The Frankie Newton Collection 1929–46

~ Release by Frankie Newton (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Lawd, Lawd
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
vocals:
Frankie Newton (on 1929-11-19)
recording of:
Lawd, Lawd (on 1929-11-19)
composer:
Cecil Scott
Cecil Scott and His Bright Boys3:10
2In a Corner
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
recording of:
In a Corner (on 1929-11-19)
composer:
Cecil Scott
Cecil Scott and His Bright Boys3:01
3Springfield Stomp
recorded in:
New York, New York, United States (on 1929-11-19)
alto saxophone:
Harold McFerran (on 1929-11-19) and John Williams (jazz saxophonist) (on 1929-11-19)
banjo:
Rudolph Williams (early banjoist) (on 1929-11-19)
baritone saxophone, clarinet and tenor saxophone:
Cecil Scott (on 1929-11-19)
drums (drum set) [drums]:
Lloyd Scott (on 1929-11-19)
piano:
Don Frye (on 1929-11-19)
trombone:
Dicky Wells (on 1929-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1929-11-19) and Frankie Newton (on 1929-11-19)
tuba:
Mack Walker (on 1929-11-19)
vocals:
Frankie Newton (on 1929-11-19)
recording of:
Springfield Stomp
composer:
Don Frye and Cecil Scott
Cecil Scott and His Bright Boys3:10
4Do Your Duty
recorded in:
New York, New York, United States (on 1933-11-24)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Do Your Duty (on 1933-11-24)
writer:
Wesley A. Wilson
Bessie Smith acc. by Buck and His Band3:12
5Gimme a Pigfoot
recorded in:
New York, New York, United States (on 1933-11-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1933-11-24)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1933-11-24)
guitar:
Bobby Johnson (US guitarist) (on 1933-11-24)
piano:
Buck Washington (on 1933-11-24)
tenor saxophone:
Chu Berry (on 1933-11-24)
trombone:
Jack Teagarden (on 1933-11-24)
trumpet:
Frankie Newton (on 1933-11-24)
vocals:
Bessie Smith (Tennessee blues singer) (on 1933-11-24)
recording of:
Gimme a Pigfoot (and a Bottle of Beer) (on 1933-11-24)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
Bessie Smith acc. by Buck and His Band3:31
6Moon Over Miami
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Moon Over Miami (on 1936-01-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Art Karle and His Boys3:13
7I Feel Like a Feather in the Breeze
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
I Feel Like a Feather in the Breeze (on 1936-01-13)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Art Karle and His Boys2:40
8Suzannah
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Suzannah
lyricist:
Lew Brown
composer:
Harry Akst and Harry Richman
Art Karle and His Boys2:53
9Lights Out
recorded in:
New York, New York, United States (on 1936-01-13)
clarinet:
Mezz Mezzrow (on 1936-01-13)
double bass:
Louis Thompson (early jazz bassist) (on 1936-01-13)
drums (drum set) [drums]:
George Stafford (on 1936-01-13)
guitar:
Ted Tonisen (on 1936-01-13)
piano:
Joe Bushkin (on 1936-01-13)
tenor saxophone:
Art Karle (on 1936-01-13)
trumpet:
Frankie Newton (on 1936-01-13)
vocals:
Chick Bullock (on 1936-01-13)
recording of:
Lights Out (on 1936-01-13)
writer:
Billy Hill (US songwriter)
Art Karle and His Boys3:15
10Lost
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
recording of:
Lost (on 1936-03-12)
writer:
Johnny Mercer, Phil Ohman and Macy O. Teetor
Mezz Mezzrow and His Swing Band2:29
11Mutiny in the Parlor
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
Mezz Mezzrow and His Swing Band3:01
12The Panic Is On
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
Mezz Mezzrow and His Swing Band2:39
13I’Se a Muggin’ (Pt 1)
recorded in:
New York, New York, United States (on 1936-03-12)
clarinet:
Mezz Mezzrow (on 1936-03-12)
double bass:
Wellman Braud (on 1936-03-12)
drums (drum set) [drums]:
George Stafford (on 1936-03-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-03-12)
piano:
Willie “The Lion” Smith (on 1936-03-12)
tenor saxophone:
Bud Freeman (on 1936-03-12)
trumpet:
Frankie Newton (on 1936-03-12)
vocals:
Willie “The Lion” Smith (on 1936-03-12)
recording of:
I’se a Muggin’ (on 1936-03-12)
composer:
Stuff Smith (jazz violinist)
Mezz Mezzrow and His Swing Band2:41
14Christopher Columbus (A Rhythm Cocktail)
recorded in:
New York, New York, United States (on 1936-03-17)
alto saxophone and clarinet:
Jerry Blake (on 1936-03-17)
