100 Burlesque Hits & Greatest Burlesque Classics (Jazz Edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee3:21
2I Put a Spell on You
voce:
Screamin’ Jay Hawkins
parte di:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 299) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 313)
registrazione di:
I Put a Spell on You (il 1956-09-12)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Screamin’ Jay Hawkins3.92:25
3Three Cool Cats
voce:
The Coasters (nel 1958)
registrazione di:
Three Cool Cats (nel 1958)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music e Mike Stoller Music (ASCAP)
è stata commissionata da:
Sony/ATV Songs LLC
The Coasters2:28
4The Lady Is a Tramp
registrazione cover di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
Lena Horne3:23
5I Want a Little Sugar in My Bowl
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1974)
registrazione dal vivo di:
I Want a Little Sugar in My Bowl (Nina Simone's version) (nel 1985)
autore:
James “Tim” Brymn, Nina Simone, Dally Small e Clarence Williams (US jazz pianist, composer, singer and bandleader)
arrangiatore:
Nina Simone
editore:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
versione di:
Need a Little Sugar in My Bowl (Bessie Smith's version)
registrazione dal vivo cover di:
I Want a Little Sugar in My Bowl (Nina Simone's version)
autore:
James “Tim” Brymn, Nina Simone, Dally Small e Clarence Williams (US jazz pianist, composer, singer and bandleader)
arrangiatore:
Nina Simone
editore:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
versione di:
Need a Little Sugar in My Bowl (Bessie Smith's version)
registrazione di:
I Want a Little Sugar in My Bowl (Nina Simone's version)
autore:
James “Tim” Brymn, Nina Simone, Dally Small e Clarence Williams (US jazz pianist, composer, singer and bandleader)
arrangiatore:
Nina Simone
editore:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
versione di:
Need a Little Sugar in My Bowl (Bessie Smith's version)
registrazione cover di:
I Want a Little Sugar in My Bowl (Nina Simone's version)
autore:
James “Tim” Brymn, Nina Simone, Dally Small e Clarence Williams (US jazz pianist, composer, singer and bandleader)
arrangiatore:
Nina Simone
editore:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
versione di:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:26
6I Want to Be Loved by You
registrazione di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:38
7The Naughty Lady of Shady Lane
orchestra:
Hugo Winterhalter & His Orchestra (il 1954-09-08)
registrazione di:
The Naughty Lady of Shady Lane (il 1954-09-08)
autore:
Roy Bennett (US songwriter) e Sid Tepper
The Ames Brothers2:50
8Teach Me Tiger
April Stevens2:25
9Diamonds Are a Girl's Best Friend
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:30
10Whatever Lola Wants
registrazione di:
Whatever Lola Wants (Damn Yankees)
paroliere e compositore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
parte di:
Damn Yankees (1955 musical)
Carmen McRae3:00
11Just an Old-Fashioned Girl
orchestra:
Henri René & His Orchestra (il 1955-12-02)
registrazione di:
Just an Old Fashioned Girl (il 1955-12-02)
autore:
Marve A. Fisher
Eartha Kitt32:53
12Put the Blame on Mame (From "Gilda")
Rita Hayworth2:16
13Just a Gigolo / I Ain't Got Nobody
Louis Prima4:44
14Minnie the Moocher
Cab Calloway and His Orchestra3:12
15Big, Long, Slidin' Thing
voce:
Dinah Washington (nel 1954)
registrazione di:
Big Long Slidin’ Thing
autore:
Leroy Kirkland e Mamie Thomas
Dinah Washington2:58
16(I'm Your) Hoochie Coochie Man
registrazione di:
I’m Your Hoochie Coochie Man
paroliere e compositore:
Willie Dixon
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) e Willie Dixon Music
Muddy Waters2:51
17I Can't Love You Enough
produttore:
Ahmet Ertegun (US American Songwriter, producer) e Jerry Wexler
altri strumenti :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
voce:
LaVern Baker (US rhythm & blues singer) (il 1956-06-14)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor)
arrangiatore:
Ray Ellis (US producer, arranger and conductor)
registrazione di:
I Can't Love You Enough (il 1956-06-14)
autore:
LaVern Baker (US rhythm & blues singer), Dorian Burton (New York-based singer, songwriter and producer) e Howard Plummer, Jr.
