Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1▶CD: Bartók: Piano Concertos nos. 1-3
2▶CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3▶CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4▶CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5▶CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6▶CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7▶CD: Beethoven: Symphonies nos. 1 & 8
8▶CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9▶CD: Beethoven: Symphonies nos. 5 & 7
10▶CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11▶CD: Beethoven: Fidelio (Act I)
12▶CD: Beethoven: Fidelio (Act II)
13▶CD: Berlioz / Borodin / Mussorgsky / Gounod
14▶CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15▶CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16▶CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17▶CD: Brahms: Piano Concerto no. 2 / Double Concerto
18▶CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19▶CD: Debussy / Dukas / Ravel
20▶CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23▶CD: Egk / Einem / Henze / Fortner / Liebermann
24▶CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25▶CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26▶CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27▶CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28▶CD: Hindemith / Hartmann / Einem / Martin
29▶CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30▶CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35▶CD: Kodály: Háry János Suite / Symphony in C major
36▶CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37▶CD: Kodály: Psalmus hungaricus (1954 & 1959)
38▶CD: Mendelssohn / Liszt / Sarasate / Hubay
39▶CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40▶CD: Mozart: Symphonies nos. 1, 4-9
41▶CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42▶CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43▶CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44▶CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46▶CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47▶CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48▶CD: Mozart: Piano Concertos nos. 19 & 27
49▶CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50▶CD: Mozart: Requiem
51▼CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:10
2Die Entführung aus dem Serail, K. 384: Erster Akt. Nr. 1 Arie: »Hier soli ich dich denn sehen« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:33
3Die Entführung aus dem Serail, K. 384: Erster Akt. »Wer ist denn dieser Alte …?« (Belmonte) / Nr. 2 Lied & Duett: »Wer ein Liebchen hat gefunden« (Osmin, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:58
4Die Entführung aus dem Serail, K. 384: Erster Akt. »Vielleicht lass ich mir noch so einen Schurken« (Osmin, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:41
5Die Entführung aus dem Serail, K. 384: Erster Akt. Nr. 3 Arie: »Solche hergelauf'ne Laffen« (Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:50
6Die Entführung aus dem Serail, K. 384: Erster Akt. »Geh nur, verwünschter Aufpasser!« (Pedrillo, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:20
7Die Entführung aus dem Serail, K. 384: Erster Akt. Nr. 4 Rezitativ & Arie: »Konstanze, dich wiederzusehen, dich!« - »O wie ängstlich, o wie feurig« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:07
8Die Entführung aus dem Serail, K. 384: Erster Akt. »Versteckt euch, Herr!« (Pedrillo) / Chor der Janitscharen: »Singt dem großen Bassa Lieder« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:45
9Die Entführung aus dem Serail, K. 384: Erster Akt. »Immer noch traurig, geliebte Konstanze?« (Selim, Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:25
10Die Entführung aus dem Serail, K. 384: Erster Akt. Nr. 6 Arie: »Ach ich liebte, war so glücklich« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:52
11Die Entführung aus dem Serail, K. 384: Erster Akt. »Ihr Schmerz, ihre Standhaftigkeit« (Selim, Pedrillo, Belmonte, Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:33
12Die Entführung aus dem Serail, K. 384: Erster Akt. Nr. 7 Terzett: »Marsch! Trollt euch fort!« (Osmin, Belmonte, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:09
13Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 8 Arie: »Durch Zärtlichkeit und Schmeicheln« (Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:07
14Die Entführung aus dem Serail, K. 384: Zweiter Akt. »Ach, seht doch mal« (Osmin, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:48
15Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 9 Duett: »Ich gehe, doch rate ich dir« (Osmin, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
16Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 10 Rezitativ & Arie: »Welcher Kummer herrscht in meiner Seele« - »Traurigkeit ward mir zum Lose« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:41
17Die Entführung aus dem Serail, K. 384: Zweiter Akt. »Nun, Konstanze, der Tag ist bald verstrichen« (Selim, Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:30
18Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 11 Arie: »Martern aller Arten« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:03
52▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53▶CD: Mozart: Die Zauberflöte (Act I)
54▶CD: Mozart: Die Zauberflöte (Act II)
55▶CD: Mozart: Don Giovanni (Act I beg.)
56▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57▶CD: Mozart: Don Giovanni (Act II cont.)
58▶CD: Mozart: Idemeneo (Acts I & II beg.)
59▶CD: Mozart: Idemeneo (Acts II cont. & III)
60▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62▶CD: Mozart: Le nozze di Figaro (Acts III & IV)
63▶CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64▶CD: Rossini: Stabat Mater
65▶CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66▶CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67▶CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68▶CD: J. Strauss II: Die Fledermaus (Act I)
69▶CD: J. Strauss II: Die Fledermaus (Acts II & III)
70▶CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71▶CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72▶CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73▶CD: Stravinsky: Oedipus rex / Symphony of Psalms
74▶CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75▶CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77▶CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78▶CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79▶CD: Verdi: Messa da Requiem
80▶CD: Verdi: Messa da Requiem (beg.)
81▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82▶CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83▶CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84▶CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85▶CD: Rehearsal and Performance: Smetana: The Moldau
86▶CD: Fricsay: Erzähltes Leben (A Life Retold)
87▶DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]