Innovations

~ Parution par Hans Zimmer (afficher toutes les versions de cette parution, 2 proposées)

Annotation

Copyright: © 2024 UMG Recordings, Inc.

Annotation modifiée en dernier le 2024-10-30 18:55 UTC.

Liste de pistes

1▼Support numérique
noTitreArtisteÉvaluationDurée
2Matera
ingénieur du son :
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig et John Prestage (engineer)
ingénieur du son assistant :
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) et Jack Mills (engineer)
programmation syntétiseur :
Hans Zimmer (German score composer)
ingénieur :
Chuck Choi
producteur :
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) et Hans Zimmer (German score composer)
mixeur :
Al clay et Stephen Lipson
mixeur assistant :
Eva Reistad et Alvin Wee
monteur :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Adam Miller (engineer)
alto :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) et Fiona Winning (violist)
basson :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) et Rachel Simms (bassoonist)
batterie :
Jason Bonham
clarinette :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) et Martin Robertson (saxophonist & clarinetist)
contrebasse :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) et Steve Williams (double bassist)
cor d’harmonie :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) et Phil Woods (French hornist from the UK)
flûte :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) et Rowland Sutherland
flûte en sol :
Lindsey Ellis, Fiona Fulton et Karen Jones (flautist)
guitare :
Amir John Haddad (german-spanish multi instrumentalist)
guitare électrique :
Johnny Marr
harpe :
Skaila Kanga (harpist)
percussions :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) et Frank Ricotti (percussionist)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) et Andy Wood (trombonist)
trompette :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) et Tom Walsh (UK brass player)
tuba :
Owen Slade (tuba player)
violon :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) et Warren Zielinski (violinist)
violoncelle :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) et Chris Worsey (cellist)
chœurs :
London Voices
conductor :
John Altman et Matt Dunkley
chorus master :
Terry Edwards (British choir director) et Ben Parry (British conductor)
arrangeur :
Steven Doar (production music)
orchestrateur :
Òscar Senén
droits phonographiques (℗) par :
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (le 2021) et Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (le 2021)
recording of :
Matera
compositeur :
Hans Zimmer (German score composer)
partie de :
No Time To Die
Hans Zimmer1:59
3Chevaliers de Sangreal
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
interprète :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Chevaliers de Sangreal (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer34:07
4Time (Arr. Guitar)
recording of :
Time (Inception)
compositeur :
Hans Zimmer (German score composer)
partie de :
Inception (Live in Prague)
Music Lab Collective3:19
5Mogadishu Blues
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Mogadishu Blues
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer2:54
7Fructus Gravis
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Fructus gravis (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer32:50
9Vale of Plenty
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Vale Of Plenty
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer2:28
10Earth
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Earth (Gladiator)
compositeur :
Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra3:02
11Zimmer: Main Theme [Rain Man]
Hans Zimmer4:49
12Zimmer: Shelter Mountain
recording of :
Shelter Mountain (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
13Now We Are Free
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 2000), Dreamworks Productions LLC (le 2000) et Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Now We Are Free (Gladiator)
parolier :
Lisa Gerrard
compositeur :
Klaus Badelt (German score composer), Lisa Gerrard et Hans Zimmer (German score composer)
éditeur :
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs et Universal‐MCA Music Publishing (US)
partie de :
Gladiator
medley including a reprise recording of :
Now We Are Free (Gladiator)
parolier :
Niloofar Rafiei
est basée sur :
Now We Are Free (Gladiator)
pot-pourri de :
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra54:14
14Honor Him
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Honor Him (Gladiator)
compositeur :
Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra1:20
15L'Esprit Des Gabriel
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
L’Esprit des Gabriel (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer22:49
16Zimmer: The Ferry
recording of :
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
17The Paschal Spiral
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
The Paschal Spiral (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer22:49
18Of the Earth
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Of the Earth
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer2:19
19Slaves to Rome
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Slaves to Rome (Gladiator)
compositeur :
Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra1:00
20Salvete Virgines
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Salvete virgines (The Da Vinci Code)
parolier :
Abhay Manusmare
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer3:14
