Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

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1▼CD: Cantatas 207, 204, 216a (1726-1728)
#TitleRatingLength
1"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: March (from the later version BWV 207a)
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Anhang: Marche (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:57
2"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 1. Chorus: "Vereinigte Zwietracht der wechselnden Saiten"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorus "Vereinigte Zwietracht der wechselnden Saiten" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:54
3"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 2. Recitative: "Wen treibt ein edler Trieb"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:55
4"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 3. Aria: "Zieht euren Fuß nur nicht zurücke"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:27
5"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 4. Recitative: "Dem nur allein soll meine Wohnung offen"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:05
6"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5. Aria (Duet): "Den soll mein Lorbeer schützend decken"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
4:14
7"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5a. Ritornello
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Va. Ritornello (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:21
8"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 6. Recitative: "Es ist kein leeres Wort"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:46
9"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 7. Aria: "Ätzet dieses Angedenken"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (from 1966-11 until 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken" (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
5:19
10"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 8. Recitative: "Ihr Schläfrigen, herbei"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:00
11"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 9. Chorus: "Korte lebe, Korte blühe"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorus "Kortte lebe, Kortte blühe" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:05
12"Ich bin in mir vergnügt", BWV 204: 1. Recitative: "Ich bin in mir vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:37
13"Ich bin in mir vergnügt", BWV 204: 2. Aria "Ruhig und in sich zufrieden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
6:46
14"Ich bin in mir vergnügt", BWV 204: 3. [Recitative:] "Ihr Seelen, die ihr außer euch"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:58
15"Ich bin in mir vergnügt", BWV 204: 4. Aria: "Die Schätzbarkeit der weiten Erden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
16"Ich bin in mir vergnügt", BWV 204: 5. Recitative: "Schwer ist es zwar, viel Eitles zu besitzen"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:56
17"Ich bin in mir vergnügt", BWV 204: 6. Aria: "Meine Seele sei vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
5:52
18"Ich bin in mir vergnügt", BWV 204: 7. Recitative: "Ein edler Mensch ist Perlenmuscheln gleich"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
2:33
19"Ich bin in mir vergnügt", BWV 204: 8. Aria: "Himmlische Vergnügsamkeit"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
20"Erwählte Pleißenstadt", BWV 216a: 1. Duet: "Erwählte Pleißenstadt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: I. Duet: Erwählte Pleißenstadt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
7:24
21"Erwählte Pleißenstadt", BWV 216a: 2. [Recitative:] "Ihn Städte, die man in der Welt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: II. [Recitative:] Ihr Städte, die man in der Welt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:35
22"Erwählte Pleißenstadt", BWV 216a: 3. Aria: "Angenehmes Pleiß-Athen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: III. Aria: Angenehmes Pleiß-Athen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
4:24
23"Erwählte Pleißenstadt", BWV 216a: 4. [Recitative:] "Nicht die Gelehrsamkeit allein"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: IV. [Recitative:] Nicht die Gelehrsamkeit allein
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:57
24"Erwählte Pleißenstadt", BWV 216a: 5. Aria: "Mit Lachen und Scherzen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: V. Aria: Mit Lachen und Scherzen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
5:48
25"Erwählte Pleißenstadt", BWV 216a: 6. [Recitative:] "Drum ist gewiss"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: VI. [Recitative:] Drum ist gewiss
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:45
26"Erwählte Pleißenstadt", BWV 216a: 7. Duet: "Heil und Segen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: VII. Duet: Heil und Segen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
3:04
2▼CD: Cantatas 198, 201 (1727-1729)
#TitleRatingLength
1"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 1. [Chorus:] "Lass, Fürstin, lass noch einen Strahl"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
5:14
