The Essential Cole Porter

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Night and Day
ance :
Jess Smith (reeds in Leo Reisman & His Orchestra) (il 1932-11-22) e Burt Williams (il 1932-11-22)
tromba :
Lew Sherwood (il 1932-11-22)
trombone :
Ernie Gibbs (il 1932-11-22)
violino :
Lew Conrad (il 1932-11-22) e Sammy Schklar (il 1932-11-22)
voce:
Fred Astaire (il 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (il 1932-11-22)
direttore d'orchestra:
Leo Reisman (violinist, bandleader, arranger) (il 1932-11-22)
registrata presso:
Victor Studio #1 (Cherokee A) in New York, New York, Stati Uniti (il 1932-11-22)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1932-11-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Fred Astaire53:28
2Miss Otis Regrets
registrazione di:
Miss Otis Regrets
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1934)
Ethel Waters2:59
3Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw3:00
4Just One of Those Things
registrazione cover di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Peggy Lee2:17
5Easy to Love
registrazione di:
Easy to Love
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Billie Holiday3:12
6When Love Comes Your Way
Cole Porter1:42
7I’ve Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (il 1954-08-15)
registrazione dal vivo cover di:
I’ve Got You Under My Skin (il 1954-08-15)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Dinah Washington with Clifford Brown5:28
8It’s De‐Lovely
registrazione di:
It’s De‐Lovely
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman2:50
9Ridin’ High
registrazione di:
Ridin’ High
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Benny Goodman2:39
10My Heart Belongs to Daddy
ance :
Garvin Bushell (il 1939-02-17) e Hilton Jefferson (il 1939-02-17)
batteria :
Chick Webb (il 1939-02-17)
chitarra :
Bobby Johnson (US guitarist) (il 1939-02-17)
contrabbasso :
Beverly Peer (il 1939-02-17)
legni :
Wayman Carver (il 1939-02-17)
pianoforte :
Tommy Fulford (il 1939-02-17)
sassofono tenore :
Teddy McRae (il 1939-02-17)
tromba :
Taft Jordan (il 1939-02-17), Bobby Stark (il 1939-02-17) e Dick Vance (US jazz trumpeter and arranger) (il 1939-02-17)
trombone :
George Matthews (trombone) (il 1939-02-17), Nat Story (il 1939-02-17) e Sandy Williams (American jazz trombonist) (il 1939-02-17)
voce:
Ella Fitzgerald (American jazz singer) (il 1939-02-17)
registrazione di:
My Heart Belongs to Daddy (il 1939-02-17)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
registrazione cover di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Ella Fitzgerald43:10
11Let’s Fly Away
registrazione di:
Let’s Fly Away (The New Yorkers musical)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
Lee Wiley3:03
12I’m a Gigolo
registrazione di:
I'm a Gigolo
paroliere e compositore:
Cole Porter (composer)
Cole Porter2:26
13Two Little Babes in the Woods
Cole Porter3:17
14Down in the Depths
registrazione di:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Ethel Merman3:12
15Red, Hot and Blue
registrazione di:
Red, Hot and Blue (from the musical "Red, Hot and Blue")
paroliere e compositore:
Cole Porter (composer)
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman3:13
16Friendship
registrazione di:
Friendship
paroliere e compositore:
Cole Porter (composer) (nel 1939)
parte di:
Anything Goes
parte di:
DuBarry Was a Lady (1939 stage musical)
Judy Garland and Johnny Mercer2:39
17Let’s Be Buddies
registrazione di:
Let’s Be Buddies (Panama Hattie musical)
paroliere e compositore:
Cole Porter (composer) (nel 1940)
parte di:
Panama Hattie (1940 Cole Porter musical)
parte di:
Panama Hattie (1942 film)
Doris Day3:05
18I Love You
voce:
Billy Eckstine (il 1949-12-22) e Sarah Vaughan (il 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (il 1949-12-22)
registrazione cover di:
I Love You (Mexican Hayride musical) (nel 1957)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan and Billy Eckstine2:40
19You’d Be So Nice to Come Home To
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1942-07-30)
voce:
Dinah Shore (il 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (il 1942-07-30)
direttore d'orchestra:
Paul Weston (il 1942-07-30)
registrazione di:
You’d Be So Nice to Come Home To (il 1942-07-30)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Dinah Shore2:56
20Ev’ry Time We Say Goodbye
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern3:30
3▶CD

Accreditamenti

Pubblicazione

ASIN:UK: B000B9G6OE [info]

Gruppo di pubblicazioni

parte di:The Soho Collection (ordine: 1)