recording of:
Good Times (Roll Deep song)
writer:
Ibrahim Atherly, Charlotte (house vocalist Charlotte Kelly), Jodie Connor, DaWood (English DJ / producer / songwriter) and Wiley (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
Roll Deep53:42
3I Gotta Feeling
co-producer:
Frédéric Riesterer
producer:
David Guetta
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 4), Billboard: Greatest of All Time Hot 100 Songs (number: 8), Billboard Year-End Hot 100 singles of 2010 (number: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 103) and BILLIONS CLUB
recording of:
I Gotta Feeling
lyricist:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) and William Adams (American rapper and producer)
composer:
David Guetta and Frédéric Riesterer
The Black Eyed Peas3.854:49
4Boys and Girls
additional producer:
Fraser T. Smith
producer:
Mads Hauge (songwriter and producer) and Phil Thornalley
recording of:
Boys and Girls
writer:
Mads Hauge (songwriter and producer), Pixie Lott and Phil Thornalley
Pixie Lott3.53:02
5Mercy
recording engineer, programming, producer and mixer:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
bass, guitar and keyboard:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
background vocals and lead vocals:
Duffy (Welsh singer, songwriter and occasional actress)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2007)
recording of:
Mercy
writer:
Aimee Ann Duffy (Welsh singer, songwriter and occasional actress) and Stephen Andrew Booker (songwriter/producer, worked with Duffy on 'Rockferry')
publisher:
EMI Music Publishing Ltd (PRS‐affiliated) and Universal Music Publishing (UK) Ltd.
Duffy43:40
6Don’t Cha
assistant recording engineer:
Rouble Kapoor
engineer:
Ethan Mates
producer:
CeeLo Green
mixer:
Steve Baughman (mix/recording engineer) and Jason Schweitzer
recording of:
Don’t Cha
writer:
Anthony Ray, Thomas DeCarlo Callaway and Trevor Tahiem Smith, Jr. (Busta Rhymes)
publisher:
Ensign Music Corporation, Notting Hill Music (publisher), Sony/ATV Melody and T’ziah’s Music
The Pussycat Dolls2.54:02
7I Don’t Feel Like Dancin’
Scissor Sisters34:08
8With Every Heartbeat
Robyn4:13
9Fight for This Love
engineer:
Mark Vinten
producer:
Steve Kipner and Wayne Wilkins
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
drum machine and keyboard:
Steve Kipner and Wayne Wilkins
background vocals:
RaVaughn Brown
lead vocals:
Cheryl (formerly Cheryl Cole)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
recorded at:
Subzero Studios in Santa Monica, California, United States
recording of:
Fight for This Love
writer:
Steve Kipner, Andre Merritt and Wayne Wilkins
publisher:
Blow the Speakers LLC
Cheryl Cole2.753:48
10Love Me Again
programming:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), Antonio Rizzello, Rob Smith (UK DJ/producer, member Smith & Mighty, More Rockers) and Mike Spencer (UK producer)
engineer:
Robbie Nelson (engineer)
producer:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), John Newman (English singer) and Mike Spencer (UK producer)
assistant mixer:
James David (engineer, mixer)
mixer:
Mike Spencer (UK producer)
baritone saxophone [baritone sax]:
James Hunt
bass and drums (drum set) [drums]:
Derrick McIntyre
guitar:
John Newman (English singer)
keyboard [keyboards]:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), John Newman (English singer) and Mike Spencer (UK producer)
tenor saxophone [tenor sax]:
Simon Willescroft (Saxophonist)
trombone:
Nichol Thomson (British trombonist, trumpet, brass)
trumpet:
Daniel Carpenter (British trumpet player)
background vocals:
Ella Eyre
vocals:
John Newman (English singer)
mixed at:
The Lark’s Tongue in Buckinghamshire, England, United Kingdom
recording of:
Love Me Again
writer:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry') and John Newman (English singer)
publisher:
B Unique Limited and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
John Newman4.254:00
11Wake Me Up
recording engineer:
Chris Cheney (engineer) and Kyle VandeKerkhoff
additional engineer:
Mike Einziger
producer and mixer:
Tim Bergling
guitar:
Mike Einziger
keyboard [keys]:
Peter Dyer (keyboardist & writer Avicii and Cam)
vocals:
Aloe Blacc
phonographic copyright (℗) by:
Avicii Music AB (holding company - do not use as release label) (in 2013)
recorded at:
Interscope Studios in Santa Monica, California, United States
additionally engineered at:
Casa Chica in Malibu, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 22) and BILLIONS CLUB
recording of:
Wake Me Up
writer:
Aloe Blacc, Mike Einziger and Tim Bergling
publisher:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. and Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.84:09
12Gangnam Style
