The 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Anmerkung zuletzt geändert am 2020-04-03 07:01 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
2Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
3The Rubberband Man
The Spinners4.653:35
4Long Cool Woman (in a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.23:19
5A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.34:12
6Blitzkrieg Bop
Techniker(in):
Ed Stasium (US record producer & audio engineer)
Produzent(in):
Thomas Erdelyi (Tommy Ramone) und Ed Stasium (US record producer & audio engineer)
Bassgitarre:
Dee Dee Ramone (am 1977-12-31)
Gitarre:
Johnny Ramone (am 1977-12-31)
Schlagzeug:
Tommy Ramone (am 1977-12-31)
aufgenommen bei:
Rainbow Theatre (Finsbury Park) in London (Greater London), England, Vereinigtes Königreich (am 1977-12-31)
live recording of:
Blitzkrieg Bop (am 1977-12-31)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones52:05
7Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
8Casey Jones
Techniker(in) und Produzent(in):
Alembic (Instrument makers & sound consultants), Betty Cantor‐Jackson, Grateful Dead und Bob Matthews
leitende(r) Produzent(in):
Bob Matthews
Partner-Produzent(in):
Betty Cantor‐Jackson und Grateful Dead
Banjo, Pedal-Steel-Gitarre und Sologesang:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02)
Bassgitarre:
Phil Lesh (in 1970-02)
Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02) und Bob Weir (in 1970-02)
Keyboard und Mundharmonika:
Ron “Pigpen” McKernan (in 1970-02)
Perkussion und Schlagzeug:
Mickey Hart (drummer for The Grateful Dead) (in 1970-02) und Bill Kreutzmann (in 1970-02)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02), Phil Lesh (in 1970-02), Ron “Pigpen” McKernan (in 1970-02) und Bob Weir (in 1970-02)
recording of:
Casey Jones (Grateful Dead song) (in 1970-02)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Version von:
The Ballad of Casey Jones
Grateful Dead44:25
9Dixie Chicken
Produzent(in):
Lowell George
vocals:
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:56
10Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:14
11(Where Do I Begin) Love Story
Produzent(in):
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
Texter:
Carl Sigman
Komponist(in):
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Version von:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
12Rock Your Baby
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae6:24
13Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
14Feelin’ Stronger Every Day
Assistent recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
Produzent(in):
James William Guercio
assistierende(r) Mix:
Richard Blakin (in 1973-02)
Mix:
Phil Ramone (in 1973-02)
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) und Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
Verfasser(in):
Peter Cetera (in 1973) und James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. und Big Elk Music (in 1973)
Chicago4:15
15Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
16Diamond Girl
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
Seals & Crofts44:13
17I’m Eighteen
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Mundharmonika und Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
arranger:
Alice Cooper (1964–1975 American rock band) und Bob Ezrin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
RCA Mid-America in Chicago, Illinois, Vereinigte Staaten
Musikvideos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) von Alice Cooper (1964–1975 American rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 482)
recording of:
I’m Eighteen
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.22:59
18I Got The…
Techniker(in):
Dick Plant (engineer)
Produzent(in):
Derek Lawrence (British producer) und Big Jim Sullivan
Akustikgitarre und Hybrid-Piano:
Labi Siffre
Bass:
Dave Peacock (English bass guitarist, Chas & Dave)
E-Gitarre:
Chas Hodges
E-Gitarre [Lead Guitar]:
Big Jim Sullivan
Instrumente:
Chas Hodges
Perkussion:
Alan Branscombe
Saiteninstrumente:
Rock 'n' Roll Gypsies
Schlagzeug:
Ian Wallace (drummer, ex‐King Crimson)
Hintergrundgesang:
Chas Hodges und Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) und Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
Texter und Komponist(in):
Labi Siffre
Labi Siffre56:35
19I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
20Rockaway Beach
assistierende(r) Techniker(in):
Don Berman
Techniker(in):
Ed Stasium (US record producer & audio engineer)
Produzent(in):
Tony Bongiovi und Thomas Erdelyi (Tommy Ramone)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
Alan Cross: Hurricane Songs (Nummer: 1)
recording of:
Rockaway Beach
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones4.552:07
21Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton und Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
22Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
23You’re Still a Young Man
Tower of Power2.55:35
24Something to Fall Back On
recording of:
Something to Fall Back On
Texter und Komponist(in):
Lamont Dozier
Margie Joseph4:01
25Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
26Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:53
27I’ve Got to Make It on My Own
The Spinners3:25
28Riding High
recording of:
Riding High
Verfasser(in):
Ralph Aikens, Tyrone Crum, Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band), Robert Neal, Jr. (American percussionist and vocalist) und Roger Parker (US R&B drummer)
publisher:
Rick S. Music (publishing company associated with Casablanca) und Segundo Sueños LLC
Faze‐O5:18
29Maybe I’m Amazed
Techniker(in):
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood)
aufgenommen bei:
Fillmore East in East Village, New York, New York, Vereinigte Staaten (am 1970-11-10)
live cover recording of:
Maybe I’m Amazed (am 1970-11-10)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1969)
Texter und Komponist(in):
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. und Sony/ATV Tunes LLC (ASCAP)
Faces5:34
30Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
live recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
31Get Down Tonight (edited version)
recording of:
Get Down Tonight
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music und Southern Music (publisher)
KC and the Sunshine Band4.253:11
32Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:46
33Drivin’ Wheel (single version)
recording of:
Drivin' Wheel
Texter und Komponist(in):
Dave Peverett und Rod Price
publisher:
Riff Bros. Music
sub-publisher:
Concord Music Publishing Sàrl
Foghat4:29
34See My Baby Jive
recording of:
See My Baby Jive
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. und Roy Wood Music Ltd.
