Ahmad Jamal: Eight Classic Albums

~ Release by Ahmad Jamal (see all versions of this release, 2 available)

Tracklist

1▶CD: Count Em 88 (1956)/ Ahmad Jamal Trio at the Spotlight Cafe (1958)
2▶CD: But Not for Me - Ahmad Jamal Live at the Pershing (1958)/ Jamal at the Penthouse (1959)
3▼CD: Happy Moods (1960)/ All of You (1961)
#TitleRatingLength
1Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
45:15
2You'd Be So Easy to Love
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Easy to Love (in 1960-01)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
53:19
3Time on My Hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
1:36
4For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
52:46
5I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:01
6Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
55:45
7Excerpt from the Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
3:03
8Rain Check
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
4:41
9Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
4:54
10Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
2:38
11Time on My Hands
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
6:19
12Angel Eyes
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
Angel Eyes (1946 jazz standard) (in 1961-06)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:15
13You Go to My Head
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
10:56
14Star Eyes
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
5:56
15All of You
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
5:00
16You're Blasé
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
You’re Blasé (in 1961-06)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
3:29
17What Is This Thing Called Love?
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
6:05
4▶CD: Chamber Music of the New Jazz (1955)/ Standard Eyes (1961)