phonographic copyright (℗) by:
Schoolboy (American label) (in 2012) and Universal Republic Records (2006–2012) (in 2012)
music videos:
Gangnam Style by PSY (South Korean singer and rapper)
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 1), MAMA Award: Song of the Year nominees (number: 2012 winner), Billboard Year-End Hot 100 singles of 2012 (number: 47), Billboard Year-End Hot 100 singles of 2013 (number: 55) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 237)
recording of:
강남스타일 (Gangnam Style)
lyricist:
Jai Sang Park (PSY, South Korean singer and rapper)
composer:
Jai Sang Park (PSY, South Korean singer and rapper) and Keon Hyung Yoo
publisher:
A.D.O. Songs of Universal, Inc., Sony Music Entertainment Korea Inc. (not an imprint, post-2008 subsidiary), Sony/ATV Music Publishing HK Korea, Sony/ATV Tunes LLC (ASCAP) and Universal Tunes
PSY4.253:39
13Don’t Stop Movin’
additional programming:
Stephen Lipson, Chuck Norman and Richard Robson
programming and producer:
Simon Ellis (producer)
engineer:
James Reynolds (mixer/writer/music producer)
additional producer:
Stephen Lipson
mixer:
Heff Moraes
bass:
Ernie McKone
instruments:
Dave Rainger
keyboard:
Simon Ellis (producer)
additional lead vocals and additional soprano vocals:
Jo O’Meara
lead vocals:
Bradley McIntosh
conductor:
Nick Ingman
performer:
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographic copyright (℗) by:
S Club Ltd. (in 2001)
samples:
Billie Jean (album / single version) by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop Movin’ by S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
writer:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:53
14Freak Like Me
additional producer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Richard X (English songwriter and producer)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
samples:
Are ‘Friends’ Electric? by Tubeway Army
recording of:
Freak Like Me (Sugababes ver.)
lyricist:
Eugene Hanes, Loren Hill and Marc Valentine
composer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter), Gary “Mudbone” Cooper and Gary Numan
publisher:
Notting Dale Songs, Inc. and Sony/ATV Songs LLC
is based on:
Are ‘Friends’ Electric?
version of:
Freak Like Me (Adina Howard)
Sugababes2.53:15
15Sound of the Underground
programming:
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Tim Larcombe (Production music composer), Shawn Lee (American musician, producer, video game composer) and Tim Powell (Songwriter and producer, ex-Xenomania)
additional producer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Larcombe (Production music composer), Tim Powell (Songwriter and producer, ex-Xenomania) and Xenomania
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
guitar:
Shawn Lee (American musician, producer, video game composer)
keyboard:
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Tim Larcombe (Production music composer), Shawn Lee (American musician, producer, video game composer) and Tim Powell (Songwriter and producer, ex-Xenomania)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
mixed for and produced for:
365 Music Management
mixed at:
Town House Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Town House Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Sound of the Underground by Girls Aloud
recording of:
Sound of the Underground
writer:
Miranda Cooper, Brian Higgins (British producer and song writer) and Niara Scarlett
publisher:
Warner Chappell and Xenomania Music
Girls Aloud3.43:41
16The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.654:02
17I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:46
18Killer
assistant producer:
Mark Tinley
producer:
Adamski
lead vocals:
Seal (English‐born singer and songwriter) (in 1990)
music videos:
Killer (music video) by Seal (English‐born singer and songwriter)
part of:
The Downloader’s Music Source Book (number: 198)
recording of:
Killer (in 1990)
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski3.44:11
19Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
20Greatest Day
recording engineer, programming and mixer:
Jeff Rothschild
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
additional programming:
Ryan Carline
additional engineer:
Graham Archer (engineer) and Ryan Carline
assistant engineer:
Richard Lancaster
producer:
John Shanks
acoustic guitar:
Jason Orange
additional keyboard [keyboards]:
Ryan Carline
bass and guitar:
John Shanks
drums (drum set) [drums]:
Jeff Rothschild
keyboard [keyboards]:
Gary Barlow and John Shanks
piano and lead vocals:
Gary Barlow
tenor trombone:
Mark Nightingale (trombonist)
trombone:
Andy Wood (trombonist)
trumpet:
John Barclay (trumpeter) and Derek Watkins (trumpeter)
vocals:
Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
orchestra:
London Studio Orchestra
conductor:
Wil Malone
brass arranger and strings arranger:
Wil Malone
concertmaster:
Perry Montague‐Mason (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (strings) and Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
music videos:
Greatest Day by Take That
recording of:
Greatest Day
writer:
Gary Barlow, Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Take That43:58
2▼CD
#TitleArtistRatingLength
1Somebody That I Used to Know
recording engineer:
Wally De Backer (bass guitar)
producer:
Wally De Backer
assistant mixer:
Wally De Backer
mixer:
François Tétaz (Australian film composer)
bass guitar:
Lucas Taranto
sampler [guitar, flutes, percussion and synth samples]:
Wally De Backer
background vocals and lead vocals:
Kimbra (New Zealand singer-songwriter) and Wally De Backer
phonographic copyright (℗) by:
Samples ’n’ Seconds Records (in 2011) and Samples ’n’ Seconds Records Pty Ltd (in 2011)
recorded at:
Lucas' Loungeroom in Melbourne, Victoria, Australia (bass) and The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (bass)
mixed at:
Moose Mastering in Richmond, Queensland, Australia
samples:
Seville by Luiz Bonfá
music videos:
Somebody That I Used to Know by Gotye feat. Kimbra (New Zealand singer-songwriter)
part of:
triple j’s Hottest 100 of Australian Songs (number: 10), Billboard Year-End Hot 100 singles of 2012 (number: 1), MIA Award: Song of the Year (number: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 8), Triple J’s Hottest 100: Twenty Years (2013) (number: 9), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013 winner), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 24), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2011), Billboard: Greatest of All Time Hot 100 Songs (number: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 49), Stereogum: The 200 Best Songs of the 2010s (number: 161) and Indie 88: Top 500 Indie Rock Songs (number: 404)
recording of:
Somebody That I Used to Know
lyricist:
Walter De Backer
composer:
Luiz Bonfá and Walter De Backer
publisher:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
part of:
Matuschkes Lieblinge 2011
Gotye4.14:06
2Fireflies
programming, engineer and producer:
Adam Young (American musician, songwriter; Owl City)
additional producer:
Matt Thiessen
cello:
Phil Peterson (strings)
drums (drum set), guitar, keyboard, piano, synthesizer and lead vocals:
Adam Young (American musician, songwriter; Owl City)
additional vocals:
Matt Thiessen
music videos:
Fireflies (official music video) by Owl City
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 30) and Billboard Year-End Hot 100 singles of 2009 (number: 60)
recording of:
Fireflies
lyricist and composer:
Adam Young (American musician, songwriter; Owl City)
publisher:
Ocean City Park, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Owl City4.653:48
3Grace Kelly
recording engineer:
Joe Chiccarelli
producer:
MIKA (Lebanese-born English pop singer) and Greg Wells
mixer:
Greg Wells
drums (drum set) and guitar:
Greg Wells
guitar:
Lyle Workman
keyboard and background vocals:
MIKA (Lebanese-born English pop singer)
recorded at:
Rocket Carousel Studio in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Rocket Carousel Studio in Los Angeles, California, United States
music videos:
Grace Kelly by MIKA (Lebanese-born English pop singer)
recording of:
Grace Kelly
writer:
Jodi Marr (American songwriter and record producer), John Merchant, MIKA (Lebanese-born English pop singer) and Dan Warner (producer, writer and studio guitarist)
publisher:
Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
MIKA3.353:08
4All About You
music videos:
All About You by McFly (English pop band) featuring Graham Norton (presenter), Kate Thornton (tv presenter), Johnny Vegas (comedian), Harry Hill (British comedian), Fearne Cotton (British TV presenter), Simon Amstell, Davina McCall, Ben Miles (actor), Ruby Wax, Lee Hurst (comedian), Dermot O’Leary (television presenter) & Johanna McWeeney
recording of:
All About You (in 2005)
lyricist and composer:
Tom Fletcher (McFly)
publisher:
Prestige Songs and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
McFly43:06
5Crashed the Wedding
programming, producer and mixer:
Steve Power
assistant engineer and assistant mixer:
Dan Porter
engineer:
Jim Brumby (UK engineer) and David Naughton (UK engineer/producer)
publisher:
EMI Music Publishing (do not use as a release label!) and Prestige Songs
recording of:
Crashed the Wedding
writer:
James Bourne (Busted, Son of Dork) and Tom Fletcher (McFly)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Prestige Songs, Songs of Kobalt Music Publishing and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Busted4.252:38