LaVern Baker42:41
18Party Girl
registrata a:
Los Angeles, California, Stati Uniti (il 1952-03-10)
basso :
Buddy Woodson (US bassist)
batteria :
Oscar Lee Bradley, Sr. (jazz drummer, active 40s-60s) e Robert "Snake" Sims (drummer)
chitarra :
R.S. Rankin
chitarra elettrica :
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
pianoforte :
Zell Kindred (US pianist) e Willard McDaniel
sassofono baritono :
Jim Wynn (US blues saxophonist & pianist)
sassofono contralto :
Edward Hale (1950s US sax player)
sassofono tenore :
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
esecutore:
Jim Wynn & His Orchestra e T‐Bone Walker (US blues musician & songwriter, 1910–1975)
T‐Bone Walker2:08
19I Wanna Be Evil
registrazione cover di:
I Want to Be Evil
autore:
Lester Judson e Raymond Taylor (member of the Deuces of Rhythm)
René Marie4:43
20Ain't Misbehavin'
ance :
Gene Porter (40s west coast jazz cat) (il 1943-01-23)
batteria :
Zutty Singleton (il 1943-01-23)
chitarra :
Irving Ashby (il 1943-01-23)
contrabbasso :
Slam Stewart (il 1943-01-23)
pianoforte :
Fats Waller (nel 1943, il 1943-01-23)
tromba :
Benny Carter (il 1943-01-23)
trombone :
Alton Moore (il 1943-01-23) e Slim Moore (trombonist linked to Fats Waller) (il 1943-01-23)
voce:
Fats Waller (il 1943-01-23)
edit di:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) di “Fats” Waller (Fats Waller)
registrazione di:
Ain’t Misbehavin’ (il 1943-01-23)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Fats Waller3:59
21This Can't Be Love
registrata a:
New York, Stati Uniti (dal 1955-03-15 al 1955-03-17)
produttore:
Bob Shad
voce:
Dinah Washington (dal 1955-03-15 al 1955-03-17)
arrangiatore:
Quincy Jones
registrazione di:
This Can’t Be Love (dal 1955-03-15 al 1955-03-17)
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
Dinah Washington6:53
22One Scotch, One Bourbon, One Beer
Amos Milburn2:56
23Drunk
Jimmy Liggins & His Drops of Joy2:31
24Do You Want It?
Julia Lee2:34
25Satellite Baby
Roosevelt Sykes2:47
26I Just Want to Make Love to You
registrazione di:
I Just Wanna Make Love to You
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Muddy Waters4:19
27Susie-Q
basso :
Sonny Trammell (nel 1957)
batteria :
Ronnie Lewis (drummer) (nel 1957)
chitarra :
James Burton (guitarist) (nel 1957) e Dale Hawkins (nel 1957)
voce:
Dale Hawkins (nel 1957)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 24)
registrazione di:
Susie Q (nel 1957)
paroliere e compositore:
Dale Hawkins
compositore aggiunto:
Eleanor Broadwater e Stanley Lewis (well known 60s/70s US producer/songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PeerMusic AB
Dale Hawkins32:20
28She Likes to Boogie Real Low
Frankie Lee Sims2:08
29Jump, Jive an’ Wail
produttore:
Voyle Gilmore
basso :
Amado Rodrigues (il 1956-04-19)
batteria :
Bobby Morris (il 1956-04-19)
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
pianoforte :
Willie McCumber Jr. (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba e voce principale:
Louis Prima (il 1956-04-19)
trombone :
Jimmy 'Little Red' Blount (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Jump, Jive an’ Wail (il 1956-04-19)
paroliere:
Louis Prima
compositore:
Louis Prima (nel 1956)
Louis Prima feat. Keely Smith with Sam Butera & the Witnesses53:27
30Jump Children (Voot, Voot)
The Flamingos2:34
31The Honeydripper
orchestra:
Cab Calloway and His Orchestra (il 1945-11-13)
parte di:
V Disc (by matrix number) (numero: VP 1689 (2))
registrazione di:
The Honeydripper (il 1945-11-13)
paroliere e compositore:
Joe Liggins
Cab Calloway2:58
32I Smell a Rat
registrata a:
Los Angeles, California, Stati Uniti (nel 1953)
batteria [drums] :
Leard Bell (R&B drummer) (nel 1953)
chitarra :
Pete Lewis (nel 1953)
contrabbasso [bass] :
