La Divina: Maria Callas in All Her Roles 1

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▶CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▼CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
#TitleArtistRatingLength
1I pagliacci: Prologue. “Si può? Si può?” (Tonio)
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo7:49
2I pagliacci: Act I, Scene 1. “Son qua!” (Coro)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Eh! Son qua! Ritornano” (Canio, Coro, Beppe) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:12
3I pagliacci: Act I, Scene 1. “Un grande spettacolo a ventitré ore” (Canio, Coro, Tonio, Beppe)
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Mi accordan di parlar?” … “Un grande spettacolo” (Canio, Coro, Tonio, Beppe) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:46
4I pagliacci: Act I, Scene 1. “Un tal gioco, credetemi, è meglio non giocarlo” (Canio, Nedda, Coro)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Un tal gioco, credetemi” (Canio, Nedda, Coro) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:48
5I pagliacci: Act I, Scene 1. “I zampognari!…Din, don. Suona vespero” (Ragazzi, Coro, Canio)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:57
6I pagliacci: Act I, Scene 2. “Qual fiamma avea nel guardo…Hui! Stridono lassù” (Nedda)
producer:
Walter Legge (British classical producer)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
recording of:
Pagliacci: Atto I. “Stridono lassù” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:38
7I pagliacci: Act I, Scene 2. “Sei là! Credea che te ne fossi andato” (Nedda, Tonio)
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo0:53
8I pagliacci: Act I, Scene 2. “So ben che lo scemo contorto son io” (Nedda, Tonio)
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:06
9I pagliacci: Act I, Scene 2. “Nedda!…Silvio! A quest'ora che imprudenza” (Silvio, Nedda)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Nedda!” - “Silvio! A quest'ora” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:23
10I pagliacci: Act I, Scene 2. “E fra quest'ansie in eterno vivrai” (Silvio, Nedda)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “E fra quest' ansie ... Decidi il mio destin” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:37
11I pagliacci: Act I, Scene 2. “Non mi tentar!” (Nedda, Silvio, Tonio)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Non mi tentar!” (Nedda, Silvio, Tonio) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:22
12I pagliacci: Act I, Scene 2. “E allor perché di', tu m'hai stregato” (Silvio, Nedda, Tonio, Canio)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “E allor perché, di', tu m'hai stregato” (Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo5:21
13I pagliacci: Act I, Scene 2. “Derisione e scherno!” (Canio, Nedda, Beppe, Tonio)
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Derisione e scherno!” (Tonio, Nedda, Canio, Beppe) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:56
14I pagliacci: Act I, Scene 2. “Recitar! Mentre preso dal delirio” (Canio)
producer:
Walter Legge (British classical producer)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo0:46
15I pagliacci: Act I, Scene 2. “Vesti la giubba” (Canio)
producer:
Walter Legge (British classical producer)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:42
16I pagliacci: Act I, Scene 2. Intermezzo (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor and performer:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. Intermezzo (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:14
17I pagliacci: Act 2. “Presto, affrettiamoci” (Coro, Tonio, Beppe, Silvio, Nedda)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
baritone vocals [Tonio]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Ohè! ... Ohè! Presto, affrettiamoci” (Coro, Tonio, Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo4:10
18I pagliacci: Act 2, La commedia. “Pagliaccio, mio marito” (Nedda [Colombina])
producer:
Walter Legge (British classical producer)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Pagliaccio, mio marito” (Colombina) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:52
19I pagliacci: Act 2, La commedia. “Ah! Colombina, il tenero” (Beppe [Arlecchino])
producer:
Walter Legge (British classical producer)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Ah! Colombina, il tenero” (Arlecchino) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:38
20I pagliacci: Act 2, La commedia. “Di fare il segno convenuto” (Nedda [Colombina], Tonio [Taddeo], Beppe[Arlecchino])
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Di fare il segno convenuto” … “È dessa! Dei, come è bella” (Colombina, Taddeo, Arlecchino) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo4:14
21I pagliacci: Act 2, La commedia. “Arlecchin!…Colombina!” (Nedda [Colombina], Beppe [Arlecchino], Tonio [Taddeo], Canio [Pagliacci])
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Beppe [Arlecchino]]:
Nicola Monti (tenor) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio [Pagliaccio]]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Arlecchin!” - “Colombina!” (Colombina, Arlecchino, Taddeo, Pagliaccio) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:28
22I pagliacci: Act 2, La commedia. “Caraggio! Un uomo era con te” (Canio [Pagliacci], Nedda [Colombina], Tonio [Taddeo])
producer:
Walter Legge (British classical producer)
baritone vocals [Tonio [Taddeo]]:
Tito Gobbi (baritone) (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda [Colombina]]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio [Pagliacci]]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Versa il filtro ne la tazza sua!” … “Coraggio! Un uomo era con te” (Pagliaccio, Colombina, Taddeo, Arlecchino) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:59
23I pagliacci: Act 2, La commedia. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda)
producer:
Walter Legge (British classical producer)
baritone vocals [Canio] and tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo3:10
24I pagliacci: Act 2, La commedia. “Suvvia, così terribile” (Canio, Coro, Silvio, Nedda)
producer:
Walter Legge (British classical producer)
baritone vocals [Silvio]:
Rolando Panerai (baritone) (from 1954-06-12 until 1954-06-17)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
tenor vocals [Canio]:
Giuseppe Di Stefano (tenor) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-06-12 until 1954-06-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto II. “Suvvia, così terribile” (Nedda, Canio, Beppe, Tonio, Silvio, Coro) (from 1954-06-12 until 1954-06-17)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:51
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)