The 70s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-04-03).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2020-04-03 07:01 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
2Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
edit of:
Slow Ride (long version) by Foghat
recording of:
Slow Ride
lyricist and composer:
Dave Peverett
publisher:
Kohaw Music Inc. and WC Music Corp.
Foghat4.53:58
3The Rubberband Man
The Spinners4.653:35
4Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:19
5A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:12
6Blitzkrieg Bop
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone (on 1977-12-31)
drums (drum set):
Tommy Ramone (on 1977-12-31)
guitar:
Johnny Ramone (on 1977-12-31)
recorded at:
Rainbow Theatre (Finsbury Park) in London (Greater London), England, United Kingdom (on 1977-12-31)
live recording of:
Blitzkrieg Bop (on 1977-12-31)
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) and Taco Tunes Inc.
Ramones52:05
7Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
8Casey Jones
engineer and producer:
Alembic (Instrument makers & sound consultants), Betty Cantor‐Jackson, Grateful Dead and Bob Matthews
associate producer:
Betty Cantor‐Jackson and Grateful Dead
executive producer:
Bob Matthews
banjo, pedal steel guitar and lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02)
bass guitar:
Phil Lesh (in 1970-02)
drums (drum set) and percussion:
Mickey Hart (drummer for The Grateful Dead) (in 1970-02) and Bill Kreutzmann (in 1970-02)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02) and Bob Weir (in 1970-02)
harmonica and keyboard:
Ron “Pigpen” McKernan (in 1970-02)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02), Phil Lesh (in 1970-02), Ron “Pigpen” McKernan (in 1970-02) and Bob Weir (in 1970-02)
recording of:
Casey Jones (Grateful Dead song) (in 1970-02)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
version of:
The Ballad of Casey Jones
Grateful Dead44:25
9Dixie Chicken
producer:
Lowell George
vocals:
Lowell George
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
writer:
Lowell George and Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:56
10Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:14
11(Where Do I Begin) Love Story
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
12Rock Your Baby
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae6:24
13Willin’
recording engineer and mixer:
Donn Landee
producer:
Ted Templeman
bass guitar:
Roy Estrada
drums (drum set) and percussion:
Richie Hayward
guest steel guitar:
Sneaky Pete Kleinow
guitar and lead vocals:
Lowell George
keyboard:
Bill Payne
background vocals:
Roy Estrada and Richie Hayward
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
lyricist and composer:
Lowell George
publisher:
Abraham Music and Naked Snake Music
Little Feat2:55
14Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:15
15Sweet Jane
producer:
Geoffrey Haslam, Shel Kagan and The Velvet Underground (Lou Reed’s seminal rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
16Diamond Girl
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts44:13
17I’m Eighteen
engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin and Jack Richardson
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
harmonica and lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
background vocals:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
arranger:
Alice Cooper (1964–1975 American rock band) and Bob Ezrin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recorded at:
RCA Mid-America in Chicago, Illinois, United States
music videos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) by Alice Cooper (1964–1975 American rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 482)
recording of:
I’m Eighteen
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.22:59
18I Got The…
engineer:
Dick Plant (engineer)
producer:
Derek Lawrence (British producer) and Big Jim Sullivan
acoustic guitar and electric piano:
Labi Siffre
bass:
Dave Peacock (English bass guitarist, Chas & Dave)
drums (drum set):
Ian Wallace (drummer, ex‐King Crimson)
electric guitar:
Chas Hodges
electric guitar [Lead Guitar]:
Big Jim Sullivan
instruments:
Chas Hodges
percussion:
Alan Branscombe
strings:
Rock 'n' Roll Gypsies
background vocals:
Chas Hodges and Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) and Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
lyricist and composer:
Labi Siffre
Labi Siffre56:35
19I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren53:00
20Rockaway Beach
assistant engineer:
Don Berman
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Tony Bongiovi and Thomas Erdelyi (Tommy Ramone)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Mediasound Studios in New York, New York, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Alan Cross: Hurricane Songs (number: 1)
recording of:
Rockaway Beach
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) and Taco Tunes Inc.
