All or Nothing at All

~ Release by Billie Holiday (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Day in, Day Out
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
Day In, Day Out (on 1957-01-07)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
46:49
2Darn That Dream
producer:
Norman Granz (on 1957-01-07)
double bass:
Joe Mondragon (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
Darn That Dream (on 1957-01-07)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
46:20
3But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
43:51
4Body and Soul
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Body and Soul (on 1957-01-07)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
36:25
5Just Friends (instrumental)
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
instrumental recording of:
Just Friends (in 1957-01)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
6:29
6Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3.354:32
7Say It Isn't So
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Say It Isn’t So (on 1957-01-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
43:19
8Love Is Here to Stay
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Love Is Here to Stay (on 1957-01-08)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
53:45
9One for My Baby (And One More for the Road)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Larry Bunker (on 1957-01-08) and Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
One for My Baby (and One More for the Road) (on 1957-01-08)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
45:42
10They Can't Take That Away From Me
producer:
Norman Granz (on 1957-01-09)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09) and Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
electric guitar and guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01, on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.54:12
11Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:49
12Let's Call the Whole Thing Off
producer:
Norman Granz (on 1957-01-09)
double bass:
Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
53:26
13Gee, Baby, Ain't I Good to You?
producer:
Norman Granz (on 1957-01-09)
double bass:
Joe Mondragon (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
45:37