All or Nothing at All

~ Release by Billie Holiday (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleRatingLength
1Do Nothin' Till You Hear From Me
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1956-08-14)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
44:15
2Cheek to Cheek
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-14)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
53:38
3Ill Wind (You're Blowin' Me No Good)
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-14)
recording of:
Ill Wind (on 1956-08-14)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
46:17
4Speak Low
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
electric guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-14)
recording of:
Speak Low (One Touch of Venus) (on 1956-08-14)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
3.54:29
5We'll Be Together Again
engineer:
Val Valentin (on 1956-08-18)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
We’ll Be Together Again (on 1956-08-18)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:27
6All or Nothing at All
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
All or Nothing at All (on 1956-08-18)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
45:41
7Sophisticated Lady
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
Sophisticated Lady (on 1956-08-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
44:51
8April in Paris
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
electric guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
33:06
9I Wished on the Moon
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
I Wished on the Moon (on 1957-01-03)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
43:28
10Moonlight in Vermont
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
Moonlight in Vermont (on 1957-01-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:53
11A Foggy Day
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
electric guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (on 1957-01-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3.54:44
12Didn't Know What Time It Was
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-03 until 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1957-01)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
6:02
13Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Just One of Those Things (on 1957-01-04)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
45:34
14Comes Love (alternate)
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-03 until 1957-01-04)
recording of:
Comes Love (in 1957-01)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
4:01
15Comes Love
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Comes Love (on 1957-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
44:00
2▼CD
#TitleRatingLength
1Day in, Day Out
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
Day In, Day Out (on 1957-01-07)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
46:49
2Darn That Dream
producer:
Norman Granz (on 1957-01-07)
double bass:
Joe Mondragon (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
Darn That Dream (on 1957-01-07)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
46:20
3But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
43:51
4Body and Soul
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Body and Soul (on 1957-01-07)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
36:25
5Just Friends (instrumental)
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
instrumental recording of:
Just Friends (in 1957-01)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
6:29
6Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3.354:32
7Say It Isn't So
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Say It Isn’t So (on 1957-01-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
43:19
8Love Is Here to Stay
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Love Is Here to Stay (on 1957-01-08)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
53:45
9One for My Baby (And One More for the Road)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Larry Bunker (on 1957-01-08) and Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
One for My Baby (and One More for the Road) (on 1957-01-08)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
45:42
10They Can't Take That Away From Me
producer:
Norman Granz (on 1957-01-09)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09) and Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
electric guitar and guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01, on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.54:12
11Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:49
12Let's Call the Whole Thing Off
producer:
Norman Granz (on 1957-01-09)
double bass:
Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
53:26
13Gee, Baby, Ain't I Good to You?
producer:
Norman Granz (on 1957-01-09)
double bass:
Joe Mondragon (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
45:37