Albert Winston (R&B bassist) (nel 1953)
pianoforte :
Devonia Williams (US R&B pianist/singer) (nel 1953)
sassofono baritono :
Fred Ford (baritone saxophonist) (nel 1953)
sassofono tenore :
James Von Streeter (nel 1953)
tromba :
Don Johnson (1950s' R&B trumpeter) (nel 1953)
trombone :
George Washington (jazz trombonist) (nel 1953)
vibrafono [vibes] :
Johnny Otis (nel 1953)
voce:
Big Mama Thornton (nel 1953)
orchestra:
Johnny Otis Orchestra (nel 1953)
registrazione di:
I Smell a Rat (nel 1953)
autore:
Jerry Leiber e Mike Stoller
editore:
Songs of Universal, Inc. (BMI)
Big Mama Thornton1:44
33Big Fat Mamas Are Back in Style
Bull Moose Jackson2:21
34(Every Time I Hear That) Mellow Saxophone
Roy Montrell2:24
35Born to Be Blue
contrabbasso :
Beverly Peer (il 1947-11-20)
voce:
Mildred Bailey (il 1947-11-20)
registrazione di:
Born to Be Blue (il 1947-11-20)
autore:
Mel Tormé (“The Velvet Fog”) e Robert Wells (songwriter)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PW 3 ASCAP Songs
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (conclusa), Universal Music Publishing France (not for release label use!) e ロックンロール ミュージック (Rock ’n’ Roll Music)
Mildred Bailey2:55
36I Want My Fanny Brown
Wynonie Harris3:07
37Till My Baby Comes Back
batteria :
Philip Paul (Cincinnati studio drummer) (il 1951-12-20)
chitarra :
Chauncey "Lord" Westbrook (il 1951-12-20)
contrabbasso :
Leon Spann (il 1951-12-20)
pianoforte :
Buddy Johnson (il 1951-12-20)
sassofono baritono :
Teddy Conyers (il 1951-12-20)
sassofono contralto :
Harold "Geezil" Minerve (il 1951-12-20) e Joe O'Laughlin (il 1951-12-20)
sassofono tenore :
David Van Dyke (il 1951-12-20) e Purvis Henson (R&B tenor saxophonist) (il 1951-12-20)
tromba :
Willis Nelson (jazz trumpeter) (il 1951-12-20), Frank Royal (il 1951-12-20) e Calvin Strickland (il 1951-12-20)
trombone :
Leon Comegys (il 1951-12-20), Steve Pulliam (il 1951-12-20) e Julius Watson (jazz trombonist) (il 1951-12-20)
voce:
Ella Johnson (il 1951-12-20)
Buddy Johnson and His Orchestra2:24
38Beyond the Sea
Bobby Darin2:54
39Back at the Chicken Shack
tecnico di registrazione:
Rudy van Gelder (il 1960-04-25)
produttore:
Alfred Lion
batteria :
Donald Bailey (drummer and harmonica player) (il 1960-04-25)
chitarra :
Kenny Burrell (il 1960-04-25)
organo :
Jimmy Smith (US jazz organist) (il 1960-04-25)
sassofono tenore :
Stanley Turrentine (il 1960-04-25)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1960-04-25)
registrazione di:
Back at the Chicken Shack (il 1960-04-25)
compositore:
Jimmy Smith (US jazz organist)
editore:
Edmy Music
Jimmy Smith8:06
40After Hours
The Jesters1:45
41Harlem Nocturne
Johnny Reno4:19
42Peter Gunn Theme
Ray Anthony and His Orchestra1:52
43Purple Wail
Red Prysock2:30
44Honky Tonk (Part 2)
Bill Doggett2:37
45Upper & Outest
Duke Ellington2:23
46Mambo Baby
Ruth Brown2:43
47Walk Don't Run
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures2:05
48Slippin' and Slidin'
registrazione di:
Slippin’ and Slidin’
autore:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman e James Smith (composer of “Slippin’ and Slidin’”)
editore:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. e Venice Music
Little Richard2:43
49Daddy, Daddy
Ruth Brown and Her Rhythmakers2:56
50Patricia
Pérez Prado and His Orchestra2:37
51Fever
Louis Prima3:04
52Rooming House Boogie
Cab Calloway3:23
53More Bounce to the Ounce
Lynn Hope Quintet2:34
54Willow Weep for Me
registrata a:
New York, New York, Stati Uniti (il 1955-06-28)
produttore:
Ozzie Cadena
batteria :
Kenny Clarke (il 1955-06-28)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1955-06-28)
cornetta :
Nat Adderley (il 1955-06-28)
flauto e sassofono tenore :
Jerome Richardson (il 1955-06-28)
pianoforte :
Horace Silver (il 1955-06-28)
sassofono contralto :
