Innovations

~ Release by Hans Zimmer (see all versions of this release, 2 available)

Annotation

Copyright: © 2024 UMG Recordings, Inc.

Annotation last modified on 2024-10-30 18:55 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
2Matera
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Matera
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer1:59
3Chevaliers de Sangreal
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Chevaliers de Sangreal (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer34:07
4Time (Arr. Guitar)
recording of:
Time (Inception)
composer:
Hans Zimmer (German score composer)
part of:
Inception (Live in Prague)
Music Lab Collective3:19
5Mogadishu Blues
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Mogadishu Blues
composer:
Hans Zimmer (German score composer)
Hans Zimmer2:54
7Fructus Gravis
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Fructus gravis (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer32:50
9Vale of Plenty
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Vale Of Plenty
composer:
Hans Zimmer (German score composer)
Hans Zimmer2:28
10Earth
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Earth (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra3:02
11Zimmer: Main Theme [Rain Man]
Hans Zimmer4:49
12Zimmer: Shelter Mountain
recording of:
Shelter Mountain (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
13Now We Are Free
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra54:14
14Honor Him
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Honor Him (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra1:20
15L'Esprit Des Gabriel
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
L’Esprit des Gabriel (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer22:49
16Zimmer: The Ferry
recording of:
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
17The Paschal Spiral
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Paschal Spiral (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer22:49
18Of the Earth
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Of the Earth
composer:
Hans Zimmer (German score composer)
Hans Zimmer2:19
19Slaves to Rome
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Slaves to Rome (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra1:00
20Salvete Virgines
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Salvete virgines (The Da Vinci Code)
lyricist:
Abhay Manusmare
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer3:14
21Not Yet
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Not Yet
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard1:33
22Zimmer: This Is Going to Hurt
recording of:
This Is Going to Hurt (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
23Progeny
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Progeny (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard22:14
24Sorrow
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Sorrow (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:26
25Secrets
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Secrets
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
recording of:
Secrets
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:59
26Marrakesh Marketplace
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2001)
recording of:
Marrakesh Marketplace
composer:
Jeff Rona
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:42
27Zimmer: Burning Tree
recording of:
Burning Tree (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
28Rome Is the Light
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Rome Is the Light
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:44
29To Zuccabar
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
To Zuccabar
recording of:
To Zucchabar (Gladiator)
composer:
Ջիվան Գասպարյան (Djivan Gasparyan, duduk player) and Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra43:16
30Zimmer: She Never Sleeps
recording of:
She Never Sleeps (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
31Leave No Man Behind
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Leave No Man Behind (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer6:19
32The Mob
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
The Mob
composer:
Lisa Gerrard and Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:23
33Maximus
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Maximus
composer:
Hans Zimmer (German score composer)
Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
34Chant
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Chant (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer2:34
35Death Smiles at All of Us
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Death Smiles at Us All
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer2:29
36Reunion
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Reunion (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
recording of:
Reunion
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard41:14
37Zimmer: I'll Follow Your Voice
recording of:
I'll Follow Your Voice (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
38The Protector of Rome
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
The Protector of Rome
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:26
39All That Remains
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
All That Remains
composer:
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:55
40Strength and Honor
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Strength and Honor (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra2:10
41Figurines
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Figurines
composer:
Lisa Gerrard
Lisa Gerrard1:02
42The General Who Became a Slave
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
The General Who Became a Slave
composer:
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer3:03
43The Emperor Is Dead
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Emperor Is Dead (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:22
44Elysium
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Elysium (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
publisher:
SKG Songs
part of:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard42:41
45Malleus Maleficarum
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Malleus maleficarum (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer32:19
46The Wheat
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Wheat (Aftermath, Gladiator)
composer:
Lisa Gerrard
publisher:
SKG Songs
part of:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:03
47Final Ascent
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Final Ascent
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer7:25
49Opening the Doors
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Opening the Doors
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer2:45
51Gun Barrel
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
woodwind [Woodwinds]:
Pedro Eustache
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Gun Barrel
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer0:56
52Cuba Chase
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Cuba Chase
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer5:41
53Still Reprise
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer2:12
54Ad Arcana
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Ad arcana (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer36:07
56Daniel's 9th Cipher
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Daniel’s 9th Cipher (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer39:31
57Rose of Arimathea
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Rose of Arimathea (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer38:12