100 Burlesque Hits & Greatest Burlesque Classics (Jazz Edition)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fever
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee3:21
2I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
part of:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 299) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 313)
recording of:
I Put a Spell on You (on 1956-09-12)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.92:25
3Three Cool Cats
vocals:
The Coasters (in 1958)
recording of:
Three Cool Cats (in 1958)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music and Mike Stoller Music (ASCAP)
was commissioned by:
Sony/ATV Songs LLC
The Coasters2:28
4The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Lena Horne3:23
5I Want a Little Sugar in My Bowl
phonographic copyright (℗) by:
BMG Entertainment (in 1974)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:26
6I Want to Be Loved by You
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:38
7The Naughty Lady of Shady Lane
orchestra:
Hugo Winterhalter & His Orchestra (on 1954-09-08)
recording of:
The Naughty Lady of Shady Lane (on 1954-09-08)
writer:
Roy Bennett (US songwriter) and Sid Tepper
The Ames Brothers2:50
8Teach Me Tiger
April Stevens2:25
9Diamonds Are a Girl's Best Friend
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:30
10Whatever Lola Wants
recording of:
Whatever Lola Wants (Damn Yankees)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
part of:
Damn Yankees (1955 musical)
Carmen McRae3:00
11Just an Old-Fashioned Girl
orchestra:
Henri René & His Orchestra (on 1955-12-02)
recording of:
Just an Old Fashioned Girl (on 1955-12-02)
writer:
Marve A. Fisher
Eartha Kitt32:53
12Put the Blame on Mame (From "Gilda")
Rita Hayworth2:16
13Just a Gigolo / I Ain't Got Nobody
Louis Prima4:44
14Minnie the Moocher
Cab Calloway and His Orchestra3:12
15Big, Long, Slidin' Thing
vocals:
Dinah Washington (in 1954)
recording of:
Big Long Slidin’ Thing
writer:
Leroy Kirkland and Mamie Thomas
Dinah Washington2:58
16(I'm Your) Hoochie Coochie Man
recording of:
I’m Your Hoochie Coochie Man
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters2:51
17I Can't Love You Enough
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1956-06-14)
conductor:
Ray Ellis (US producer, arranger and conductor)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
I Can't Love You Enough (on 1956-06-14)
writer:
LaVern Baker (US rhythm & blues singer), Dorian Burton (New York-based singer, songwriter and producer) and Howard Plummer, Jr.
LaVern Baker42:41
18Party Girl
recorded in:
Los Angeles, California, United States (on 1952-03-10)
alto saxophone:
Edward Hale (1950s US sax player)
baritone saxophone:
Jim Wynn (US blues saxophonist & pianist)
bass:
Buddy Woodson (US bassist)
drums (drum set):
Oscar Lee Bradley, Sr. (jazz drummer, active 40s-60s) and Robert "Snake" Sims (drummer)
electric guitar:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
guitar:
R.S. Rankin
piano:
Zell Kindred (US pianist) and Willard McDaniel
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
performer:
Jim Wynn & His Orchestra and T‐Bone Walker (US blues musician & songwriter, 1910–1975)
T‐Bone Walker2:08
19I Wanna Be Evil
cover recording of:
I Want to Be Evil
writer:
Lester Judson and Raymond Taylor (member of the Deuces of Rhythm)
René Marie4:43
20Ain't Misbehavin'
double bass:
Slam Stewart (on 1943-01-23)
drums (drum set):
Zutty Singleton (on 1943-01-23)
guitar:
Irving Ashby (on 1943-01-23)
piano:
Fats Waller (in 1943, on 1943-01-23)
reeds:
Gene Porter (40s west coast jazz cat) (on 1943-01-23)
trombone:
Alton Moore (on 1943-01-23) and Slim Moore (trombonist linked to Fats Waller) (on 1943-01-23)
trumpet:
Benny Carter (on 1943-01-23)
vocals:
Fats Waller (on 1943-01-23)
edit of:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) by “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (on 1943-01-23)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller3:59
21This Can't Be Love
recorded in:
New York, United States (from 1955-03-15 until 1955-03-17)
producer:
Bob Shad
vocals:
Dinah Washington (from 1955-03-15 until 1955-03-17)
arranger:
Quincy Jones
recording of:
This Can’t Be Love (from 1955-03-15 until 1955-03-17)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Dinah Washington6:53
22One Scotch, One Bourbon, One Beer
Amos Milburn2:56
23Drunk
Jimmy Liggins & His Drops of Joy2:31
24Do You Want It?