2"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 2. Recitative: "Dein Sachsen, dein bestürztes Meißen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:01
3"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 3. Aria: "Verstummt, verstummt, ihr holden Saiten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
3:35
4"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 4. Recitative:" "Der Glocken bebendes Getön"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:51
5"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 5. Aria: "Wie starb die Heldin so vergnügt"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
7:13
6"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 6. Recitative: "Ihr Leben ließ die Kunst zu sterben"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:54
7"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part I. 7. [Chorus:] "An dir, du Fürbild großer Frauen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:43
8"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 8. [Aria:] "Der Ewigkeit saphirnes Haus"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
3:41
9"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 9. Recitative - Arioso - Recitative: "Was Wunder ists"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
2:06
10"Lass, Fürstin, lass noch einen Strahl", BWV 198: Part II. 10. Chorus ultimus: "Doch, Königin, du stirbest nicht"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1989-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
4:23
11"Geschwinde, ihr wirbelnden Winde", BWV 201: 1. Chorus: "Geschwinde, ihr wirbeInden Winde"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": I. Coro "Geschwinde, ihr wirbelnden Winde" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:18
12"Geschwinde, ihr wirbelnden Winde", BWV 201: 2. Recitative: "Und du bist doch so unverschämt und frei"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": II. Recitativo (Sopran e Bass I+II) "Und du bist doch so unverschämt und frei" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:41
13"Geschwinde, ihr wirbelnden Winde", BWV 201: 3. Aria: "Patron, das macht der Wind"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": III. Aria (Sopran) "Patron, das macht der Wind" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
2:12
14"Geschwinde, ihr wirbelnden Winde", BWV 201: 4. Recitative: "Was braucht ihr euch zu zanken"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IV. Recitativo (Alt e Bass I+II) "Was braucht ihr euch zu zanken" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:00
15"Geschwinde, ihr wirbelnden Winde", BWV 201: 5. Aria: "Mit Verlangen drück ich deine zarten Wangen"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": V. Aria (Bass I) "Mit Verlangen drück ich deine zarten Wangen" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
7:23
16"Geschwinde, ihr wirbelnden Winde", BWV 201: 6. Recitative: "Pan, rücke deine Kehle nun"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VI. Recitativo (Sopran e Bass II) "Pan, rücke deine Kehle nun" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:20
17"Geschwinde, ihr wirbelnden Winde", BWV 201: 7. Aria: "Zu Tanze, zu Sprunge, so wackelt das Herz"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VII. Aria (Bass II) "Zu Tanze, zu Sprunge" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:41
18"Geschwinde, ihr wirbelnden Winde", BWV 201: 8. Recitative: Nunmehro Richter her!"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": VIII. Recitativo (Alt e Tenor I) "Nunmehro Richter her" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:48
19"Geschwinde, ihr wirbelnden Winde", BWV 201: 9. Aria: "Phoebus, deine Melodei hat due Anmut selbst"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": IX. Aria (Tenor I) "Phoebus, deine Melodie" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:11
20"Geschwinde, ihr wirbelnden Winde", BWV 201: 10. Recitative: "Komm, Midas, sage du nun an"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": X. Recitativo (Tenor II e Bass II) "Komm, Midas, sage du nun an" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
0:58
21"Geschwinde, ihr wirbelnden Winde", BWV 201: 11. Aria: "Pan ist Meister, lasst ihn gehn"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XI. Aria (Tenor II) "Pan ist Meister, laßt ihn gehn" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:16
22"Geschwinde, ihr wirbelnden Winde", BWV 201: 12. Recitative: "Wie, Midas, bist du toll"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XII. Recitativo (Tutti) "Wie, Midas, bist du toll" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:16
23"Geschwinde, ihr wirbelnden Winde", BWV 201: 13. Aria: "Aufgeblasne Hitze, aber wenig Grütze"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIII. Aria (Alt) "Aufgeblasne Hitze" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
5:40
24"Geschwinde, ihr wirbelnden Winde", BWV 201: 14. Recitative: "Du guter Midas, geh nun hin"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIV. Recitativo (Sopran) "Du guter Midas, geh nun hin" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
1:15
25"Geschwinde, ihr wirbelnden Winde", BWV 201: 15. Chorus: "Labt das Herz, ihr holden Saiten"