Wizzard55:02
35You Are My Love
recording of:
You Are My Love
Verfasser(in):
Roger Scott Craig und Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:09
36Drinkin’ My Baby (Off My Mind)
Eddie Rabbitt2:25
37I Never Did Sing You a Love Song
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
accordion:
Nick de Caro
Akustikgitarre:
David Nichtern
Bassgitarre:
Chris Ethridge
Klavier:
Spooner Oldham
Schlagzeug:
Jim Keltner
Steel-Gitarre:
Bill Keith
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Never Did Sing You a Love Song
Texter und Komponist(in):
David Nichtern
publisher:
Compass Music, Ltd. (UK publishing company, dissolved) und Space Potato Music, Ltd.
Maria Muldaur2:50
38Smokin’ in the Boy’s Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:58
39Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:49
40What’s Best?
The Jimmy Castor Bunch3:58
412-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
42Everything I Own
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:06
43England’s Glory
Bassgitarre und Synthesizer:
Michael J McEvoy (in 1989-07)
Gitarre:
Merlin Rhys-Jones (in 1989-07)
Keyboard:
Mick Gallagher (UK hammond organ player) (in 1989-07)
Perkussion und Schlagzeug:
Steve White (Style Council drummer) (in 1989-07)
Saxophon:
Davey Payne (UK saxophonist) (in 1989-07)
vocals:
Ian Dury (in 1989-07)
aufgenommen bei:
Liquidator Studios in Islington, London (Greater London), England, Vereinigtes Königreich (in 1989-07) und Westside Studios in London (Greater London), England, Vereinigtes Königreich (in 1989-07)
recording of:
England’s Glory (in 1989-07)
Texter:
Ian Dury
Komponist(in):
Rod Melvin
Ian Dury4:25
44I’m a Changed Man (Finally Got Myself Together)
The Impressions3:09
45Moviestar
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo53:22
46Dance With Me
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans3:21
47She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
48Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:39
49Closer Together
Bloodstone3:47
50So Soon We Change
recording of:
So Soon We Change
Verfasser(in):
James Dean (US soul songwriter) und John Glover (US Funk/disco/soul producer & songwriter)
David Ruffin3:57
51Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
52Let’s Stay Together
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Margie Joseph3:27
53Call on Me
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Jeff Guercio und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone
Sologesang:
Peter Cetera (von 1973-08 bis 1973-12)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1973-08 bis 1973-12)
recording of:
Call on Me (von 1973-08 bis 1973-12)
Texter:
Lee Loughnane
Komponist(in):
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. und Spirit Music Publishing Ltd.
Chicago4:03
54Venus
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
E-Gitarre:
Richard Lloyd (American guitarist and singer, Television)
Schlagzeug:
Billy Ficca
Solo-E-Gitarre und Sologesang:
Tom Verlaine
Hintergrundgesang:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Venus
Texter und Komponist(in):
Tom Verlaine
Television53:49
55Move On Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
56Wear It Out
Produzent(in):
Verdine White und Robert Wright (disco/funk producer)
recording of:
Wear It Out
Verfasser(in):
Charles Fearing, Rochelle Runnells und Robert Wright (disco/funk producer)
Stargard45:14
57Street Life (edit)
recording of:
Street Life
Verfasser(in):
Will Jennings und Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Randy Crawford4:49
58You Should’ve Listened
Black Heat5:39
59Had Me a Real Good Time
Techniker(in):
Mike Bobak (Engineer, guitarist, songwriter)
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood)
recording of:
Had Me a Real Good Time
Verfasser(in):
Ronnie Lane, Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Faces5:50
60Wonderous Stories
assistierende(r) Techniker(in):
David Richards (Swiss-based producer and engineer)
Techniker(in):
John Timperley
leitende(r) Produzent(in):
Brian Lane (producer)
Produzent(in):
Yes (British progressive rock band)
Bassgitarre:
Chris Squire (Yes bassist) (von 1976 bis 1977)
Moog [Polymoog]:
Rick Wakeman (von 1976 bis 1977)
portugiesische Gitarre [Vachalia] und E-Gitarre:
Steve Howe (von 1976 bis 1977)
Schlagzeug und Perkussion:
Alan White (Yes drummer) (von 1976 bis 1977)
Hintergrundgesang:
Steve Howe (von 1976 bis 1977) und Chris Squire (Yes bassist) (von 1976 bis 1977)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (von 1976 bis 1977)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1976 bis 1977)
teilweise recording of:
Wonderous Stories (von 1976 bis 1977)
Texter und Komponist(in):
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Topographic Music, Ltd. (in 1977)
Yes4.353:49
61I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
62Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:28
63Music Man
recording of:
Music Man
Verfasser(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