Julia Lee2:34
25Satellite Baby
Roosevelt Sykes2:47
26I Just Want to Make Love to You
recording of:
I Just Wanna Make Love to You
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Muddy Waters4:19
27Susie-Q
bass:
Sonny Trammell (in 1957)
drums (drum set):
Ronnie Lewis (drummer) (in 1957)
guitar:
James Burton (guitarist) (in 1957) and Dale Hawkins (in 1957)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 24)
recording of:
Susie Q (in 1957)
lyricist and composer:
Dale Hawkins
additional composer:
Eleanor Broadwater and Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PeerMusic AB
Dale Hawkins32:20
28She Likes to Boogie Real Low
Frankie Lee Sims2:08
29Jump, Jive an’ Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
Louis Prima feat. Keely Smith with Sam Butera & the Witnesses53:27
30Jump Children (Voot, Voot)
The Flamingos2:34
31The Honeydripper
orchestra:
Cab Calloway and His Orchestra (on 1945-11-13)
part of:
V Disc (by matrix number) (number: VP 1689 (2))
recording of:
The Honeydripper (on 1945-11-13)
lyricist and composer:
Joe Liggins
Cab Calloway2:58
32I Smell a Rat
recorded in:
Los Angeles, California, United States (in 1953)
baritone saxophone:
Fred Ford (baritone saxophonist) (in 1953)
double bass [bass]:
Albert Winston (R&B bassist) (in 1953)
drums (drum set) [drums]:
Leard Bell (R&B drummer) (in 1953)
guitar:
Pete Lewis (in 1953)
piano:
Devonia Williams (US R&B pianist/singer) (in 1953)
tenor saxophone:
James Von Streeter (in 1953)
trombone:
George Washington (jazz trombonist) (in 1953)
trumpet:
Don Johnson (1950s' R&B trumpeter) (in 1953)
vibraphone [vibes]:
Johnny Otis (in 1953)
vocals:
Big Mama Thornton (in 1953)
orchestra:
Johnny Otis Orchestra (in 1953)
recording of:
I Smell a Rat (in 1953)
writer:
Jerry Leiber and Mike Stoller
publisher:
Songs of Universal, Inc. (BMI)
Big Mama Thornton1:44
33Big Fat Mamas Are Back in Style
Bull Moose Jackson2:21
34(Every Time I Hear That) Mellow Saxophone
Roy Montrell2:24
35Born to Be Blue
double bass:
Beverly Peer (on 1947-11-20)
vocals:
Mildred Bailey (on 1947-11-20)
recording of:
Born to Be Blue (on 1947-11-20)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Mildred Bailey2:55
36I Want My Fanny Brown
Wynonie Harris3:07
37Till My Baby Comes Back
alto saxophone:
Harold "Geezil" Minerve (on 1951-12-20) and Joe O'Laughlin (on 1951-12-20)
baritone saxophone:
Teddy Conyers (on 1951-12-20)
double bass:
Leon Spann (on 1951-12-20)
drums (drum set):
Philip Paul (Cincinnati studio drummer) (on 1951-12-20)
guitar:
Chauncey "Lord" Westbrook (on 1951-12-20)
piano:
Buddy Johnson (on 1951-12-20)
tenor saxophone:
David Van Dyke (on 1951-12-20) and Purvis Henson (R&B tenor saxophonist) (on 1951-12-20)
trombone:
Leon Comegys (on 1951-12-20), Steve Pulliam (on 1951-12-20) and Julius Watson (jazz trombonist) (on 1951-12-20)
trumpet:
Willis Nelson (jazz trumpeter) (on 1951-12-20), Frank Royal (on 1951-12-20) and Calvin Strickland (on 1951-12-20)
vocals:
Ella Johnson (on 1951-12-20)
Buddy Johnson and His Orchestra2:24
38Beyond the Sea
Bobby Darin2:54
39Back at the Chicken Shack
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1960-04-25)
recording of:
Back at the Chicken Shack (on 1960-04-25)
composer:
Jimmy Smith (US jazz organist)
publisher:
Edmy Music
Jimmy Smith8:06
40After Hours
The Jesters1:45
41Harlem Nocturne
Johnny Reno4:19
42Peter Gunn Theme
Ray Anthony and His Orchestra1:52
43Purple Wail
Red Prysock2:30
44Honky Tonk (Part 2)
Bill Doggett2:37
45Upper & Outest
Duke Ellington2:23
46Mambo Baby
Ruth Brown2:43
47Walk Don't Run
cover recording of:
Walk, Don’t Run
composer:
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) and Windswept Pacific Music Ltd.