6Ruby
assistant recording engineer and assistant engineer:
Alex Mackenzie
recording engineer and engineer:
Tom Stanley and Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
mixer:
Stephen Street (famous producer, songwriter) and Cenzo Townshend (engineer)
phonographic copyright (℗) by:
B‐Unique Records (in 2007)
recorded at:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
engineered at:
Hook End Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
music videos:
Ruby by Kaiser Chiefs
recording of:
Ruby
writer:
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) and Ricky Wilson (Kaiser Chiefs)
Kaiser Chiefs3.653:23
7No Tomorrow
music videos:
No Tomorrow (music video) by Orson (00s US power pop band)
part of:
Q50 – December 2005 (number: 38)
recording of:
No Tomorrow
writer:
George Astasio, Chris Cano, Johnny Lonely ((also credited as John Bentjen) member of Orson), Jason Pebworth and Chad Rachild (ex-member of Orson band)
Orson3.652:48
8Life Is a Rollercoaster
recording of:
Life Is a Rollercoaster
composer:
Gregg Alexander and Rick Nowels
Ronan Keating2.653:54
9America
additional engineer:
Chris Thomas (UK record producer / remixer)
engineer:
Sam Miller (alias of Hanno Leichtmann)
producer:
Razorlight
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
12 string guitar, mellotron, organ and Rhodes piano:
Björn Ågren (guitarist)
bass and piano:
Carl Dalemo
drums (drum set) and background vocals:
Andy Burrows (songwriting drummer)
guitar:
Björn Ågren (guitarist), Johnny Borrell and Carl Dalemo
vocals:
Johnny Borrell
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
America
writer:
Johnny Borrell and Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:09
10Mama Do (Uh Oh, Uh Oh)
additional producer:
Greg Kurstin
producer:
Mads Hauge (songwriter and producer) and Phil Thornalley
part of:
Music from The Sims 3
recording of:
Mama Do (Uh Oh, Uh Oh)
writer:
Mads Hauge (songwriter and producer) and Philip Thornalley
Pixie Lott3.253:18
11Bring It All Back
additional producer:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
producer:
Eliot Kennedy (songwriter, producer), Tim Lever and Mike Percy
assistant mixer:
Jan “Stan” Kybert (producer / mixer / engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Mike Percy
drums (drum set), membranophone and tambourine:
Geoff Holroyde
guitar:
Tim Lever
keyboard:
Eliot Kennedy (songwriter, producer) and Andy Wright (UK songwriter, producer and Simply Red keyboardist)
saxophone:
Steve Beighton
trumpet:
Nicolas Coombs (trumpeter)
lead vocals and solo lead vocals:
Jo O’Meara
solo vocals:
Tina Barrett, Jo O’Meara, Hannah Spearritt and Rachel Stevens
performer:
S Club (formerly “S Club 7”)
phonographic copyright (℗) by:
S Club Ltd. (in 1999)
recorded at:
Steelworks Studios (Sheffield based music production studio) in Sheffield, South Yorkshire, England, United Kingdom
music videos:
Bring It All Back by S Club 7 (formerly “S Club 7”)
recording of:
Bring It All Back
writer:
Tina Barrett, Paul Cattermole, Jonathan Lee (singer, S Club 7 & musicals), Eliot Kennedy (songwriter, producer), Tim Lever, Bradley McIntosh, Jo O’Meara, Mike Percy, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Music Publishing Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
S Club 73.853:34
12Push the Button
producer:
Dallas Austin
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2005)
recording of:
Push the Button
writer:
Dallas Austin, Keisha Buchanan, Mutya Buena and Heidi Range
Sugababes3.353:40
13Colourblind
recording of:
Colourblind
writer:
Darius Danesh (Scottish singer/songwriter Darius Campbell-Danesh), Deni Lew and Peter Glenister
Darius3:37
14Hole in the Head
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2003)
recording of:
Hole in the Head
writer:
Keisha Buchanan, Mutya Buena, Nick Coler, Miranda Cooper, Brian Higgins (British producer and song writer), Heidi Range, Niara Scarlett and Timothy Powell (Songwriter and producer, ex-Xenomania)
Sugababes2.83:37
15You Said No
additional producer:
John McLaughlin (British pop songwriter)
producer:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
mixer:
Tom Elmhirst (mixing engineer)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd. and Windswept Music
recording of:
You Said No
writer:
James Bourne (Busted, Son of Dork), Graham Jay, John McLaughlin (British pop songwriter), Richard Rashman, Steve Robson (English songwriter, record producer & multi-instrumentalist) and Charlie Simpson
publisher:
Almo Music Corporation (USA, affiliated with ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Music of Windswept, Rondor Music (London) Ltd. and Windswept Music (London) Ltd.