21Not Yet
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Not Yet
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard1:33
22Zimmer: This Is Going to Hurt
recording of :
This Is Going to Hurt (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
23Progeny
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Progeny (Gladiator)
compositeur :
Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard22:14
24Sorrow
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Sorrow (Gladiator)
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:26
25Secrets
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Secrets
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
recording of :
Secrets
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:59
26Marrakesh Marketplace
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2001)
recording of :
Marrakesh Marketplace
compositeur :
Jeff Rona
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:42
27Zimmer: Burning Tree
recording of :
Burning Tree (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
28Rome Is the Light
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Rome Is the Light
compositeur :
Klaus Badelt (German score composer), Lisa Gerrard et Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:44
29To Zuccabar
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
To Zuccabar
recording of :
To Zucchabar (Gladiator)
compositeur :
Ջիվան Գասպարյան (Djivan Gasparyan, duduk player) et Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra43:16
30Zimmer: She Never Sleeps
recording of :
She Never Sleeps (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
31Leave No Man Behind
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Leave No Man Behind (Black Hawk Down)
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer6:19
32The Mob
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
The Mob
compositeur :
Lisa Gerrard et Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:23
33Maximus
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Maximus
compositeur :
Hans Zimmer (German score composer)
Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
34Chant
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Chant (Black Hawk Down)
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer2:34
35Death Smiles at All of Us
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Death Smiles at Us All
compositeur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer2:29
36Reunion
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Reunion (Gladiator)
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
recording of :
Reunion
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard41:14
37Zimmer: I'll Follow Your Voice
recording of :
I'll Follow Your Voice (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
38The Protector of Rome
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
The Protector of Rome
compositeur :
Klaus Badelt (German score composer), Lisa Gerrard et Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:26
39All That Remains
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
All That Remains
compositeur :
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:55
40Strength and Honor
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Strength and Honor (Gladiator)
compositeur :
Hans Zimmer (German score composer)
partie de :
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra2:10
41Figurines
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
Figurines
compositeur :
Lisa Gerrard
Lisa Gerrard1:02
42The General Who Became a Slave
ingénieur du son et mixeur :
Alan Meyerson
ingénieur :
Kevin Globerman et Gregg Silk
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer), Alan Meyerson et Hans Zimmer (German score composer)
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, le 2001)
enregistré à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
remixé à :
Lectroluv Studio dans East Village, New York, New York, États-Unis
recording of :
The General Who Became a Slave
compositeur :
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer3:03
43The Emperor Is Dead
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
The Emperor Is Dead (Gladiator)
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:22
44Elysium
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Elysium (Gladiator)
compositeur :
Klaus Badelt (German score composer) et Lisa Gerrard
éditeur :
SKG Songs
partie de :
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard42:41
45Malleus Maleficarum
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Malleus maleficarum (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer32:19
46The Wheat
ingénieur du son et mixeur :
Alan Meyerson
ingénieur assistant :
Jake Jackson (recording engineer) et Nick Wollage
producteur :
Klaus Badelt (German score composer) et Hans Zimmer (German score composer)
orchestre :
The Lyndhurst Orchestra
conductor :
Gavin Greenaway
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (le 2000)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
The Wheat (Aftermath, Gladiator)
compositeur :
Lisa Gerrard
éditeur :
SKG Songs
partie de :
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:03
47Final Ascent
ingénieur du son :
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig et John Prestage (engineer)
ingénieur du son assistant :
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) et Jack Mills (engineer)
programmation syntétiseur :
Hans Zimmer (German score composer)
ingénieur :