double bass:
Leemie Stanfield (on 1936-03-17)
drums (drum set) [drums]:
Cozy Cole (on 1936-03-17)
guitar:
John Trueheart (on 1936-03-17)
piano:
Teddy Wilson (on 1936-03-17)
tenor saxophone:
Teddy McRae (on 1936-03-17)
trombone:
Benny Morton (on 1936-03-17)
trumpet:
Frankie Newton (on 1936-03-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1936-03-17)
recording of:
Christopher Columbus (on 1936-03-17)
lyricist:
Andy Razaf
composer:
Leon “Chu” Berry
Teddy Wilson and His Orchestra2:44
15At the Rug Cutters’ Ball
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
Teddy Hill and His Orchestra2:39
16Blue Rhythm Fantasy
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
recording of:
Blue Rhythm Fantasy (on 1936-05-04)
composer:
Teddy Hill and Chappie Willett
Teddy Hill and His Orchestra2:56
17Passionette
recorded in:
New York, New York, United States (on 1936-05-04)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1936-05-04) and Russell Procope (on 1936-05-04)
clarinet:
Russell Procope (on 1936-05-04)
double bass:
Richard Fullbright (on 1936-05-04)
drums (drum set) [drums]:
Bill Beason (on 1936-05-04)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1936-05-04)
piano:
Sam Allen (Jazz pianist) (on 1936-05-04)
tenor saxophone:
Chu Berry (on 1936-05-04) and Teddy Hill (on 1936-05-04)
trombone:
Dicky Wells (on 1936-05-04)
trumpet:
Shad Collins (on 1936-05-04), Bill Dillard (on 1936-05-04) and Frankie Newton (on 1936-05-04)
vocals:
Bill Dillard (on 1936-05-04)
recording of:
Passionette (on 1936-05-04)
writer:
William H. Smith
Teddy Hill and His Orchestra2:46
18You Showed Me the Way
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
vocals:
Clarence Palmer (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-174-1) and Swing (by matrix number) (number: 0SW 629-1)
recording of:
You Showed Me the Way (on 1937-03-05)
writer:
Ella Fitzgerald (American jazz singer), Bud Green, Teddy McRae and Chick Webb
Frankie Newton and His Uptown Serenaders2:49
19Please Don’t Talk About Me When I’m Gone
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
vocals:
Clarence Palmer (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-175-1) and Swing (by matrix number) (number: 0SW 630-1)
instrumental recording of:
Please Don’t Talk About Me When I’m Gone (on 1937-03-05)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Frankie Newton and His Uptown Serenaders2:41
20Who’s Sorry Now ’
recorded in:
New York, New York, United States (on 1937-03-05)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-03-05)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-03-05)
double bass:
Richard Fullbright (on 1937-03-05)
drums (drum set):
Cozy Cole (on 1937-03-05)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-05)
piano:
Don Frye (on 1937-03-05)
tenor saxophone:
Cecil Scott (on 1937-03-05)
trumpet:
Frankie Newton (on 1937-03-05)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-176-2)
instrumental recording of:
Who’s Sorry Now? (1923 song) (on 1937-03-05)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
Frankie Newton and His Uptown Serenaders2:48
21The Harlem Twister (The New Sensation)
recorded in:
New York, New York, United States (on 1937-03-26)
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1937-03-26) and Russell Procope (on 1937-03-26)
clarinet:
Russell Procope (on 1937-03-26)
double bass:
Richard Fullbright (on 1937-03-26)
drums (drum set):
Bill Beason (on 1937-03-26)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-03-26)
piano:
Sam Allen (Jazz pianist) (on 1937-03-26)
tenor saxophone:
Teddy Hill (on 1937-03-26) and Cecil Scott (on 1937-03-26)
trombone:
Dicky Wells (on 1937-03-26)
trumpet:
Shad Collins (on 1937-03-26), Bill Dillard (on 1937-03-26) and Frankie Newton (on 1937-03-26)
Teddy Hill and His NBC Orchestra2:07
22I’ve Found a New Baby
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone and reeds:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-402-2)
recording of:
I’ve Found a New Baby (on 1937-04-15)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Frankie Newton and His Uptown Serenaders2:41
23The Brittwood Stomp
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone and reeds:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-403-2)
Frankie Newton and His Uptown Serenaders2:46
