101 No. 1 Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Spectrum (Say My Name) (Calvin Harris remix radio edit)
remixer:
Calvin Harris (Scottish DJ and producer)
phonographisches Urheberrecht (℗) von:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (vom 2012 bis heute)
Remix von:
Spectrum von Florence + the Machine
recording of:
Spectrum
Verfasser(in):
Paul Epworth und Florence Welch (English singer)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Florence + the Machine3.753:39
2Good Times
Gast vocals:
Jodie Connor
recording of:
Good Times (Roll Deep song)
Verfasser(in):
Ibrahim Atherly, Charlotte (house vocalist Charlotte Kelly), Jodie Connor, DaWood (English DJ / producer / songwriter) und Wiley (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
Roll Deep53:42
3I Gotta Feeling
Koproduzent(in):
Frédéric Riesterer
Produzent(in):
David Guetta
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 4), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 8), Billboard Year-End Hot 100 singles of 2010 (Nummer: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 103) und BILLIONS CLUB
recording of:
I Gotta Feeling
Texter:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) und William Adams (American rapper and producer)
Komponist(in):
David Guetta und Frédéric Riesterer
The Black Eyed Peas3.854:49
4Boys and Girls
Produzent(in):
Mads Hauge (songwriter and producer) und Phil Thornalley
zusätzliche(r) Produzent(in):
Fraser T. Smith
recording of:
Boys and Girls
Verfasser(in):
Mads Hauge (songwriter and producer), Pixie Lott und Phil Thornalley
Pixie Lott3.53:02
5Mercy
recording engineer, Programmierung, Produzent(in) und Mix:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
Bass, Gitarre und Keyboard:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
Hintergrundgesang und Sologesang:
Duffy (Welsh singer, songwriter and occasional actress)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2007)
recording of:
Mercy
Verfasser(in):
Aimee Ann Duffy (Welsh singer, songwriter and occasional actress) und Stephen Andrew Booker (songwriter/producer, worked with Duffy on 'Rockferry')
publisher:
EMI Music Publishing Ltd (PRS‐affiliated) und Universal Music Publishing (UK) Ltd.
Duffy43:40
6Don’t Cha
Assistent recording engineer:
Rouble Kapoor
Techniker(in):
Ethan Mates
Produzent(in):
CeeLo Green
Mix:
Steve Baughman (mix/recording engineer) und Jason Schweitzer
recording of:
Don’t Cha
Verfasser(in):
Anthony Ray, Thomas DeCarlo Callaway und Trevor Tahiem Smith, Jr. (Busta Rhymes)
publisher:
Ensign Music Corporation, Notting Hill Music (publisher), Sony/ATV Melody und T’ziah’s Music
The Pussycat Dolls2.54:02
7I Don’t Feel Like Dancin’
Scissor Sisters34:08
8With Every Heartbeat
Robyn4:13
9Fight for This Love
Techniker(in):
Mark Vinten
Produzent(in):
Steve Kipner und Wayne Wilkins
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
drum machine und Keyboard:
Steve Kipner und Wayne Wilkins
Hintergrundgesang:
RaVaughn Brown
Sologesang:
Cheryl (formerly Cheryl Cole)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
aufgenommen bei:
Subzero Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Fight for This Love
Verfasser(in):
Steve Kipner, Andre Merritt und Wayne Wilkins
publisher:
Blow the Speakers LLC
Cheryl Cole2.753:48
10Love Me Again
Programmierung:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), Antonio Rizzello, Rob Smith (UK DJ/producer, member Smith & Mighty, More Rockers) und Mike Spencer (UK producer)
Techniker(in):
Robbie Nelson (engineer)
Produzent(in):
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), John Newman (English singer) und Mike Spencer (UK producer)
assistierende(r) Mix:
James David (engineer, mixer)
Mix:
Mike Spencer (UK producer)
baritone saxophone [baritone sax]:
James Hunt
Bass und Schlagzeug [drums]:
Derrick McIntyre
Gitarre:
John Newman (English singer)
Keyboard [keyboards]:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry'), John Newman (English singer) und Mike Spencer (UK producer)
Posaune:
Nichol Thomson (British trombonist, trumpet, brass)
Tenorsaxophon [tenor sax]:
Simon Willescroft (Saxophonist)
Trompete:
Daniel Carpenter (British trumpet player)
Hintergrundgesang:
Ella Eyre
vocals:
John Newman (English singer)
mixed at:
The Lark’s Tongue in Buckinghamshire, England, Vereinigtes Königreich
recording of:
Love Me Again
Verfasser(in):
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry') und John Newman (English singer)
publisher:
B Unique Limited und Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
John Newman4.254:00
11Wake Me Up
recording engineer:
Chris Cheney (engineer) und Kyle VandeKerkhoff
zusätzliche(r) Techniker(in):
Mike Einziger
Produzent(in) und Mix:
Tim Bergling
Gitarre:
Mike Einziger
Keyboard [keys]:
Peter Dyer (keyboardist & writer Avicii and Cam)
vocals:
Aloe Blacc
phonographisches Urheberrecht (℗) von:
Avicii Music AB (holding company - do not use as release label) (in 2013)
aufgenommen bei:
Interscope Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
additionally engineered at:
Casa Chica in Malibu, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 19), Billboard Year-End Hot 100 singles of 2014 (Nummer: 22) und BILLIONS CLUB
recording of:
Wake Me Up
Verfasser(in):
Aloe Blacc, Mike Einziger und Tim Bergling
publisher:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. und Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.84:09
12Gangnam Style
phonographisches Urheberrecht (℗) von:
Schoolboy (American label) (in 2012) und Universal Republic Records (2006–2012) (in 2012)
Musikvideos:
Gangnam Style von PSY (Psy, South Korean singer and rapper)
Teil von:
Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 1), MAMA Award: Song of the Year nominees (Nummer: 2012 winner), Billboard Year-End Hot 100 singles of 2012 (Nummer: 47), Billboard Year-End Hot 100 singles of 2013 (Nummer: 55) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 237)
recording of:
강남스타일 (Gangnam Style)
Texter:
Jai Sang Park (Psy, South Korean singer and rapper)
Komponist(in):
Jai Sang Park (Psy, South Korean singer and rapper) und Keon Hyung Yoo
publisher:
A.D.O. Songs of Universal, Inc., Sony Music Entertainment Korea Inc. (not an imprint, post-2008 subsidiary), Sony/ATV Music Publishing HK Korea, Sony/ATV Tunes LLC (ASCAP) und Universal Tunes
PSY4.253:39
13Don’t Stop Movin’
Programmierung und Produzent(in):
Simon Ellis (producer)
zusätzliche Programmierung:
Stephen Lipson, Chuck Norman und Richard Robson
Techniker(in):
James Reynolds (mixer/writer/music producer)
zusätzliche(r) Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Bass:
Ernie McKone
Instrumente:
Dave Rainger
Keyboard:
Simon Ellis (producer)
Sologesang:
Bradley McIntosh
zusätzlich Sologesang und zusätzlich Soprangesang:
Jo O’Meara
conductor:
Nick Ingman
Interpret(in):
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2001)
Samples:
Billie Jean (album / single version) von Michael Jackson (“King of Pop”)
Musikvideos:
Don’t Stop Movin’ von S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
Verfasser(in):
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt und Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:53
14Freak Like Me
Produzent(in):
Richard X (English songwriter and producer)
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
Samples:
Are ‘Friends’ Electric? von Tubeway Army
recording of:
Freak Like Me (Sugababes ver.)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter), Gary “Mudbone” Cooper und Gary Numan
publisher:
Notting Dale Songs, Inc. und Sony/ATV Songs LLC
basiert auf:
Are ‘Friends’ Electric?
Version von:
Freak Like Me (Adina Howard)
Sugababes2.53:15
15Sound of the Underground
Programmierung:
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Tim Larcombe (Production music composer), Shawn Lee (American musician, producer, video game composer) und Tim Powell (Songwriter and producer, ex-Xenomania)
Produzent(in):
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Larcombe (Production music composer), Tim Powell (Songwriter and producer, ex-Xenomania) und Xenomania
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Gitarre:
Shawn Lee (American musician, producer, video game composer)
Keyboard:
Nick Coler, Matt Gray (UK techno DJ/producer, former video game composer), Tim Larcombe (Production music composer), Shawn Lee (American musician, producer, video game composer) und Tim Powell (Songwriter and producer, ex-Xenomania)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
gemixt für und produced for:
365 Music Management
mixed at:
Town House Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
additionally produced at:
Town House Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Sound of the Underground von Girls Aloud
recording of:
Sound of the Underground
Verfasser(in):
Miranda Cooper, Brian Higgins (British producer and song writer) und Niara Scarlett
publisher:
Warner Chappell und Xenomania Music
Girls Aloud3.43:41
16The Only Way Is Up
Produzent(in):
Coldcut (Matt Black & Jonathan More)
phonographisches Urheberrecht (℗) von:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.654:02
17I Feel Love
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:46
18Killer
assistierende(r) Produzent(in):
Mark Tinley
Produzent(in):
Adamski
Sologesang:
Seal (English‐born singer and songwriter) (in 1990)
Musikvideos:
Killer (music video) von Seal (English‐born singer and songwriter)
Teil von:
The Downloader’s Music Source Book (Nummer: 198)
recording of:
Killer (in 1990)
Texter:
Seal (English‐born singer and songwriter)
Verfasser(in):
Seal (English‐born singer and songwriter) und Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (beendet), Virgin Music (Publishers) Ltd. (beendet), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing GmbH
Adamski3.44:11
19Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
20Greatest Day
recording engineer, Programmierung und Mix:
Jeff Rothschild
sonstige Unterstützung:
Shari Sutcliffe (Aufgabe: production coordinator)
zusätzliche Programmierung:
Ryan Carline
assistierende(r) Techniker(in):
Richard Lancaster
zusätzliche(r) Techniker(in):
Graham Archer (engineer) und Ryan Carline
Produzent(in):
John Shanks
Akustikgitarre:
Jason Orange
Bass und Gitarre:
John Shanks
Keyboard [keyboards]:
Gary Barlow und John Shanks
Klavier und Sologesang:
Gary Barlow
Posaune:
Andy Wood (trombonist)
Schlagzeug [drums]:
Jeff Rothschild
Tenorposaune:
Mark Nightingale (trombonist)
Trompete:
John Barclay (trumpeter) und Derek Watkins (trumpeter)
zusätzlich Keyboard [keyboards]:
Ryan Carline
vocals:
Howard Donald, Jason Orange und Mark Owen (singer–songwriter)
Orchester:
London Studio Orchestra
conductor:
Wil Malone
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Wil Malone
concertmaster:
Perry Montague‐Mason (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente) und Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Greatest Day von Take That
recording of:
Greatest Day
Verfasser(in):
Gary Barlow, Howard Donald, Jason Orange und Mark Owen (singer–songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Take That43:58
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Nennungen

Veröffentlichungsgruppe

Teil von:101 Hits (UMC (Universal Music Catalogue UK) Series) (Nummer: No.1 Hits) (Reihenfolge: 17)