Busted2.652:47
16Obviously
recording of:
Obviously
writer:
James Bourne (Busted, Son of Dork), Tom Fletcher (McFly) and Danny Jones (McFly)
McFly2.53:18
17If You’re Not the One
producer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
electric guitar:
Adam Phillips (British guitarist and singer)
keyboard and viola:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
percussion:
Daniel Cummings
violin:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
music videos:
If You’re Not the One by Daniel Bedingfield (singer- songwriter)
recording of:
If You’re Not the One
lyricist and composer:
Daniel Bedingfield (singer- songwriter)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
translated version of:
Se tu non sei lei
Daniel Bedingfield14:17
18Stop Living the Lie
music videos:
Stop Living the Lie by David Sneddon (songwriter and producer)
recording of:
Stop Living the Lie
lyricist and composer:
David Sneddon (songwriter and producer)
David Sneddon23:55
19If Tomorrow Never Comes
assistant recording engineer:
Daniel Pursey (UK engineer) and Phil Rose (UK engineer)
engineer:
Chris Laws (engineer, keyboardist & songwriter)
producer and mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
accordion [accordian]:
Eddie Hession
bass guitar:
Steve Pearce (UK bassist)
drums (drum set):
Chris Laws (engineer, keyboardist & songwriter)
guitar:
Fridrik (Frizzy) Karlsson
piano:
Dave Arch (pianist, conductor, arranger and composer)
background vocals:
The Tuff Session Singers
vocals:
Ronan Keating
strings arranger:
Dave Arch (pianist, conductor, arranger and composer)
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographic copyright (℗) by:
Polydor Ltd. (not for release label use; fka Polydor Records Ltd.) (in 2002)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
If Tomorrow Never Comes
writer:
Kent Blazy (American singer songwriter) and Garth Brooks
publisher:
BMG Music Publishing Ltd., Hornall Brothers Music Ltd. (limited company), Major Bob Music Co. Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
If Tomorrow Never Comes
writer:
Kent Blazy (American singer songwriter) and Garth Brooks
publisher:
BMG Music Publishing Ltd., Hornall Brothers Music Ltd. (limited company), Major Bob Music Co. Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ronan Keating1.753:34
20Never Had a Dream Come True
additional programming:
Stephen Lipson and James McMillan (arranger)
programming:
Oskar Paul (producer, engineer and programmer)
additional producer:
Stephen Lipson
producer:
C. Dennis and Oskar Paul (producer, engineer and programmer)
mixer:
Heff Moraes
guitar:
Paul Gendler
keyboard [keyboards]:
Pete Murray (pianist and keyboardist) and Oskar Paul (producer, engineer and programmer)
lead vocals:
Jo O’Meara
performer:
S Club 7 (formerly “S Club 7”)
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
S Club Ltd. (in 2000)
produced for:
19 Productions
music videos:
Never Had a Dream Come True by S Club 7 (formerly “S Club 7”)
recording of:
Never Had a Dream Come True
writer:
Cathy Dennis and Simon Ellis (producer)
publisher:
19 Music Ltd., BMG Publishing, Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. and Universal Music–MGB Songs
S Club 73.54:01
3▼CD
#TitleArtistRatingLength
1Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:02
2The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:41
3Everything I Own
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe23:44
4Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:21
5Somebody Help Me
recording of:
Somebody Help Me
lyricist and composer:
Jackie Edwards
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Spencer Davis Group2:04
6Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker42:34
7Double Barrel
producer:
Winston Riley
bass:
Robert “Robbie” Shakespeare
guitar:
Ranchie McLean
keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
lead vocals:
Dave Barker (reggae artist)
performer:
Techniques All Stars
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins52:44
8Twist and Shout
performer:
Jack Radics and The Taxi Gang
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chaka Demus & Pliers1.653:59
9Dub Be Good to Me
producer:
Norman Cook
vocals:
Lindy Layton
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International2.753:58
10Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:24
11Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:27
12Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:17
13I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
14Heart of Glass
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4:18
15Dizzy
producer and mixer:
Mick Glossop (producer & engineer)