Julian “Cannonball” Adderley (il 1955-06-28)
tromba :
Donald Byrd (American jazz trumpeter) (il 1955-06-28)
diritti fonografici (℗) detenuti da:
SLG, LLC (nel 2002, nel 2003, nel 2006, nel 2007) e Mastercorp Pty Ltd (nel 2012)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (il 1955-06-28)
registrazione strumentale cover di:
Willow Weep for Me (il 1955-06-28)
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
registrazione strumentale di:
Willow Weep for Me (il 1955-06-28)
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
registrazione di:
Willow Weep for Me
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Cannonball Adderley6:23
55Stalkin'
registrata a:
Phoenix, Arizona, Stati Uniti (nel 1958-03)
produttore:
Lee Hazlewood e Lester Sill
basso elettrico [electric "click" bass] :
Buddy Wheeler (nel 1958-03)
battimani , altra voce [rebel yells] e voce di accompagnamento:
The Sharps (US doo wop group from Los Angeles, CA) (nel 1958-03)
chitarra [rhythm guitar] :
Corki Casey O’Dell (US guitarist & singer, aka Corki Ray, Corki O’Dell) (nel 1958-03) e Donnie Owens (nel 1958-03)
chitarra elettrica :
Duane Eddy (nel 1958-03)
contrabbasso [acoustic bass] :
Jimmy Simmons (nel 1958-03)
membranofono :
Bob Taylor (American drummer) (nel 1958-03)
pianoforte :
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (nel 1958-03)
sassofono [sax] :
Gil Bernal (nel 1958-03)
registrazione di:
Stalkin’ (nel 1958-03)
autore:
Duane Eddy e Lee Hazlewood
Duane Eddy2:25
56The Stripper
registrazione di:
The Stripper
compositore:
David Rose (songwriter, pianist and orchestra leader)
editore:
Bregman, Vocco & Conn Ltd. e David Rose Publishing Co.
David Rose and His Orchestra1:59
57Angel Eyes
Sonny Stitt5:07
58Rock Candy
Big Jay McNeely2:40
59Two Tacos
Felix & His Guitar2:11
60T-Town Twist
Roy Milton2:50
61Take It Off
registrazione di:
Take It Off
The Genteels2:00
62Hot Little Mama
produttore:
Joe Bihari (nel 1955)
basso :
Billy Hadnott (nel 1955-01)
batteria :
Jesse Price (US jazz/R&B drummer & singer) (nel 1955-01)
chitarra :
René Hall (nel 1955-01) e Johnny “Guitar” Watson (nel 1955-01)
pianoforte :
Willard McDaniel (nel 1955-01)
sassofono baritono :
Jim Wynn (US blues saxophonist & pianist) (nel 1955-01)
sassofono tenore :
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (nel 1955-01)
tromba :
James Parr (nel 1955-01)
voce:
Johnny “Guitar” Watson (nel 1955-01)
orchestra:
Maxwell Davis and His Orchestra (nel 1955-01)
direttore d'orchestra:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (nel 1955-01)
registrata presso:
Culver Studios in Culver City, California, Stati Uniti (nel 1955-01)
registrazione di:
Hot Little Mama (nel 1955-01)
autore:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”), Jules Taub e Johnny “Guitar” Watson
Johnny “Guitar” Watson2:40
63Rock Bottom
Linda Hayes with The Red Callender Sextette2:40
64Riders on the Storm
Mariano Yanani6:54
65Rumble
produttore:
Ray Vernon
basso :
Shorty Horton
batteria :
Doug Wray
chitarra :
Link Wray
chitarra [rhythm guitar] :
Vernon Wray
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 8)
registrazione di:
Rumble
compositore:
Milton Grant e Link Wray
editore:
Andval Music e Link Wray Music
Link Wray & His Raymen4.352:31
66A La Carte
James Holloway2:31
67Night Train
sassofono tenore solista :
Sam Butera (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
registrazione strumentale cover di:
Night Train (Jimmy Forrest’s original instrumental version) (il 1956-04-19)
compositore:
Jimmy Forrest
si basa su:
Happy Go Lucky Local
Louis Prima42:52
68Emily
Al Cohn & Zoot Sims7:22
69Jibba Jab
Tic & Toc2:22
70Groovy
The Groovers2:33
71Slow Walk
Sil Austin2:42
72The Whip
The Frantics1:50
73Hooty Sapperticker
Barbara & The Boys1:40
74Enough Man!
