Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
#TitleRatingLength
1"Ach Herr, mich armen Sünder", BWV 135: 1. [Chorale:] "Ach Herr, mich armen Sünder"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": I. Coro "Ach Herr, mich armen Sünder" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
4:40
2"Ach Herr, mich armen Sünder", BWV 135: 2. Recitative: "Ach heile mich, du Arzt der Seelen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": II. Recitativo (Tenor) "Ach heile mich, du Arzt der Seelen" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:07
3"Ach Herr, mich armen Sünder", BWV 135: 3. Aria: "Tröste mir, Jesu, mein Gemüte"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": III. Aria (Tenor) "Tröste mir, Jesu, mein Gemüte" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
3:35
4"Ach Herr, mich armen Sünder", BWV 135: 4. Recitative: "Ich bin von Seufzen müde"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": IV. Recitativo (Alt) "Ich bin von Seufzen müde" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:19
5"Ach Herr, mich armen Sünder", BWV 135: 5. Aria: "Weicht, all ihr Übeltäter"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": V. Aria (Bass) "Weicht, all ihr Übeltäter" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
2:39
6"Ach Herr, mich armen Sünder", BWV 135: 6. Chorale: "Ehr sei ins Himmels Throne"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Breitkopf 389 Choralgesänge (number: 156)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:22
7"Meine Seel erhebt den Herren", BWV 10: 1. [Chorale:] "Meine Seel erhebt den Herren"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
3:45
8"Meine Seel erhebt den Herren", BWV 10: 2. Aria: "Herr, der du stark und mächtig bist"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
7:01
9"Meine Seel erhebt den Herren", BWV 10: 3. Recitative: "Des Höchsten Güt und Treu"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:10
10"Meine Seel erhebt den Herren", BWV 10: 4. Aria: "Gewaltige stößt Gott vom Stuhl"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Kurt Moll (operatic bass) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:57
11"Meine Seel erhebt den Herren", BWV 10: 5. Duet & Chorale: "Er denket der Barmherzigkeit"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:12
12"Meine Seel erhebt den Herren", BWV 10: 6. Recitative: "Was Gott den Vätern alter Zeiten"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:43
13"Meine Seel erhebt den Herren", BWV 10: 7. Chorale: "Lob und Preis sei Gott dem Vater"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:24
14"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 1. [Chorus:] "Es ist dir gesagt, Mensch, was gut ist"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
5:45
15"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 2. Recitative: "Der Höchste lässt mich seinen Willen wissen"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
1:28
16"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 3. Aria: "Weiß ich Gottes Rechte"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
3:47
17"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 4. Arioso: "Es werden Viele zu mir sagen"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (operatic bass) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
3:25
18"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 5. Aria. "Wer Gott bekennt"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
3:48
19"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 6. Recitative: "So wird denn Herz und Mund selbst von mir Richter sein"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
1:33
20"Es ist dir gesagt, Mensch, was gut ist", BWV 45: 7. Chorale: "Gib, dass ich tu mit Fleiß"
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
1:21
21"Herr, gehe nicht ins Gericht", BWV 105: 1. [Chorus:] "Herr, gehe nicht ins Gericht"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:04
22"Herr, gehe nicht ins Gericht", BWV 105: 2. Recitative: "Mein Gott, verwirf mich nicht"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10) and Júlia Hamari (Hungarian mezzo-soprano) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
1:17
23"Herr, gehe nicht ins Gericht", BWV 105: 3. Aria: "Wie zittern und wanken"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
7:44
24"Herr, gehe nicht ins Gericht", BWV 105: 4. Recitative: "Wohl aber dem, der seinen Bürgen weiß"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
1:42
25"Herr, gehe nicht ins Gericht", BWV 105: 5. Aria: "Kann ich nur Jesum mir zum Freunde machen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:14
26"Herr, gehe nicht ins Gericht", BWV 105: 6. Chorale "Nun, ich weiß, du wirst mir stillen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
1:46
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]