The Essential Cole Porter

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire53:28
2Miss Otis Regrets
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Ethel Waters2:59
3Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw3:00
4Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Peggy Lee2:17
5Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:12
6When Love Comes Your Way
Cole Porter1:42
7I’ve Got You Under My Skin
recorded in:
Los Angeles, California, United States (on 1954-08-15)
live cover recording of:
I’ve Got You Under My Skin (on 1954-08-15)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Dinah Washington with Clifford Brown5:28
8It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman2:50
9Ridin’ High
recording of:
Ridin’ High
lyricist and composer:
Cole Porter (composer) (in 1936)
Benny Goodman2:39
10My Heart Belongs to Daddy
double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17) and Hilton Jefferson (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
recording of:
My Heart Belongs to Daddy (on 1939-02-17)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Ella Fitzgerald43:10
11Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
lyricist and composer:
Cole Porter (composer) (in 1930)
Lee Wiley3:03
12I’m a Gigolo
recording of:
I'm a Gigolo
lyricist and composer:
Cole Porter (composer)
Cole Porter2:26
13Two Little Babes in the Woods
Cole Porter3:17
14Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (composer) (in 1936)
Ethel Merman3:12
15Red, Hot and Blue
recording of:
Red, Hot and Blue (from the musical "Red, Hot and Blue")
lyricist and composer:
Cole Porter (composer)
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman3:13
16Friendship
recording of:
Friendship
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
Anything Goes
part of:
DuBarry Was a Lady (1939 stage musical)
Judy Garland and Johnny Mercer2:39
17Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
part of:
Panama Hattie (1942 film)
Doris Day3:05
18I Love You
vocals:
Billy Eckstine (on 1949-12-22) and Sarah Vaughan (on 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (on 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan and Billy Eckstine2:40
19You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Dinah Shore2:56
20Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern3:30
3▶CD

Credits

Release

ASIN:UK: B000B9G6OE [info]

Release group

part of:The Soho Collection (order: 1)