Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
#TitleRatingLength
1"Lasst uns sorgen, lasst uns wachen", BWV 213: 1. Chorus: "Lasst uns sorgen, lasst uns wachen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:55
2"Lasst uns sorgen, lasst uns wachen", BWV 213: 2. Recitative: "Und wo? Wo ist die rechte Bahn"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:41
3"Lasst uns sorgen, lasst uns wachen", BWV 213: 3. AriaL "Schlafe, mein Liebster"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
9:44
4"Lasst uns sorgen, lasst uns wachen", BWV 213: 4. Recitative: "Auf! Folge meiner Bahn"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:19
5"Lasst uns sorgen, lasst uns wachen", BWV 213: 5. Aria: "Treues Echo dieser Orten"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:20
6"Lasst uns sorgen, lasst uns wachen", BWV 213: 6. Recitative: "Mein hoffnungsvoller Held"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:54
7"Lasst uns sorgen, lasst uns wachen", BWV 213: 7. Aria: "Auf meinen Flügeln sollst du schweben"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
5:31
8"Lasst uns sorgen, lasst uns wachen", BWV 213: 8. Recitative: "Die weiche Wollust locket zwar"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:37
9"Lasst uns sorgen, lasst uns wachen", BWV 213: 9. Aria: "Ich will dich nicht hören, ich will dich nicht wissen"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
4:28
10"Lasst uns sorgen, lasst uns wachen", BWV 213: 10. Recitative: "Geliebte Tugend, du allein"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
0:46
11"Lasst uns sorgen, lasst uns wachen", BWV 213: 11. Duet: "Ich bin deine"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
8:26
12"Lasst uns sorgen, lasst uns wachen", BWV 213: 12. Accompagnato: "Schaut, Götter, dieses ist ein Bild"
producer:
Hein Dekker (recording producer)
baritone vocals [baritone - Mercury]:
David Wilson‐Johnson (baritone) (in 1994-01)
choir vocals:
Choir of the Age of Enlightenment (in 1994-01)
countertenor vocals [countertenor - Echo]:
Richard Wyn Roberts (in 1994-01)
countertenor vocals [countertenor - Hercules]:
Ralf Popken (countertenor and chorus master) (in 1994-01)
soprano vocals [soprano - Lust]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [tenor - Virtue]:
Christoph Prégardien (tenor) (in 1994-01)
orchestra:
Orchestra of the Age of Enlightenment (in 1994-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1994-01)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
1:08
13"Lasst uns sorgen, lasst uns wachen", BWV 213: 13. Chorus: "Lust der Völker, Lust der Deinen"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
3:23
14"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 1. Chorus: "Tönet, ihr Pauken! Erschallet, Trompeten!"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
7:41
15"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 2. Recitative: "Heut ist der Tag"
tenor vocals:
Christoph Prégardien (tenor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": II. Recitativo (Tenor) "Heut ist der Tag" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:56
16"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 3. Aria: "Blast die wohlgegriffnen Flöten"
soprano vocals:
Mieke van der Sluis (soprano) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": III. Aria (Sopran) "Blast die wohlgegriffnen Flöten" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
3:47
17"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 4. Recitative: "Mein knallendes Metall"
soprano vocals:
Mieke van der Sluis (soprano) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IV. Recitativo (Sopran) "Mein knallendes Metall" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:44
18"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 5. Aria: "Fromme Musen! Meine Glieder"
alto vocals:
René Jacobs (conductor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": V. Aria (Alt) "Fromme Musen! meine Glieder!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
3:34
19"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 6. Recitative: "Unsre Königin im Lande"
alto vocals:
René Jacobs (conductor) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VI. Recitativo (Alt) "Unsre Königin im Lande" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
0:58
20"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 7. Aria: "Kron und Preis gekrönter Damen"
bass vocals:
David Thomas (British operatic bass) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VII. Aria (Bass) "Kron und Preis gekrönter Damen" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
5:09
21"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 8. Recitative: "So dringe in das weite Erdenrund"
bass vocals:
David Thomas (British operatic bass) (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": VIII. Recitativo (Bass) "So dringe in das weite Erdenrund" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
1:14
22"Tönet, ihr Pauken! Erschallet, Trompeten", BWV 214: 9. Chorus: "Blühet, ihr Linden in Sachsen"
choir vocals:
Choir of the Age of Enlightenment (in 1990-12)
orchestra:
Orchestra of the Age of Enlightenment (in 1990-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1990-12)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": IX. Coro "Blühet, ihr Linden in Sachsen, wie Zedern!" (in 1990-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
2:09
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]