Chuck Choi
producteur :
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) et Hans Zimmer (German score composer)
mixeur :
Al clay et Stephen Lipson
mixeur assistant :
Eva Reistad et Alvin Wee
monteur :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Adam Miller (engineer)
alto :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) et Fiona Winning (violist)
basson :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) et Rachel Simms (bassoonist)
batterie :
Jason Bonham
clarinette :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) et Martin Robertson (saxophonist & clarinetist)
contrebasse :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) et Steve Williams (double bassist)
cor d’harmonie :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) et Phil Woods (French hornist from the UK)
flûte :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) et Rowland Sutherland
flûte en sol :
Lindsey Ellis, Fiona Fulton et Karen Jones (flautist)
guitare :
Amir John Haddad (german-spanish multi instrumentalist)
guitare électrique :
Johnny Marr
harpe :
Skaila Kanga (harpist)
percussions :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) et Frank Ricotti (percussionist)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) et Andy Wood (trombonist)
trompette :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) et Tom Walsh (UK brass player)
tuba :
Owen Slade (tuba player)
violon :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) et Warren Zielinski (violinist)
violoncelle :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) et Chris Worsey (cellist)
chœurs :
London Voices
conductor :
John Altman et Matt Dunkley
chorus master :
Terry Edwards (British choir director) et Ben Parry (British conductor)
arrangeur :
Steven Doar (production music)
orchestrateur :
Òscar Senén
droits phonographiques (℗) par :
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (le 2021) et Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (le 2021)
recording of :
Final Ascent
compositeur :
Hans Zimmer (German score composer)
partie de :
No Time To Die
Hans Zimmer7:25
49Opening the Doors
ingénieur du son :
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig et John Prestage (engineer)
ingénieur du son assistant :
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) et Jack Mills (engineer)
programmation syntétiseur :
Hans Zimmer (German score composer)
ingénieur :
Chuck Choi
producteur :
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) et Hans Zimmer (German score composer)
mixeur :
Al clay et Stephen Lipson
mixeur assistant :
Eva Reistad et Alvin Wee
monteur :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Adam Miller (engineer)
alto :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) et Fiona Winning (violist)
basson :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) et Rachel Simms (bassoonist)
batterie :
Jason Bonham
clarinette :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) et Martin Robertson (saxophonist & clarinetist)
contrebasse :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) et Steve Williams (double bassist)
cor d’harmonie :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) et Phil Woods (French hornist from the UK)
flûte :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) et Rowland Sutherland
flûte en sol :
Lindsey Ellis, Fiona Fulton et Karen Jones (flautist)
guitare :
Amir John Haddad (german-spanish multi instrumentalist)
guitare électrique :
Johnny Marr
harpe :
Skaila Kanga (harpist)
percussions :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) et Frank Ricotti (percussionist)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) et Andy Wood (trombonist)
trompette :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) et Tom Walsh (UK brass player)
tuba :
Owen Slade (tuba player)
violon :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) et Warren Zielinski (violinist)
violoncelle :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) et Chris Worsey (cellist)
chœurs :
London Voices
conductor :
John Altman et Matt Dunkley
chorus master :
Terry Edwards (British choir director) et Ben Parry (British conductor)
arrangeur :
Steven Doar (production music)
orchestrateur :
Òscar Senén
droits phonographiques (℗) par :
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (le 2021) et Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (le 2021)
recording of :
Opening the Doors
compositeur :
Hans Zimmer (German score composer)
partie de :
No Time To Die
Hans Zimmer2:45
51Gun Barrel
ingénieur du son :
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig et John Prestage (engineer)
ingénieur du son assistant :
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) et Jack Mills (engineer)
programmation syntétiseur :
Hans Zimmer (German score composer)
ingénieur :
Chuck Choi
producteur :
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) et Hans Zimmer (German score composer)
mixeur :
Al clay et Stephen Lipson
mixeur assistant :
Eva Reistad et Alvin Wee
monteur :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Adam Miller (engineer)
alto :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) et Fiona Winning (violist)
basson :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) et Rachel Simms (bassoonist)
batterie :
Jason Bonham
clarinette :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) et Martin Robertson (saxophonist & clarinetist)
contrebasse :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) et Steve Williams (double bassist)