24There’s No Two Ways About It
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-404-2)
recording of:
There’s No Two Ways About It (on 1937-04-15)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
Frankie Newton and His Uptown Serenaders2:57
25Cause My Baby Says It’s So
recorded in:
New York, New York, United States (on 1937-04-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-04-15) and Russell Procope (on 1937-04-15)
baritone saxophone:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-04-15) and Cecil Scott (on 1937-04-15)
double bass:
Richard Fullbright (on 1937-04-15)
drums (drum set):
Cozy Cole (on 1937-04-15)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1937-04-15)
piano:
Don Frye (on 1937-04-15)
tenor saxophone:
Cecil Scott (on 1937-04-15)
trumpet:
Frankie Newton (on 1937-04-15)
vocals:
Slim Gaillard (on 1937-04-15)
arranger:
Frankie Newton
part of:
Master Records, Inc. (by matrix number) (number: M-405-2)
recording of:
’Cause My Baby Says It’s So (on 1937-04-15)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
Frankie Newton and His Uptown Serenaders2:41
2▼CD
#TitleArtistRatingLength
1A Study in Brown
recorded in:
New York, New York, United States (on 1937-04-23)
tenor saxophone:
Teddy Hill (on 1937-04-23)
trumpet:
Shad Collins (on 1937-04-23) and Frankie Newton (on 1937-04-23)
recording of:
Study in Brown (on 1937-04-23)
writer:
Larry Clinton
Teddy Hill and His Orchestra2:46
2Easy Living
recorded in:
New York, New York, United States (on 1937-07-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-13) and Gene Johnson (US jazz saxophonist) (on 1937-07-13)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-07-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-13)
drums (drum set):
O’Neill Spencer (on 1937-07-13)
piano:
Don Frye (on 1937-07-13)
tenor saxophone:
Cecil Scott (on 1937-07-13)
trumpet:
Frankie Newton (on 1937-07-13)
vocals:
Leon Lafell (on 1937-07-13)
part of:
Master Records, Inc. (by matrix number) (number: M-558-1)
recording of:
Easy Living (on 1937-07-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Frankie Newton and His Uptown Serenaders2:50
3The Onyx Hop
recorded in:
New York, New York, United States (on 1937-07-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-13) and Gene Johnson (US jazz saxophonist) (on 1937-07-13)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-07-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-13)
drums (drum set):
O’Neill Spencer (on 1937-07-13)
piano:
Don Frye (on 1937-07-13)
tenor saxophone:
Cecil Scott (on 1937-07-13)
trumpet:
Frankie Newton (on 1937-07-13)
vocals:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-13) and Frankie Newton (on 1937-07-13)
part of:
Master Records, Inc. (by matrix number) (number: M-559-1)
Frankie Newton and His Uptown Serenaders2:48
4Where or When
recorded in:
New York, New York, United States (on 1937-07-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-13) and Gene Johnson (US jazz saxophonist) (on 1937-07-13)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-07-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-13)
drums (drum set):
O’Neill Spencer (on 1937-07-13)
piano:
Don Frye (on 1937-07-13)
tenor saxophone:
Cecil Scott (on 1937-07-13)
trumpet:
Frankie Newton (on 1937-07-13)
vocals:
Leon Lafell (on 1937-07-13)
part of:
Master Records, Inc. (by matrix number) (number: M-560-2)
recording of:
Where or When (from “Babes in Arms”) (on 1937-07-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Frankie Newton and His Uptown Serenaders2:34
5Get Acquainted With Yourself
recorded in:
New York, New York, United States (on 1937-07-14)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-14)
clarinet:
Buster Bailey (clarinetist) (on 1937-07-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-14)
drums (drum set):
O’Neill Spencer (on 1937-07-14)
guitar:
Jimmy McLin (on 1937-07-14)
piano:
Willie “The Lion” Smith (on 1937-07-14)
trumpet:
Frankie Newton (on 1937-07-14)
vocals:
O’Neill Spencer (on 1937-07-14)
Willie “The Lion” Smith2:49
6Peace, Brother, Peace
recorded in:
New York, New York, United States (on 1937-07-14)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-07-14)
clarinet:
Buster Bailey (clarinetist) (on 1937-07-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-14)