Ramones4.552:07
21Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (English rock musician) (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
22Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
drums (drum set):
Simon Kirke (in 1974-09)
electric bass guitar:
Boz Burrell (English musician) (in 1974-09)
guitar:
Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
keyboard:
Mick Ralphs (in 1974-09)
piano and lead vocals:
Paul Rodgers (in 1974-09)
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Badco Music, Inc. (from 1974 to present)
Bad Company4.255:15
23You’re Still a Young Man
Tower of Power2.55:35
24Something to Fall Back On
recording of:
Something to Fall Back On
lyricist and composer:
Lamont Dozier
Margie Joseph4:01
25Cat’s in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
26Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:53
27I’ve Got to Make It on My Own
The Spinners3:25
28Riding High
recording of:
Riding High
writer:
Ralph Aikens, Tyrone Crum, Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band), Robert Neal, Jr. (American percussionist and vocalist) and Roger Parker (US R&B drummer)
publisher:
Rick S. Music (publishing company associated with Casablanca) and Segundo Sueños LLC
Faze‐O5:18
29Maybe I’m Amazed
engineer:
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood)
recorded at:
Fillmore East in East Village, New York, New York, United States (on 1970-11-10)
live cover recording of:
Maybe I’m Amazed (on 1970-11-10)
written in:
London (Greater London), England, United Kingdom (in 1969)
lyricist and composer:
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. and Sony/ATV Tunes LLC (ASCAP)
Faces5:34
30Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
31Get Down Tonight (edited version)
recording of:
Get Down Tonight
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music and Southern Music (publisher)
KC and the Sunshine Band4.253:11
32Ride Captain Ride
producer:
Richard Podolor
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 32)
recording of:
Ride Captain Ride
lyricist:
Frank “Skip” Konte (US keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:46
33Drivin’ Wheel (single version)
recording of:
Drivin' Wheel
lyricist and composer:
Dave Peverett and Rod Price
publisher:
Riff Bros. Music
sub-publisher:
Concord Music Publishing Sàrl
Foghat4:29
34See My Baby Jive
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. and Roy Wood Music Ltd.
Wizzard55:02
35You Are My Love
recording of:
You Are My Love
writer:
Roger Scott Craig and Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:09
36Drinkin’ My Baby (Off My Mind)
Eddie Rabbitt2:25
37I Never Did Sing You a Love Song
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
accordion:
Nick de Caro
acoustic guitar:
David Nichtern
bass guitar:
Chris Ethridge
drums (drum set):
Jim Keltner
piano:
Spooner Oldham
steel guitar:
Bill Keith
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
I Never Did Sing You a Love Song
lyricist and composer:
David Nichtern
publisher:
Compass Music, Ltd. (UK publishing company, dissolved) and Space Potato Music, Ltd.
Maria Muldaur2:50
38Smokin’ in the Boy’s Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
phonographic copyright (℗) by:
Big Tree Records (1970s/80s US) (in 1973) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station52:58
39Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.22:49
40What’s Best?
The Jimmy Castor Bunch3:58
412-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
42Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:06
43England’s Glory
bass guitar and synthesizer:
Michael J McEvoy (in 1989-07)
drums (drum set) and percussion:
Steve White (Style Council drummer) (in 1989-07)
guitar:
Merlin Rhys-Jones (in 1989-07)
keyboard:
Mick Gallagher (UK hammond organ player) (in 1989-07)
saxophone:
Davey Payne (UK saxophonist) (in 1989-07)
vocals:
Ian Dury (in 1989-07)
recorded at:
Liquidator Studios in Islington, London (Greater London), England, United Kingdom (in 1989-07) and Westside Studios in London (Greater London), England, United Kingdom (in 1989-07)
recording of:
England’s Glory (in 1989-07)
lyricist:
Ian Dury
composer:
Rod Melvin
Ian Dury4:25
44I’m a Changed Man (Finally Got Myself Together)
The Impressions3:09
45Moviestar
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
lyricist and composer:
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. and Warner/Chappell Music Scandinavia AB
Harpo53:22
46Dance With Me
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans3:21
47She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
48Stay With Me
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Faces4.54:39
49Closer Together
Bloodstone3:47
50So Soon We Change
recording of:
So Soon We Change
writer:
James Dean (US soul songwriter) and John Glover (US Funk/disco/soul producer & songwriter)
David Ruffin3:57
51Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
52Let’s Stay Together
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Margie Joseph3:27
53Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
Chicago4:03
54Venus
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
electric guitar:
Richard Lloyd (American guitarist and singer, Television)
solo electric guitar and lead vocals:
Tom Verlaine
background vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Venus
lyricist and composer:
Tom Verlaine
Television53:49
55Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
56Wear It Out
producer:
Verdine White and Robert Wright (disco/funk producer)
recording of:
Wear It Out
writer:
Charles Fearing, Rochelle Runnells and Robert Wright (disco/funk producer)
Stargard45:14
57Street Life (edit)Randy Crawford4:49
58You Should’ve Listened
Black Heat5:39
59Had Me a Real Good Time
engineer:
Mike Bobak (Engineer, guitarist, songwriter)
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood)
recording of:
Had Me a Real Good Time
writer:
Ronnie Lane, Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Faces5:50
60Wonderous Stories
assistant engineer:
David Richards (Swiss-based producer and engineer)
engineer:
John Timperley
executive producer:
Brian Lane (producer)
producer:
Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (from 1976 until 1977)