cor d’harmonie :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) et Phil Woods (French hornist from the UK)
flûte :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) et Rowland Sutherland
flûte en sol :
Lindsey Ellis, Fiona Fulton et Karen Jones (flautist)
guitare :
Amir John Haddad (german-spanish multi instrumentalist)
guitare électrique :
Johnny Marr
harpe :
Skaila Kanga (harpist)
les bois [Woodwinds] :
Pedro Eustache
percussions :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) et Frank Ricotti (percussionist)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) et Andy Wood (trombonist)
trompette :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) et Tom Walsh (UK brass player)
tuba :
Owen Slade (tuba player)
violon :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) et Warren Zielinski (violinist)
violoncelle :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) et Chris Worsey (cellist)
chœurs :
London Voices
conductor :
John Altman et Matt Dunkley
chorus master :
Terry Edwards (British choir director) et Ben Parry (British conductor)
arrangeur :
Steven Doar (production music)
orchestrateur :
Òscar Senén
droits phonographiques (℗) par :
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (le 2021) et Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (le 2021)
recording of :
Gun Barrel
compositeur :
Hans Zimmer (German score composer)
partie de :
No Time To Die
Hans Zimmer0:56
52Cuba Chase
ingénieur du son :
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig et John Prestage (engineer)
ingénieur du son assistant :
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) et Jack Mills (engineer)
programmation syntétiseur :
Hans Zimmer (German score composer)
ingénieur :
Chuck Choi
producteur :
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) et Hans Zimmer (German score composer)
mixeur :
Al clay et Stephen Lipson
mixeur assistant :
Eva Reistad et Alvin Wee
monteur :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Adam Miller (engineer)
alto :
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) et Fiona Winning (violist)
basson :
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) et Rachel Simms (bassoonist)
batterie :
Jason Bonham
clarinette :
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) et Martin Robertson (saxophonist & clarinetist)
contrebasse :
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) et Steve Williams (double bassist)
cor d’harmonie :
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) et Phil Woods (French hornist from the UK)
flûte :
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) et Rowland Sutherland
flûte en sol :
Lindsey Ellis, Fiona Fulton et Karen Jones (flautist)
guitare :
Amir John Haddad (german-spanish multi instrumentalist)
guitare électrique :
Johnny Marr
harpe :
Skaila Kanga (harpist)
percussions :
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) et Frank Ricotti (percussionist)
trombone :
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) et Andy Wood (trombonist)
trompette :
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) et Tom Walsh (UK brass player)
tuba :
Owen Slade (tuba player)
violon :
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) et Warren Zielinski (violinist)
violoncelle :
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) et Chris Worsey (cellist)
chœurs :
London Voices
conductor :
John Altman et Matt Dunkley
chorus master :
Terry Edwards (British choir director) et Ben Parry (British conductor)
arrangeur :
Steven Doar (production music)
orchestrateur :
Òscar Senén
droits phonographiques (℗) par :
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (le 2021) et Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (le 2021)
recording of :
Cuba Chase
compositeur :
Hans Zimmer (German score composer)
partie de :
No Time To Die
Hans Zimmer5:41
53Still Reprise
ingénieur du son :
Al Clay, Malcolm Luker, Alan Meyerson et Greg Townley (producer/mixer)
ingénieur assistant :
Kevin Globerman, Gregg Silk, T.J. Lingren et Jason Wormer (american engineer)
producteur :
Bob Badami, Pietro Scalia et Hans Zimmer (German score composer)
mixeur :
Big Al Clay et Alan Meyerson
monteur :
Marc Streitenfeld (German score composer)
monteur assistant :
Del Spiva
droits phonographiques (℗) par :
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of :
Still (Black Hawk Down)
compositeur :
Hans Zimmer (German score composer)
Hans Zimmer2:12
54Ad Arcana
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Ad arcana (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer36:07
56Daniel's 9th Cipher
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Daniel’s 9th Cipher (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer39:31
57Rose of Arimathea
ingénieur du son :
Geoff Foster (sound engineer)
ingénieur assistant :
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) et Jake Jackson (recording engineer)
mixeur :
Al Clay et Alan Meyerson
monteur :
Simon Changer (editor)
droits phonographiques (℗) par :
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) et Universal Music Classical (le 2006)
enregistré à :
AIR Studios (Lyndhurst Hall 1991–present) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
mixé à :
Lyndhurst Hall (main recording hall of AIR Studios) dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Rose of Arimathea (The Da Vinci Code)
compositeur :
Hans Zimmer (German score composer)
partie de :
The Da Vinci Code
Hans Zimmer38:12

Crédits

Parution

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