drums (drum set):
O’Neill Spencer (on 1937-07-14)
guitar:
Jimmy McLin (on 1937-07-14)
piano:
Willie “The Lion” Smith (on 1937-07-14)
trumpet:
Frankie Newton (on 1937-07-14)
vocals:
O’Neill Spencer (on 1937-07-14)
Willie “The Lion” Smith2:50
7Emperor Jones
recorded in:
New York, New York, United States (on 1937-07-14)
alto saxophone:
Harry Carrel (on 1937-07-14) and Ernie Diven (on 1937-07-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-07-14)
drums (drum set):
Joe Dale (on 1937-07-14)
guitar:
George Cuomo (on 1937-07-14)
piano:
Ludwig Flato (on 1937-07-14)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1937-07-14)
tenor saxophone:
Kurt Bloom (on 1937-07-14)
trombone:
John D'Agostino (trombonist) (on 1937-07-14) and Bob Fishel (on 1937-07-14)
trumpet:
Jack Koven (on 1937-07-14), Jimmy Milazzo (on 1937-07-14) and Frankie Newton (on 1937-07-14)
vocals:
Charlie Barnet (saxophonist, bandleader) (on 1937-07-14) and Four Stars (early vocal group) (on 1937-07-14)
arranger:
Charlie Barnet (saxophonist, bandleader) and Franklyn Marks
recording of:
Emperor Jones (on 1937-07-14)
lyricist:
Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Juan Tizol
Charlie Barnet and His Orchestra2:31
8Loch Lomond
recorded in:
New York, New York, United States (on 1937-08-06)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-08-06)
clarinet:
Buster Bailey (clarinetist) (on 1937-08-06)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-08-06)
drums (drum set):
O’Neill Spencer (on 1937-08-06)
piano:
Claude Thornhill (on 1937-08-06)
tenor saxophone:
Babe Russin (on 1937-08-06)
trumpet:
Frankie Newton (on 1937-08-06)
vocals:
Maxine Sullivan (jazz singer) (on 1937-08-06)
arranger:
Claude Thornhill
Maxine Sullivan2:51
9Honeymoonin’ On a Dime
recorded in:
New York, New York, United States (on 1937-09-15)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-09-15)
clarinet:
Buster Bailey (clarinetist) (on 1937-09-15)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-09-15)
drums (drum set):
O’Neill Spencer (on 1937-09-15)
guitar:
Jimmy McLin (on 1937-09-15)
piano:
Willie “The Lion” Smith (on 1937-09-15)
trumpet:
Frankie Newton (on 1937-09-15)
vocals:
O’Neill Spencer (on 1937-09-15)
Willie “The Lion” Smith2:45
10Dizzy Debutante
recorded in:
New York, New York, United States (on 1937-09-17)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-09-17)
clarinet:
Buster Bailey (clarinetist) (on 1937-09-17)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-09-17)
drums (drum set):
O’Neill Spencer (on 1937-09-17)
guitar:
Jimmy McLin (on 1937-09-17)
piano:
Don Frye (on 1937-09-17)
trumpet:
Frankie Newton (on 1937-09-17)
recording of:
Dizzy Debutante (on 1937-09-17)
composer:
William Chris Bailey (clarinetist)
Buster Bailey and His Rhythm Busters2:44
11The Bed Song
recorded in:
New York, New York, United States (on 1937-09-17)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-09-17)
clarinet:
Buster Bailey (clarinetist) (on 1937-09-17)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-09-17)
drums (drum set):
O’Neill Spencer (on 1937-09-17)
guitar:
Jimmy McLin (on 1937-09-17)
piano:
Don Frye (on 1937-09-17)
trumpet:
Frankie Newton (on 1937-09-17)
vocals:
Jerry Kruger (on 1937-09-17)
Jerry Kruger acc. by Her Knights of Rhythm2:55
12An Old Flame Never Dies
recorded in:
New York, New York, United States (on 1937-10-01)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1937-10-01)
clarinet:
Buster Bailey (clarinetist) (on 1937-10-01)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-10-01)
drums (drum set):
O’Neill Spencer (on 1937-10-01)
guitar:
Jimmy McLin (on 1937-10-01)
piano:
Billy Kyle (on 1937-10-01)
trumpet:
Frankie Newton (on 1937-10-01)
vocals:
Midge Williams (on 1937-10-01)
Midge Williams and Her Jazz Jesters2:31
13Light Up
recorded in:
New York, New York, United States (on 1938-12-07)
alto saxophone:
Russell Procope (on 1938-12-07)
clarinet:
Buster Bailey (clarinetist) (on 1938-12-07)
double bass:
Johnny Williams (jazz bassist) (on 1938-12-07)
drums (drum set):
O’Neill Spencer (on 1938-12-07)
guitar:
Jimmy McLin (on 1938-12-07)
piano:
Billy Kyle (on 1938-12-07)
trumpet:
Frankie Newton (on 1938-12-07)
Buster Bailey's Rhythm Busters2:46
14Rosetta
recorded in:
