La Divina: Maria Callas in All Her Roles 1

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▶CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▶CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▼CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
#TitleArtistRatingLength
1Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:08
2Tosca: Act II. “Ha più forte” (Scarpia, Sciarrone, Spoletta)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:18
3Tosca: Act II. “Meno male!” (Scarpia, Spoletta, Coro, Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:16
4Tosca: Act II. “Dov'è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:01
5Tosca: Act II. “Ed or fra noi parliam da buoni amici…Sciarrone, che dice il Cavalier?” (Scarpia, Tosca, Sciarrone, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:59
6Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
partial recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:55
7Tosca: Act II. “Nel pozzo…nel giardino” (Scarpia, Sciarrone, Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
Giacomo Puccini5:23
8Tosca: Act II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:37
9Tosca: Act II. “Vissi d'arte” (Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:13
10Tosca: Act II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:41
11Tosca: Act II. “E qual via scegliete?” (Scarpia, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:33
12Tosca: Act III. “Io de' sospiri” (Voce del pastore)
producer:
Walter Legge (British classical producer)
treble vocals [Un pastore]:
Alvaro Cordova (Italian boy soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:39
13Tosca: Act III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
producer:
Walter Legge (British classical producer)
bass vocals [Un carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:03
14Tosca: Act III. “E lucevan le stelle” (Cavaradossi)
producer:
Walter Legge (British classical producer)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:47
15Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:33
16Tosca: Act III. “O dolci mani mansuete e pure” (Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:53
17Tosca: Act III. “E non giungono” (Tosca, Cavaradossi, Carceriere)
producer:
Walter Legge (British classical producer)
bass vocals [Un carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:26
18Tosca: Act III. “Com'è lunga l'attesa!” (Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:15
19Tosca: Act III. “Presto! Su, Mario! Mario! Su! Presto! Andiam!” (Tosca, Voci, Sciarrone, Spoletta)
producer:
Walter Legge (British classical producer)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:20
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)