drums (drum set) and percussion:
Alan White (Yes drummer) (from 1976 until 1977)
Moog [Polymoog]:
Rick Wakeman (from 1976 until 1977)
Portuguese guitar [Vachalia] and electric guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (Yes bassist) (from 1976 until 1977)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (from 1976 until 1977)
arranger:
Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1976 until 1977)
partial recording of:
Wonderous Stories (from 1976 until 1977)
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Topographic Music, Ltd. (in 1977)
Yes4.353:49
61I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
62Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:28
63Music Man
recording of:
Music Man
writer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
The Doobie Brothers3:31
64If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:49
65Loving You Is MellowMajor Harris4:29
66Devil Woman
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976, in 2001)
cover recording of:
Devil Woman
writer:
Terry Britten and Kristine Sparkle (UK singer and songwriter)
publisher:
Mushroom Music Pty. Ltd. and Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:37
67Overdose of Joy
Eugene Record4:16
68Tush
recording engineer and mixer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar and lead vocals:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
electric guitar:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 67)
recording of:
Tush
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.652:14
69Mercy Mercy Me / I Want You
producer:
Teo Macero (American jazz saxophonist and composer) and Robert Palmer (English singer‐songwriter)
medley including a cover recording of:
I Want You
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
medley including a cover recording of:
Mercy Mercy Me (The Ecology)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
Robert Palmer3.55:57
70Le Freak
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 10) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 391)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:30
71Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:26
72I Want Your Love
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:55
73Then Came You
guest vocals:
Dionne Warwick
performer:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
writer:
Sherman Marshall and Philip Pugh
publisher:
Mijac Double Diamond Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.54:01
74Right Place Wrong Time
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
saxophone:
Gary Brown (US saxophonist from Louisiana)
solo guitar:
David Spinozza
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
lyricist and composer:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music and Walden Music, Inc.
Dr. John3.652:55
75Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
76The Makings of You
assistant engineer:
Danny Turbeville
engineer:
Roger Anfinsen and Tom Flye
producer:
Curtis Mayfield
baritone saxophone:
Ron Kolber (Saxophone)
drums (drum set) [drums]:
Robert Sims (drummer) and Donald Simmons
guitar:
Patrick Ferreri and Phil Upchurch
horn:
Robert Lewis (horn)
instruments:
Sam Heiman, Harold Lepp, Richard Single and Gary Slabo
keyboard [keyboards]:
John Ross (keyboards)
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis) and Robert Sims (drummer)
saxophone:
Clifford Davis and Leonard Druss
trombone:
Lorin Binford
trumpet:
John Howell (trumpet) and Rudolph Stauber
viola:
Harold Klatz
violin:
Sol Bobrob and Elloit Golub
woodwind [woodwinds]:
Harold Dessent
vocals:
Curtis Mayfield
arranger:
Riley Hampton and Gary Slabo
phonographic copyright (℗) by:
Curtom Records (in 1970)
recording of:
The Makings of You
lyricist and composer:
Curtis Mayfield
publisher:
Curtom Publ. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Curtis Mayfield3:44
77We’ll Never Have to Say Goodbye Again (single version)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
lyricist and composer:
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
78Disco Inferno
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps53:34
79Do You RealizeAquarian Dream4:44
80Sandman
The Undisputed Truth4:15
81Waiting for Tomorrow
Bettye LaVette3:16
82Have You Never Been Mellow
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Have You Never Been Mellow
lyricist and composer:
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:34
83I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
84Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
85Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:06
86Mojo Hannah
cover recording of:
Mojo Hannah
writer:
Barbara Paul, Clarence Paul and Andre Williams (US RnB vocalist/musician/producer/songwriter)
publisher:
Stone Agate Music and Swing Beat Songs
Tami Lynn3:26
87Train, Train
recording of:
Train, Train
lyricist and composer:
Shorty Medlock
publisher:
BobNal Music
Blackfoot4.53:37
88You’ve Got a Hold on Me
Labi Siffre3:55
89Two Trains
producer:
Lowell George
vocals:
Lowell George
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Two Trains
lyricist and composer:
Lowell George
publisher:
Naked Snake Music (, in 1975)
Little Feat3:07
90Flash in the Pan
Tower of Power3:37
91Another Night
Wilson Brothers4:00
92Such a Night
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
percussion:
Ralph MacDonald
saxophone:
Gary Brown (US saxophonist from Louisiana)
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Such a Night
lyricist and composer:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
Dr. John32:58
93Take Your Trouble…Go
Osibisa4:03
94Chain on the Brain
recording of:
Chain on the Brain
lyricist and composer:
Tony Hester
David Ruffin5:46
95Martin St. Martin
Terry Callier5:36
96Magic
Mass Production6:18
97I’m Comin’ Home
recording of:
I’m Comin’ Home
lyricist and composer:
Dennis Linde
publisher:
Combine Music Corp.
Arthur Alexander1:58
98Dookey Shoe
Rasputin’s Stash3:20
99Fugue U
Blues Image0:50
100Long Distance Love
producer:
Lowell George
guest background vocals:
Valerie Carter and Fran Tate
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Long Distance Love
lyricist and composer:
Lowell George
publisher:
Naked Snake Music
Little Feat42:43