The Doobie Brothers3:31
64If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:49
65Loving You Is Mellow
recording of:
Loving You Is Mellow
Verfasser(in):
Terry Collins und Bobby Eli
Major Harris4:29
66Devil Woman
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976, in 2001)
cover recording of:
Devil Woman
Verfasser(in):
Terry Britten und Kristine Sparkle (UK singer and songwriter)
publisher:
Mushroom Music Pty. Ltd. und Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:37
67Overdose of Joy
Eugene Record4:16
68Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.652:14
69Mercy Mercy Me / I Want You
Produzent(in):
Teo Macero (American jazz saxophonist and composer) und Robert Palmer (English singer‐songwriter)
medley including a cover recording of:
I Want You
Texter:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Komponist(in):
Arthur “T‐Boy” Ross und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
medley including a cover recording of:
Mercy Mercy Me (The Ecology)
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
Robert Palmer3.55:57
70Le Freak
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 10) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 391)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:30
71Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:26
72I Want Your Love
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:55
73Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.54:01
74Right Place Wrong Time
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Solo-Gitarre:
David Spinozza
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music und Walden Music, Inc.
Dr. John3.652:55
75Brother Louie
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Hot Chocolate54:59
76The Makings of You
assistierende(r) Techniker(in):
Danny Turbeville
Techniker(in):
Roger Anfinsen und Tom Flye
Produzent(in):
Curtis Mayfield
baritone saxophone:
Ron Kolber (Saxophone)
Bratsche / Viola:
Harold Klatz
Geige / Violine:
Sol Bobrob und Elloit Golub
Gitarre:
Patrick Ferreri und Phil Upchurch
Holzblasinstrumente [woodwinds]:
Harold Dessent
Horn:
Robert Lewis (horn)
Instrumente:
Sam Heiman, Harold Lepp, Richard Single und Gary Slabo
Keyboard [keyboards]:
John Ross (keyboards)
Perkussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis) und Robert Sims (drummer)
Posaune:
Lorin Binford
Saxophon:
Clifford Davis und Leonard Druss
Schlagzeug [drums]:
Robert Sims (drummer) und Donald Simmons
Trompete:
John Howell (trumpet) und Rudolph Stauber
vocals:
Curtis Mayfield
arranger:
Riley Hampton und Gary Slabo
phonographisches Urheberrecht (℗) von:
Curtom Records (in 1970)
recording of:
The Makings of You
Texter und Komponist(in):
Curtis Mayfield
publisher:
Curtom Publ. Co. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Curtis Mayfield3:44
77We’ll Never Have to Say Goodbye Again (single version)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
Texter und Komponist(in):
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
78Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
79Do You Realize
Produzent(in):
Norman Connors
Aquarian Dream4:44
80Sandman
The Undisputed Truth4:15
81Waiting for Tomorrow
Bettye LaVette3:16
82Have You Never Been Mellow
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:34
83I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
84Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
85Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
86Mojo Hannah
cover recording of:
Mojo Hannah
Verfasser(in):
Barbara Paul, Clarence Paul und Andre Williams (US RnB vocalist/musician/producer/songwriter)
publisher:
Stone Agate Music und Swing Beat Songs
Tami Lynn3:26
87Train, Train
recording of:
Train, Train
Texter und Komponist(in):
Shorty Medlock
publisher:
BobNal Music
Blackfoot4.53:37
88You’ve Got a Hold on Me
Labi Siffre3:55
89Two Trains
Produzent(in):
Lowell George
vocals:
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Two Trains
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music (, in 1975)
Little Feat3:07
90Flash in the Pan
Tower of Power3:37
91Another Night
Wilson Brothers4:00
92Such a Night
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Perkussion:
Ralph MacDonald
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Such a Night
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
Dr. John32:58
93Take Your Trouble…Go
Osibisa4:03
94Chain on the Brain
recording of:
Chain on the Brain
Texter und Komponist(in):
Tony Hester
David Ruffin5:46
95Martin St. Martin
Terry Callier5:36
96Magic
Mass Production6:18
97I’m Comin’ Home
recording of:
I’m Comin’ Home
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music Corp.
Arthur Alexander1:58
98Dookey Shoe
Rasputin’s Stash3:20
99Fugue U
Blues Image0:50
100Long Distance Love
Produzent(in):
Lowell George
Gast Hintergrundgesang:
Valerie Carter und Fran Tate
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Long Distance Love
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music
Little Feat42:43