cover recording of:
Dizzy
lyricist and composer:
Tommy Roe and Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Vic Reeves3.653:16
16House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:46
17Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:56
18Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:07
19Rat Trap
recording of:
Rat Trap
lyricist and composer:
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats4:54
20Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:14
21Only You
producer:
The Flying Pickets and John Sherry
performer:
The Flying Pickets
music videos:
Only You by The Flying Pickets
cover recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets43:22
4▼CD
#TitleArtistRatingLength
1The Name of the Game
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1977-05-31)
bass guitar:
Rutger Gunnarsson (on 1977-05-31)
congas and percussion:
Malando Gassama (on 1977-05-31)
drums (drum set):
Ola Brunkert (on 1977-05-31)
electric guitar [lead guitar]:
Lasse Wellander (on 1977-05-31)
flute and saxophone:
Lars O. Carlsson (on 1977-07-19)
keyboard:
Benny Andersson (ABBA) (on 1977-05-31)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977)
recorded at:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-05-31, on 1977-07-19)
mixed at:
Bohus Sound Recording in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (in 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 97)
recording of:
The Name of the Game (in 1977)
lyricist:
Stig Anderson (Stikkan)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, EMI Waterford Music (from 1977 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1977 to present) and Universal/Union Songs Musikförlag AB (from 1977 to present)
part of:
Mamma Mia! (1999 musical)
ABBA3.654:52
2When You’re in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:51
3Being With You
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson4:02
4One Day in Your Life
producer:
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson3.54:17
5I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:46
6I’ll Stand by You
programming:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Tim Powell (Songwriter and producer, ex-Xenomania)
guitar:
Nick Coler and Shawn Lee (American musician, producer, video game composer)
keyboard:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2004)
cover recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
Girls Aloud33:40
7I Should Have Known Better
Jim Diamond3:38
8Goodnight Girl
phonographic copyright (℗) by:
PolyGram and Mercury Records Ltd. (not for release label use!) (in 1992)
recording of:
Goodnight Girl
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:38
9When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:16
10I’ve Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:50
11Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:15
12China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:01
13Patience
assistant recording engineer:
Robin Baynton (strings), Andrew Dudman (UK recording engineer and mixer, early 21c) (strings), Mike Horner and Lewis Jones (engineer) (strings)
recording engineer and mixer:
Jeff Rothschild
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
producer:
John Shanks
bass, guitar [guitars] and keyboard [keyboards]:
John Shanks
drums (drum set) [drums]:
Jeff Rothschild
piano and lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
strings arranger:
Wil Malone
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2006)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (strings), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
music videos:
Patience (music video) by Take That
recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
live recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
Take That43:17
14Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:33
15A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:56
16(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB4053:24
17No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
18I Don’t Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
I Don’t Like Mondays by The Boomtown Rats
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 66)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats44:17
19Do They Know It’s Christmas?
producer:
Nigel Godrich (English record producer)
phonographic copyright (℗) by:
The Band Aid Trust (in 2004)
cover recording of:
Do They Know It’s Christmas?
writer:
Bob Geldof and Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Band Aid 205:06
5▶CD

Credits

Release group

part of:101 Hits (UMC (Universal Music Catalogue UK) Series) (number: No.1 Hits) (order: 17)