Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1CD: Bartók: Piano Concertos nos. 1-3
2CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7CD: Beethoven: Symphonies nos. 1 & 8
8CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9CD: Beethoven: Symphonies nos. 5 & 7
10CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11CD: Beethoven: Fidelio (Act I)
12CD: Beethoven: Fidelio (Act II)
13CD: Berlioz / Borodin / Mussorgsky / Gounod
14CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17CD: Brahms: Piano Concerto no. 2 / Double Concerto
18CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19CD: Debussy / Dukas / Ravel
20CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23CD: Egk / Einem / Henze / Fortner / Liebermann
24CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28CD: Hindemith / Hartmann / Einem / Martin
29CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35CD: Kodály: Háry János Suite / Symphony in C major
36CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37CD: Kodály: Psalmus hungaricus (1954 & 1959)
38CD: Mendelssohn / Liszt / Sarasate / Hubay
39CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40CD: Mozart: Symphonies nos. 1, 4-9
41CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48CD: Mozart: Piano Concertos nos. 19 & 27
49CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50CD: Mozart: Requiem
51CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53CD: Mozart: Die Zauberflöte (Act I)
54CD: Mozart: Die Zauberflöte (Act II)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 9 Marsch der Priester: »Ihr, in dem Weisheitstempel« (Sarastro, Sprecher, Zweiter Priester)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:15
2Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 10 Arie & Chor: »O Isis und Osiris« (Sarastro, Chor) / »Eine schreckliche Nacht!« (Tamino, Papageno, Zweiter Priester, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:45
3Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Erster Priester, Zweiter Priester) / »He! Die Lichter her!« (Papageno, Tamino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
tenor vocals [Erster Priester]:
Wilhelm Borchert (actor and dubbing speaker) (in 1955-06)
tenor vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
4Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino) / »Tamino! Deine Standhaftigkeit hat gesiegt!« (Sprecher, Zweiter Priester, Papageno)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:34
5Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) / »O weh! Da ist die Königin der Nacht!« (Monostatos, Pamina, Königin der Nacht)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:57
6Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) / »Morden soll ich?« (Pamina, Monostatos, Sarastro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:03
7Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 15 Arie: »In diesen heil'gen Hallen« (Sarastro) / »Hier seid ihr beide euch allein überlassen« (Sprecher, Papageno, Tamino, Papagena)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:53
8Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 16 Terzett: »Seid uns zum zweiten Masl willkommen« (Die drei Knaben) / »Tamino, Tamino, wollen wir nicht speisen?« (Papageno, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
9Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 17 Arie: »Ach, ich fühl's es ist verschwunden« (Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
10Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 18 Chor der Priester: »O Isis und Osiris« / »Tamino, deine Haltung war bisher standhaft« (Sarastro, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:03
11Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) / »Tamino! Tamino! Willst du mich denn gänzlich verlassen?« (Papageno, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:37
12Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) / »Da bin ich schon, mein Engel« (Papagena, Papageno, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:52
13Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:27
14Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (Die Geharnischten, Tamino, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Kim Borg (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Erster geharnischter Mann]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:41
15Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Tamino mein, o welch ein Glück!« (Pamina, Tamino, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:41
16Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Papagena! Papagena! Papagena! Weibchen! Täubchen!« (Papageno, Die drei Knaben, Papagena)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritter Knabe] and soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:13
17Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:34
18Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:49
55CD: Mozart: Don Giovanni (Act I beg.)
56CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57CD: Mozart: Don Giovanni (Act II cont.)
58CD: Mozart: Idemeneo (Acts I & II beg.)
59CD: Mozart: Idemeneo (Acts II cont. & III)
60CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62CD: Mozart: Le nozze di Figaro (Acts III & IV)
63CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64CD: Rossini: Stabat Mater
65CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68CD: J. Strauss II: Die Fledermaus (Act I)
69CD: J. Strauss II: Die Fledermaus (Acts II & III)
70CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73CD: Stravinsky: Oedipus rex / Symphony of Psalms
74CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79CD: Verdi: Messa da Requiem
80CD: Verdi: Messa da Requiem (beg.)
81CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85CD: Rehearsal and Performance: Smetana: The Moldau
86CD: Fricsay: Erzähltes Leben (A Life Retold)
87DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]