Ahmad Jamal: Eight Classic Albums

~ Release by Ahmad Jamal (see all versions of this release, 2 available)

Tracklist

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1▼CD: Count Em 88 (1956)/ Ahmad Jamal Trio at the Spotlight Cafe (1958)
#TitleArtistRatingLength
1Volga Boatman
Ahmad Jamal3:44
2Green Dolphin Street
Ahmad Jamal3:18
3How About You
Ahmad Jamal5:27
4I Just Can't See for Looking
Ahmad Jamal2:03
5Spring Will Be a Little Late This Year
Ahmad Jamal2:38
6Beat Out One
Ahmad Jamal5:25
7Maryam
Ahmad Jamal3:38
8Easy to Remember
Ahmad Jamal5:36
9Jim Love Sue
Ahmad Jamal2:53
10Stompin' at the Savoy
Ahmad Jamal Trio4:16
11That's All
Ahmad Jamal Trio2:38
12Girl Next Door
Ahmad Jamal Trio3:26
13Squatty Roo
Ahmad Jamal Trio2:19
14Autumn in New York
Ahmad Jamal Trio3:18
15Taboo
Ahmad Jamal Trio4:02
16Secret Love
Ahmad Jamal Trio3:52
17Should I
Ahmad Jamal Trio3:40
18I Wish I Knew
Ahmad Jamal Trio3:46
2▼CD: But Not for Me - Ahmad Jamal Live at the Pershing (1958)/ Jamal at the Penthouse (1959)
#TitleArtistRatingLength
1But Not for Me
live instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Ahmad Jamal Trio3:32
2Surrey with the Fringe on Top
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
The Surrey With the Fringe on Top (on 1958-01-16)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ahmad Jamal Trio2:35
3Moonlight in Vermont
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
Moonlight in Vermont (on 1958-01-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ahmad Jamal Trio3:10
4(Put Another Nickel In) Music Music Music
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
Music! Music! Music! (on 1958-01-16)
writer:
Bernie Baum and Stephan Weiss
Ahmad Jamal Trio2:57
5No Greater Love
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
There Is No Greater Love (on 1958-01-16)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Ahmad Jamal Trio3:26
6Poinciana
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
Poinciana (Song of the Tree) (on 1958-01-16)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
Ahmad Jamal Trio8:07
7Woody n' You
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
Woody ’n’ You (on 1958-01-16)
composer:
Dizzy Gillespie
Ahmad Jamal Trio3:40
8What's New
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental cover recording of:
What’s New? (on 1958-01-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Ahmad Jamal Trio4:11
9Comme Ci, Comme Ca
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
Ahmad Jamal2:12
10Ivy
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live instrumental recording of:
Ivy (in 1959-02)
lyricist and composer:
Hoagy Carmichael
Ahmad Jamal3:58
11Never Never Land
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live instrumental recording of:
Never Never Land (Peter Pan, 1954 musical) (in 1959-02)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp.
part of:
Peter Pan (1954 musical)
Ahmad Jamal3:06
12Tangerine
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live instrumental recording of:
Tangerine (1941 song) (in 1959-02)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Ahmad Jamal4:16
13Ahmads Blues
Ahmad Jamal2:59
14Seleritus
Ahmad Jamal1:42
15I Like to Recognize the Tune
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live instrumental recording of:
I Like to Recognize the Tune (in 1959-02)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
Ahmad Jamal3:09
16I'm Alone with You
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
Ahmad Jamal2:38
17Sophisticated Gentleman
Ahmad Jamal4:09
18Poinciana (Single Version)
Ahmad Jamal Trio3:04
3▼CD: Happy Moods (1960)/ All of You (1961)
#TitleRatingLength
1Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
45:15
2You'd Be So Easy to Love
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Easy to Love (in 1960-01)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
53:19
3Time on My Hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
1:36
4For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
52:46
5I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:01
6Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
55:45
7Excerpt from the Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
3:03
8Rain Check
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
4:41
9Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
4:54
10Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
2:38
11Time on My Hands
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
6:19
12Angel Eyes
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
Angel Eyes (1946 jazz standard) (in 1961-06)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:15
13You Go to My Head
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
10:56
14Star Eyes
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
5:56
15All of You
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
5:00
16You're Blasé
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
You’re Blasé (in 1961-06)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
3:29
17What Is This Thing Called Love?
recording engineer:
Ron Malo (in 1961-06)
engineer:
Ron Malo
producer:
Leonard Chess
bass and double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
6:05
4▼CD: Chamber Music of the New Jazz (1955)/ Standard Eyes (1961)
#TitleRatingLength
1New Rhumba
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
New Rhumba (on 1955-05-23)
composer:
Ahmad Jamal
4:40
2A Foggy Day
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
A Foggy Day (in London Town) (on 1955-05-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
4:23
3All of You
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
3:15
4It Ain't Necessarily So
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1955-05-23)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:00
5I Don't Wanna Be Kissed (By Anyone But You)
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
3:25
6I Get a Kick Out of You
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
4:50
7Jeff
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
4:53
8Darn That Dream
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Darn That Dream (on 1955-05-23)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:11
9Spring Is Here
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
4:01
10Billy Boy
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Billy Boy
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
3:00
11Sweet and Lovely
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
3:54
12I Didn't Know What Time It Was
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
4:28
13Taboo
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Tabú (original 1934 spanish lyrics)
lyricist and composer:
Margarita Lecuona (Cuban composer) (in 1934)
3:54
14I'll Never Stop Loving You
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I’ll Never Stop Loving You
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:00
15I'll Remember April
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:42
16So Beats My Heart for You
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
So Beats My Heart for You
writer:
Pat Ballard, Charles Henderson and Tom Waring
3:35
17For All We Know
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
2:42
18The Breeze and I
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
The Breeze and I
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
2:16
19Like Someone in Love
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:47
20Angel Eyes
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:09
21The Girl Next Door
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
The Girl Next Door
composer:
Ralph Blane and Hugh Martin
publisher:
EMI Feist Catalog Inc. and EMI United Partnership Ltd.
3:20