101 No. 1 Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
4CD
#TitleArtistRatingLength
1The Name of the Game
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1977-05-31)
bass guitar:
Rutger Gunnarsson (on 1977-05-31)
congas and percussion:
Malando Gassama (on 1977-05-31)
drums (drum set):
Ola Brunkert (on 1977-05-31)
electric guitar [lead guitar]:
Lasse Wellander (on 1977-05-31)
flute and saxophone:
Lars O. Carlsson (on 1977-07-19)
keyboard:
Benny Andersson (ABBA) (on 1977-05-31)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977)
recorded at:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-05-31, on 1977-07-19)
mixed at:
Bohus Sound Recording in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (in 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 97)
recording of:
The Name of the Game (in 1977)
lyricist:
Stig Anderson (Stikkan)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, EMI Waterford Music (from 1977 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1977 to present) and Universal/Union Songs Musikförlag AB (from 1977 to present)
part of:
Mamma Mia! (1999 musical)
ABBA3.654:52
2When You’re in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:51
3Being With You
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson4:02
4One Day in Your Life
producer:
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson3.54:17
5I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:46
6I’ll Stand by You
programming:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Tim Powell (Songwriter and producer, ex-Xenomania)
guitar:
Nick Coler and Shawn Lee (American musician, producer, video game composer)
keyboard:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2004)
cover recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
Girls Aloud33:40
7I Should Have Known Better
Jim Diamond3:38
8Goodnight Girl
phonographic copyright (℗) by:
PolyGram and Mercury Records Ltd. (not for release label use!) (in 1992)
recording of:
Goodnight Girl
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:38
9When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:16
10I’ve Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:50
11Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:15
12China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:01
13Patience
assistant recording engineer:
Robin Baynton (strings), Andrew Dudman (UK recording engineer and mixer, early 21c) (strings), Mike Horner and Lewis Jones (engineer) (strings)
recording engineer and mixer:
Jeff Rothschild
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
producer:
John Shanks
bass, guitar [guitars] and keyboard [keyboards]:
John Shanks
drums (drum set) [drums]:
Jeff Rothschild
piano and lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
strings arranger:
Wil Malone
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2006)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (strings), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
music videos:
Patience (music video) by Take That
recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
live recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
Take That43:17
14Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:33
15A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:56
16(I Can’t Help) Falling in Love With YouUB4053:24
17No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
18I Don’t Like MondaysThe Boomtown Rats44:17
19Do They Know It’s Christmas?
producer:
Nigel Godrich (English record producer)
phonographic copyright (℗) by:
The Band Aid Trust (in 2004)
cover recording of:
Do They Know It’s Christmas?
writer:
Bob Geldof and Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Band Aid 205:06
5CD

Credits

Release group

part of:101 Hits (UMC (Universal Music Catalogue UK) Series) (number: No.1 Hits) (order: 17)