Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1CD: Bartók: Piano Concertos nos. 1-3
2CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7CD: Beethoven: Symphonies nos. 1 & 8
8CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9CD: Beethoven: Symphonies nos. 5 & 7
10CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11CD: Beethoven: Fidelio (Act I)
12CD: Beethoven: Fidelio (Act II)
13CD: Berlioz / Borodin / Mussorgsky / Gounod
14CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17CD: Brahms: Piano Concerto no. 2 / Double Concerto
18CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19CD: Debussy / Dukas / Ravel
20CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23CD: Egk / Einem / Henze / Fortner / Liebermann
24CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28CD: Hindemith / Hartmann / Einem / Martin
29CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35CD: Kodály: Háry János Suite / Symphony in C major
36CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37CD: Kodály: Psalmus hungaricus (1954 & 1959)
38CD: Mendelssohn / Liszt / Sarasate / Hubay
39CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40CD: Mozart: Symphonies nos. 1, 4-9
41CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48CD: Mozart: Piano Concertos nos. 19 & 27
49CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50CD: Mozart: Requiem
51CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53CD: Mozart: Die Zauberflöte (Act I)
54CD: Mozart: Die Zauberflöte (Act II)
55CD: Mozart: Don Giovanni (Act I beg.)
56CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57CD: Mozart: Don Giovanni (Act II cont.)
58CD: Mozart: Idemeneo (Acts I & II beg.)
59CD: Mozart: Idemeneo (Acts II cont. & III)
60CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
#TitleArtistRatingLength
1Mozart: Le nozze di Figaro, K. 492: Sinfonia “”
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:27
2Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 1 Duettino: “Cinque… dieci… venti… trenta” (Figaro, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:42
3Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Cosa stai misurando” (Susanna, Figaro)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart0:42
4Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 2 Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:39
5Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Or bene, ascotta, e taci” (Susanna, Figaro)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:34
6Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 3 Cavatina: “Se vuoi ballare, signor Contino” (Figaro)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:28
7Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Bartolo, medico di Siviglia]:
Ivan Sardi (operatic bass) (from 1960-09-12 until 1960-09-22)
contralto vocals [Marcellina, già governante a casa di Bartolo, ora ai servizio del Conte]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:01
8Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Bartolo, medico di Siviglia]:
Ivan Sardi (operatic bass) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:27
9Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
contralto vocals [Marcellina, già governante a casa di Bartolo, ora ai servizio del Conte]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart0:41
10Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
contralto vocals [Marcellina, già governante a casa di Bartolo, ora ai servizio del Conte]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:10
11Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:46
12Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:58
13Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Son perduto!” (Cherubino, Susanna, Conte, Basilio)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (from 1960-09-12 until 1960-09-22)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
tenor vocals [Basilio, maestro di musica]:
Paul Kuën (tenor) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:12
14Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 7 Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
tenor vocals [Basilio, maestro di musica]:
Paul Kuën (tenor) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:17
15Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (from 1960-09-12 until 1960-09-22)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
tenor vocals [Basilio, maestro di musica]:
Paul Kuën (tenor) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:00
16Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 8 Coro: “Giovani liete, fiori spargete” (contadine, contadini)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1960-09-12 until 1960-09-22)
mezzo-soprano vocals [contadina]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [contadina]:
Rosl Schwaiger (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
chorus master:
Günther Arndt (choral conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:13
17Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Cos'è questa commedia?” (Conte, Figaro, Susanna)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (from 1960-09-12 until 1960-09-22)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:25
18Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 9 Coro: “Giovani liete, fiori spargete” (contadine, contadini)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1960-09-12 until 1960-09-22)
mezzo-soprano vocals [contadina]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [contadina]:
Rosl Schwaiger (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
chorus master:
Günther Arndt (choral conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:08
19Mozart: Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Evviva! … E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (from 1960-09-12 until 1960-09-22)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
tenor vocals [Basilio, maestro di musica]:
Paul Kuën (tenor) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:14
20Mozart: Le nozze di Figaro, K. 492: Atto primo. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:53
21Mozart: Le nozze di Figaro, K. 492: Atto secondo. N. 11 Cavatina “Porgi, amor, qualche, ristoro” (Contessa)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
soprano vocals [La Contessa di Almaviva]:
Maria Stader (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:44
22Mozart: Le nozze di Figaro, K. 492: Atto secondo. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
bass vocals [Figaro, cameriere del Conte]:
Renato Capecchi (baritone) (from 1960-09-12 until 1960-09-22)
soprano vocals [La Contessa di Almaviva]:
Maria Stader (soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:23
23Mozart: Le nozze di Figaro, K. 492: Atto secondo. “Quanto duolmi, Susanna” (Contessa, Susanna, Cherubino)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [La Contessa di Almaviva]:
Maria Stader (soprano) (from 1960-09-12 until 1960-09-22)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Irmgard Seefried (soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:14
24Mozart: Le nozze di Figaro, K. 492: Atto secondo. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Hertha Töpper (mezzo soprano) (from 1960-09-12 until 1960-09-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-09-12 until 1960-09-22)
conductor:
Ferenc Fricsay (conductor) (from 1960-09-12 until 1960-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-09-12 until 1960-09-22) and Werner Wolf (engineer/producer) (from 1960-09-12 until 1960-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-09-12 until 1960-09-22)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1960-09-12 until 1960-09-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:52
61CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62CD: Mozart: Le nozze di Figaro (Acts III & IV)
63CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64CD: Rossini: Stabat Mater
65CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68CD: J. Strauss II: Die Fledermaus (Act I)
69CD: J. Strauss II: Die Fledermaus (Acts II & III)
70CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73CD: Stravinsky: Oedipus rex / Symphony of Psalms
74CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79CD: Verdi: Messa da Requiem
80CD: Verdi: Messa da Requiem (beg.)
81CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85CD: Rehearsal and Performance: Smetana: The Moldau
86CD: Fricsay: Erzähltes Leben (A Life Retold)
87DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]