producer:
Wolfgang Mitlehner
bass vocals [bass - Pan]:
Stefan Geyer (bass) (in 1996-11)
bass-baritone vocals [bass-baritone - Phoebus]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
countertenor vocals [countertenor - Mercury]:
Axel Köhler (in 1996-11)
soprano vocals [soprano - Momus]:
Dana Hanchard (in 1996-11)
tenor vocals [tenor I - Tmolus]:
Christoph Genz (tenor) (in 1996-11)
tenor vocals [tenor II - Midas]:
Scot Weir (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XV. Coro "Labt das Herz, ihr holden Saiten" (in 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
2:20
3▼CD: Cantatas 213, 214 (1733)
#TitleRatingLength
1"Lasst uns sorgen, lasst uns wachen", BWV 213: 1. Chorus: "Lasst uns sorgen, lasst uns wachen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:55
2"Lasst uns sorgen, lasst uns wachen", BWV 213: 2. Recitative: "Und wo? Wo ist die rechte Bahn"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:41
3"Lasst uns sorgen, lasst uns wachen", BWV 213: 3. AriaL "Schlafe, mein Liebster"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
9:44
4"Lasst uns sorgen, lasst uns wachen", BWV 213: 4. Recitative: "Auf! Folge meiner Bahn"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:19
5"Lasst uns sorgen, lasst uns wachen", BWV 213: 5. Aria: "Treues Echo dieser Orten"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:20
6"Lasst uns sorgen, lasst uns wachen", BWV 213: 6. Recitative: "Mein hoffnungsvoller Held"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:54
7"Lasst uns sorgen, lasst uns wachen", BWV 213: 7. Aria: "Auf meinen Flügeln sollst du schweben"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:31
8"Lasst uns sorgen, lasst uns wachen", BWV 213: 8. Recitative: "Die weiche Wollust locket zwar"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:37
9"Lasst uns sorgen, lasst uns wachen", BWV 213: 9. Aria: "Ich will dich nicht hören, ich will dich nicht wissen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:28
10"Lasst uns sorgen, lasst uns wachen", BWV 213: 10. Recitative: "Geliebte Tugend, du allein"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:46
11"Lasst uns sorgen, lasst uns wachen", BWV 213: 11. Duet: "Ich bin deine"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
8:26
12"Lasst uns sorgen, lasst uns wachen", BWV 213: 12. Accompagnato: "Schaut, Götter, dieses ist ein Bild"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:08
13"Lasst uns sorgen, lasst uns wachen", BWV 213: 13. Chorus: "Lust der Völker, Lust der Deinen"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
3:23
14"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 1. Chorus: "Tönet, ihr Pauken! Erschallet, Trompeten!"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
7:41
15"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 2. Recitative: "Heut ist der Tag"
tenor vocals:
Christoph Prégardien (tenor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": II. Recitativo (Tenor) "Heut ist der Tag" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:56
16"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 3. Aria: "Blast die wohlgegriffnen Flöten"
soprano vocals:
Mieke van der Sluis (soprano) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": III. Aria (Sopran) "Blast die wohlgegriffnen Flöten" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
3:47
17"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 4. Recitative: "Mein knallendes Metall"
soprano vocals:
Mieke van der Sluis (soprano) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IV. Recitativo (Sopran) "Mein knallendes Metall" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:44
18"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 5. Aria: "Fromme Musen! Meine Glieder"
alto vocals:
René Jacobs (conductor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": V. Aria (Alt) "Fromme Musen! meine Glieder!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
3:34
19"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 6. Recitative: "Unsre Königin im Lande"
alto vocals:
René Jacobs (conductor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VI. Recitativo (Alt) "Unsre Königin im Lande" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:58
20"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 7. Aria: "Kron und Preis gekrönter Damen"
bass vocals:
David Thomas (British operatic bass) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VII. Aria (Bass) "Kron und Preis gekrönter Damen" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
5:09
21"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 8. Recitative: "So dringe in das weite Erdenrund"
bass vocals:
David Thomas (British operatic bass) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VIII. Recitativo (Bass) "So dringe in das weite Erdenrund" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
1:14
22"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 9. Chorus: "Blühet, ihr Linden in Sachsen"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IX. Coro "Blühet, ihr Linden in Sachsen, wie Zedern!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
2:09
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]