The Frankie Newton Collection 1929–46

~ Release by Frankie Newton (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lawd, Lawd
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
vocals:
Frankie Newton (on 1929-11-19)
recording of:
Lawd, Lawd (on 1929-11-19)
composer:
Cecil Scott
Cecil Scott and His Bright Boys3:10
2In a Corner
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
recording of:
In a Corner (on 1929-11-19)
composer:
Cecil Scott
Cecil Scott and His Bright Boys3:01
3Springfield Stomp
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
vocals:
Frankie Newton (on 1929-11-19)
recording of:
Springfield Stomp
composer:
Don Frye and Cecil Scott
Cecil Scott and His Bright Boys3:10
4Do Your Duty
recorded in:
New York, New York, United States (on 1933-11-24)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Do Your Duty (on 1933-11-24)
writer:
Wesley A. Wilson
Bessie Smith acc. by Buck and His Band3:12
5Gimme a Pigfoot
recorded in:
New York, New York, United States (on 1933-11-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1933-11-24)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Gimme a Pigfoot (and a Bottle of Beer) (on 1933-11-24)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bessie Smith acc. by Buck and His Band3:31
6Moon Over Miami
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Moon Over Miami (on 1936-01-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Art Karle and His Boys3:13
7I Feel Like a Feather in the Breeze
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
I Feel Like a Feather in the Breeze (on 1936-01-13)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Art Karle and His Boys2:40
8Suzannah
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Suzannah
lyricist:
Lew Brown
composer:
Harry Akst and Harry Richman
Art Karle and His Boys2:53
9Lights Out
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Lights Out (on 1936-01-13)
writer:
Billy Hill (US songwriter)
Art Karle and His Boys3:15
10Lost
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
recording of:
Lost (on 1936-03-12)
writer:
Johnny Mercer, Phil Ohman and Macy O. Teetor
Mezz Mezzrow and His Swing Band2:29
11Mutiny in the Parlor
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
Mezz Mezzrow and His Swing Band3:01
12The Panic Is On
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
Mezz Mezzrow and His Swing Band2:39
13I’Se a Muggin’ (Pt 1)
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
recording of:
I’se a Muggin’ (on 1936-03-12)
composer:
Stuff Smith (jazz violinist)
Mezz Mezzrow and His Swing Band2:41
14Christopher Columbus (A Rhythm Cocktail)
recorded in:
New York, New York, United States (on 1936-03-17)
alto saxophone and clarinet:
Jerry Blake (on 1936-03-17)
double bass:
Leemie Stanfield (on 1936-03-17)
drums (drum set) [drums]:
Cozy Cole (on 1936-03-17)
guitar:
John Trueheart (on 1936-03-17)
piano:
Teddy Wilson (on 1936-03-17)
tenor saxophone:
Teddy McRae (on 1936-03-17)
trombone:
Benny Morton (on 1936-03-17)
trumpet:
Frankie Newton (on 1936-03-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1936-03-17)
recording of:
Christopher Columbus (on 1936-03-17)
lyricist:
Andy Razaf
composer:
Leon “Chu” Berry
Teddy Wilson and His Orchestra2:44
15At the Rug Cutters’ Ball
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
Teddy Hill and His Orchestra2:39
16Blue Rhythm Fantasy
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
recording of:
Blue Rhythm Fantasy (on 1936-05-04)
composer:
Teddy Hill and Chappie Willett
Teddy Hill and His Orchestra2:56
17Passionette
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
recording of:
Passionette (on 1936-05-04)
writer:
William H. Smith
Teddy Hill and His Orchestra2:46
18You Showed Me the Way
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
vocals:
Clarence Palmer (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-174-1) and Swing (by matrix number) (number: 0SW 629-1)
recording of:
You Showed Me the Way (on 1937-03-05)
writer:
Ella Fitzgerald (American jazz singer), Bud Green, Teddy McRae and Chick Webb
Frankie Newton and His Uptown Serenaders2:49
19Please Don’t Talk About Me When I’m Gone
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
vocals:
Clarence Palmer (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-175-1) and Swing (by matrix number) (number: 0SW 630-1)
instrumental recording of:
Please Don’t Talk About Me When I’m Gone (on 1937-03-05)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Frankie Newton and His Uptown Serenaders2:41
20Who’s Sorry Now ’
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-176-2)
instrumental recording of:
Who’s Sorry Now? (1923 song) (on 1937-03-05)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
Frankie Newton and His Uptown Serenaders2:48
21The Harlem Twister (The New Sensation)
recorded in:
New York, New York, United States (on 1937-03-26)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1937-03-26) and Russell Procope (on 1937-03-26)
clarinet:
Russell Procope (on 1937-03-26)
double bass:
Richard Fullbright (on 1937-03-26)
drums (drum set):
Bill Beason (on 1937-03-26)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-26)
piano:
Sam Allen (Jazz pianist) (on 1937-03-26)
tenor saxophone:
Teddy Hill (on 1937-03-26) and Cecil Scott (on 1937-03-26)
trombone:
Dicky Wells (on 1937-03-26)
trumpet:
Shad Collins (on 1937-03-26), Bill Dillard (on 1937-03-26) and Frankie Newton (on 1937-03-26)
Teddy Hill and His NBC Orchestra2:07
22I’ve Found a New Baby
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone and reeds:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-402-2)
recording of:
I’ve Found a New Baby (on 1937-04-15)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Frankie Newton and His Uptown Serenaders2:41
23The Brittwood Stomp
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone and reeds:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-403-2)
Frankie Newton and His Uptown Serenaders2:46
24There’s No Two Ways About It
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-404-2)
recording of:
There’s No Two Ways About It (on 1937-04-15)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
Frankie Newton and His Uptown Serenaders2:57
25Cause My Baby Says It’s So
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-405-2)
recording of:
’Cause My Baby Says It’s So (on 1937-04-15)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
Frankie Newton and His Uptown Serenaders2:41
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