Bobby Christian1:48
75Diminuendo & Crescendo in Blue
ance :
Harry Carney (il 1963-01-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1963-01-22) e Russell Procope (il 1963-01-22)
batteria :
Sam Woodyard (il 1963-01-22)
contrabbasso :
Ernie Shepard (il 1963-01-22)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1963-01-22)
sassofono contralto :
Johnny Hodges (il 1963-01-22)
sassofono tenore :
Paul Gonsalves (il 1963-01-22)
tromba :
William “Cat” Anderson (il 1963-01-22), Rolf Ericson (il 1963-01-22), Herbie Jones (il 1963-01-22) e Cootie Williams (il 1963-01-22)
trombone :
Lawrence Brown (jazz trombonist) (il 1963-01-22) e Buster Cooper (il 1963-01-22)
trombone basso :
Chuck Connors (trombonist) (il 1963-01-22)
registrazione di:
Diminuendo and Crescendo in Blue (il 1963-01-22)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
medley di:
Diminuendo in Blue
medley di:
Crescendo in Blue
Duke Ellington11:42
76Drunken Guitar
Tommy Steele2:09
77Way Out West
Sonny Rollins7:05
78Gizmo
Jimmy Heap2:05
79Mumbles
Jack Ross2:19
80Jam Up
registrata a:
New Orleans, Louisiana, Stati Uniti (il 1954-08-08)
produttore:
Tommy Ridgley
batteria [drums] :
Earl Palmer (il 1954-08-08)
chitarra :
Ernest McLean (il 1954-08-08)
contrabbasso [bass] :
Frank Fields (il 1954-08-08)
pianoforte :
Salvador Doucette (il 1954-08-08)
sassofono baritono :
Red Tyler (American jazz saxophonist) (il 1954-08-08)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1954-08-08) e Larry Marioneaux (il 1954-08-08)
tromba :
Dave Bartholomew (il 1954-08-08)
altra voce [vocal interjections]:
Tommy Ridgley (il 1954-08-08)
Tommy Ridgley2:46
81Panic Button
Edgar Alan and the Po' Boys1:46
82Buzzsaw Twist
registrazione di:
Buzz Saw Twist
compositore:
Glen Campbell (US country singer, guitarist & actor)
The Gee Cees2:07
83Mo' Taters
The Earthworms2:09
84Are You Nervous?
The Instrumentals2:40
85Hold It
Bud Grippah1:52
86Sleepless Hours
The Originals1:44
87Wigglin Fool
Jack Hammer1:41
88So Many Ways (To Love You)
Varetta Dillard & Leroy Kirkland Orchestra2:46
89Nut Sundae
The Fabulous Tempoes2:41
90Scatty Cat
Bob Bunny1:22
91The Sneak
Jimmy Oliver2:26
92Bikini
The Bikinis2:20
93Squeezer
Big Bob Dougherty2:04
94Beat Party
Ritchie & the Squires2:04
95Screwdriver
Luchi1:52
96Blues Mood
Milt Jackson4:22
97D-Rail
The Flintales2:09
98Night Walk
The Swingers3:01
99Anasthasia
Bill Smith Combo1:52
100Smog
Jazz Rockers2:55