The Ventures2:05
48Slippin' and Slidin'
recording of:
Slippin’ and Slidin’
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
Little Richard2:43
49Daddy, Daddy
Ruth Brown and Her Rhythmakers2:56
50Patricia
Pérez Prado and His Orchestra2:37
51Fever
Louis Prima3:04
52Rooming House Boogie
Cab Calloway3:23
53More Bounce to the Ounce
Lynn Hope Quintet2:34
54Willow Weep for Me
recorded in:
New York, New York, United States (on 1955-06-28)
producer:
Ozzie Cadena
alto saxophone:
Julian “Cannonball” Adderley (on 1955-06-28)
cornet:
Nat Adderley (on 1955-06-28)
double bass:
Paul Chambers (US jazz bassist) (on 1955-06-28)
drums (drum set):
Kenny Clarke (on 1955-06-28)
flute and tenor saxophone:
Jerome Richardson (on 1955-06-28)
piano:
Horace Silver (on 1955-06-28)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1955-06-28)
phonographic copyright (℗) by:
SLG, LLC (in 2002, in 2003, in 2006, in 2007) and Mastercorp Pty Ltd (in 2012)
recorded at:
Beltone Studios in New York, New York, United States (on 1955-06-28)
instrumental cover recording of:
Willow Weep for Me (on 1955-06-28)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
instrumental recording of:
Willow Weep for Me (on 1955-06-28)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Cannonball Adderley6:23
55Stalkin'
recorded in:
Phoenix, Arizona, United States (in 1958-03)
producer:
Lee Hazlewood and Lester Sill
double bass [acoustic bass]:
Jimmy Simmons (in 1958-03)
electric bass guitar [electric "click" bass]:
Buddy Wheeler (in 1958-03)
electric guitar:
Duane Eddy (in 1958-03)
guitar [rhythm guitar]:
Corki Casey O’Dell (US guitarist & singer, aka Corki Ray, Corki O’Dell) (in 1958-03) and Donnie Owens (in 1958-03)
handclaps, background vocals and other vocals [rebel yells]:
The Sharps (US doo wop group from Los Angeles, CA) (in 1958-03)
membranophone:
Bob Taylor (American drummer) (in 1958-03)
piano:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (in 1958-03)
saxophone [sax]:
Gil Bernal (in 1958-03)
recording of:
Stalkin’ (in 1958-03)
writer:
Duane Eddy and Lee Hazlewood
Duane Eddy2:25
56The Stripper
recording of:
The Stripper
composer:
David Rose (songwriter, pianist and orchestra leader)
publisher:
Bregman, Vocco & Conn Ltd. and David Rose Publishing Co.
David Rose and His Orchestra1:59
57Angel Eyes
Sonny Stitt5:07
58Rock Candy
Big Jay McNeely2:40
59Two Tacos
Felix & His Guitar2:11
60T-Town Twist
Roy Milton2:50
61Take It Off
recording of:
Take It Off
The Genteels2:00
62Hot Little Mama
producer:
Joe Bihari (in 1955)
baritone saxophone:
Jim Wynn (US blues saxophonist & pianist) (in 1955-01)
bass:
Billy Hadnott (in 1955-01)
drums (drum set):
Jesse Price (US jazz/R&B drummer & singer) (in 1955-01)
guitar:
René Hall (in 1955-01) and Johnny “Guitar” Watson (in 1955-01)
piano:
Willard McDaniel (in 1955-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1955-01)
trumpet:
James Parr (in 1955-01)
vocals:
Johnny “Guitar” Watson (in 1955-01)
orchestra:
Maxwell Davis and His Orchestra (in 1955-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1955-01)
recorded at:
Culver Studios in Culver City, California, United States (in 1955-01)
recording of:
Hot Little Mama (in 1955-01)
writer:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”), Jules Taub and Johnny “Guitar” Watson
Johnny “Guitar” Watson2:40
63Rock Bottom
Linda Hayes with The Red Callender Sextette2:40
64Riders on the Storm
Mariano Yanani6:54
65Rumble
producer:
Ray Vernon
bass:
Shorty Horton
drums (drum set):
Doug Wray
guitar:
Link Wray
guitar [rhythm guitar]:
Vernon Wray
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 8)
recording of:
Rumble
composer:
Milton Grant and Link Wray
publisher:
Andval Music and Link Wray Music
Link Wray & His Raymen4.352:31
66A La Carte
James Holloway2:31
67Night Train
solo tenor saxophone:
Sam Butera (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1956-04-19)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Louis Prima42:52
68Emily
Al Cohn & Zoot Sims7:22
69Jibba Jab
Tic & Toc2:22
70Groovy
The Groovers2:33
71Slow Walk
Sil Austin2:42
72The Whip
The Frantics1:50
73Hooty Sapperticker
Barbara & The Boys1:40
74Enough Man!
Bobby Christian1:48
75Diminuendo & Crescendo in Blue
alto saxophone:
Johnny Hodges (on 1963-01-22)
bass trombone:
Chuck Connors (trombonist) (on 1963-01-22)
double bass:
Ernie Shepard (on 1963-01-22)
drums (drum set):
Sam Woodyard (on 1963-01-22)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-01-22)
reeds:
Harry Carney (on 1963-01-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-01-22) and Russell Procope (on 1963-01-22)
tenor saxophone:
Paul Gonsalves (on 1963-01-22)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-01-22) and Buster Cooper (on 1963-01-22)
trumpet:
William “Cat” Anderson (on 1963-01-22), Rolf Ericson (on 1963-01-22), Herbie Jones (on 1963-01-22) and Cootie Williams (on 1963-01-22)
recording of:
Diminuendo and Crescendo in Blue (on 1963-01-22)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley of:
Diminuendo in Blue
medley of:
Crescendo in Blue
Duke Ellington11:42
76Drunken Guitar
Tommy Steele2:09
77Way Out West
Sonny Rollins7:05
78Gizmo
Jimmy Heap2:05
79Mumbles
Jack Ross2:19
80Jam Up
recorded in:
New Orleans, Louisiana, United States (on 1954-08-08)
producer:
Tommy Ridgley
baritone saxophone:
Red Tyler (American jazz saxophonist) (on 1954-08-08)
double bass [bass]:
Frank Fields (on 1954-08-08)
drums (drum set) [drums]:
Earl Palmer (on 1954-08-08)
guitar:
Ernest McLean (on 1954-08-08)
piano:
Salvador Doucette (on 1954-08-08)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1954-08-08) and Larry Marioneaux (on 1954-08-08)
trumpet:
Dave Bartholomew (on 1954-08-08)
other vocals [vocal interjections]:
Tommy Ridgley (on 1954-08-08)
Tommy Ridgley2:46
81Panic Button
Edgar Alan and the Po' Boys1:46
82Buzzsaw Twist
recording of:
Buzz Saw Twist
composer:
Glen Campbell (US country singer, guitarist & actor)
The Gee Cees2:07
83Mo' Taters
The Earthworms2:09
84Are You Nervous?
The Instrumentals2:40
85Hold It
Bud Grippah1:52
86Sleepless Hours
The Originals1:44
87Wigglin Fool
Jack Hammer1:41
88So Many Ways (To Love You)
Varetta Dillard & Leroy Kirkland Orchestra2:46
89Nut Sundae
The Fabulous Tempoes2:41
90Scatty Cat
Bob Bunny1:22
91The Sneak
Jimmy Oliver2:26
92Bikini
The Bikinis2:20
93Squeezer
Big Bob Dougherty2:04
94Beat Party
Ritchie & the Squires2:04
95Screwdriver
Luchi1:52
96Blues Mood
Milt Jackson4:22
97D-Rail
The Flintales2:09
98Night Walk
The Swingers3:01
99Anasthasia
Bill Smith Combo1:52
100Smog
Jazz Rockers2:55