New York, New York, United States (on 1939-01-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Albert Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031460-x) and Swing (by matrix number) (number: OA 031460-x)
instrumental recording of:
Rosetta (on 1939-01-13)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
instrumental recording of:
Rosetta (in 1939)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
recording of:
Rosetta
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Frankie Newton & His Orchestra3:00
15Minor Jive
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1939-01-13)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Albert Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031461-x) and Swing (by matrix number) (number: OA 031461-x)
recording of:
Minor Jive (on 1939-01-13)
writer:
Mezz Mezzrow
Frankie Newton & His Orchestra3:08
16The World Is Waiting for the Sunrise
recorded in:
New York, New York, United States (on 1939-01-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1939-01-13)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031464-x) and Swing (by matrix number) (number: OA 031464-x)
instrumental recording of:
The World Is Waiting for the Sunrise (on 1939-01-13)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
Frankie Newton & His Orchestra3:06
17Who ’
recorded in:
New York, New York, United States (on 1939-01-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1939-01-13)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031463-x) and Swing (by matrix number) (number: OA 031463-x)
instrumental recording of:
Who? (on 1939-01-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Jerome Kern
Frankie Newton & His Orchestra3:11
18The Blues My Baby Gave to Me
recorded in:
New York, New York, United States (on 1939-01-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1939-01-13)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031462-x) and Swing (by matrix number) (number: OA 031462-x)
Frankie Newton & His Orchestra3:14
19Rompin’ (Romping at Victor)
recorded in:
New York, New York, United States (on 1939-01-13)
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1939-01-13)
clarinet:
Mezz Mezzrow (on 1939-01-13)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-01-13)
drums (drum set):
Cozy Cole (on 1939-01-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-13)
piano:
James P. Johnson (on 1939-01-13)
trumpet:
Frankie Newton (on 1939-01-13)
part of:
The Gramophone Company Limited (by matrix number) (number: 0A 031465-x) and Swing (by matrix number) (number: OA 031465-x)
Frankie Newton & His Orchestra2:36
20Honeysuckle Rose
recorded in:
New York, New York, United States (on 1939-02-21)
alto saxophone:
Tab Smith (on 1939-02-21)
double bass:
Johnny Williams (jazz bassist) (on 1939-02-21)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-02-21)
guitar:
Ulysses Livingston (on 1939-02-21)
piano:
Kenny Kersey (on 1939-02-21)
tenor saxophone:
Kenneth Holton (on 1939-02-21)
trumpet:
Frankie Newton (on 1939-02-21)
vocals:
Joe Turner (on 1939-02-21)
recording of:
Honeysuckle Rose (on 1939-02-21)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Frankie Newton and His Café Society Orchestra5:19
21Daybreak Blues
recorded in:
New York, New York, United States (on 1939-04-07, on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-07, on 1939-04-12)
drums (drum set):
Sid Catlett (on 1939-04-07) and Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Teddy Bunn (on 1939-04-07) and Ulysses Livingston (on 1939-04-12)
piano:
Albert Ammons (on 1939-04-07) and Kenny Kersey (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trombone:
J.C. Higginbotham (on 1939-04-07)
trumpet:
Frankie Newton (on 1939-04-07, on 1939-04-12)
part of:
Blue Note (by matrix number) (number: GM-512-A-6)
Frankie Newton Quintet2:42
22Port of Harlem Blues
recorded in:
New York, New York, United States (on 1939-04-07, on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-07, on 1939-04-12)
drums (drum set):
Sidney Catlett (on 1939-04-07) and Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Teddy Bunn (on 1939-04-07) and Ulysses Livingston (on 1939-04-12)
piano:
Albert Ammons (on 1939-04-07) and Kenny Kersey (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trombone:
J.C. Higginbotham (on 1939-04-07)
trumpet:
Frankie Newton (on 1939-04-07, on 1939-04-12)
part of:
Blue Note (by matrix number) (number: GM-515-A-5)
Port of Harlem Jazzmen4:33
23Mighty Blues
recorded in:
New York, New York, United States (on 1939-04-07, on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-07, on 1939-04-12)
drums (drum set):
Sidney Catlett (on 1939-04-07) and Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Teddy Bunn (on 1939-04-07) and Ulysses Livingston (on 1939-04-12)
piano:
Albert Ammons (on 1939-04-07) and Kenny Kersey (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trombone:
J.C. Higginbotham (on 1939-04-07)
trumpet:
Frankie Newton (on 1939-04-07, on 1939-04-12)
part of:
Blue Note (by matrix number) (number: GM-516-2)
Port of Harlem Jazzmen4:34
3▼CD
#TitleArtistRatingLength
1Tab’s Blues
recorded in:
New York, New York, United States (on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-12)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Ulysses Livingston (on 1939-04-12)
piano:
Ken Kersey (on 1939-04-12)
saxophone:
Tab Smith (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trumpet:
Frankie Newton (on 1939-04-12)
part of:
Vocalion (by matrix number) (number: 24365-A)
Frankie Newton and His Café Society Orchestra2:56
2Rockin’ the Blues
recorded in:
New York, New York, United States (on 1939-04-07)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-07)
drums (drum set):
Sidney Catlett (on 1939-04-07)
guitar:
Teddy Bunn (on 1939-04-07)
piano:
Albert Ammons (on 1939-04-07)
tenor saxophone:
Ken Kersey (on 1939-04-12)
trombone:
J.C. Higginbotham (on 1939-04-07)
trumpet:
Frankie Newton (on 1939-04-07)
part of:
Blue Note (by matrix number) (number: GM-517-1)
recording of:
Rockin the Blues (on 1939-04-07)
writer:
Spencer Williams (US jazz composer, pianist & singer)
Frankie Newton and His Café Society Orchestra4:26
3Jitters
recorded in:
New York, New York, United States (on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-12)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Ulysses Livingston (on 1939-04-12)
piano:
Ken Kersey (on 1939-04-12)
saxophone:
Tab Smith (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trumpet:
Frankie Newton (on 1939-04-12)
part of:
Vocalion (by matrix number) (number: 24366-A)
Frankie Newton and His Café Society Orchestra3:05
4Frankie’s Jump
recorded in:
New York, New York, United States (on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-12)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Ulysses Livingston (on 1939-04-12)
piano:
Ken Kersey (on 1939-04-12)
saxophone:
Tab Smith (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trumpet:
Frankie Newton (on 1939-04-12)
part of:
Vocalion (by matrix number) (number: 24367-A)
Frankie Newton and His Café Society Orchestra2:50
5Jam Fever
recorded in:
New York, New York, United States (on 1939-04-12)
alto saxophone:
Stanley Payne (on 1939-04-12) and Tab Smith (on 1939-04-12)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-12)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-12)
guitar:
Ulysses Livingston (on 1939-04-12)
piano:
Ken Kersey (on 1939-04-12)
saxophone:
Tab Smith (on 1939-04-12)
tenor saxophone:
Kenneth Hollon (on 1939-04-12)
trumpet:
Frankie Newton (on 1939-04-12)
part of:
Vocalion (by matrix number) (number: 24368-A)
Frankie Newton and His Café Society Orchestra3:10
6I Gotta Right to Sing the Blues
alto saxophone and soprano saxophone:
Tab Smith (on 1939-04-20)
double bass:
Johnny Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stanley Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recording of:
I Gotta Right to Sing the Blues (on 1939-04-20)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Billie Holiday3:07
7After Hour Blues
recorded in:
New York, New York, United States (on 1939-06-08)
clarinet and soprano saxophone:
Sidney Bechet (on 1939-06-08)
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
trombone:
J.C. Higginbotham (on 1939-06-08)
trumpet:
Frankie Newton (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-531)
Frankie Newton Quintet4:10
8Blues for Tommy Ladnier
recorded in:
New York, New York, United States (on 1939-06-08)
clarinet, clarinet and soprano saxophone and soprano saxophone:
Sidney Bechet (on 1939-06-08)
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sidney Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08, on 1939-08-06)
trombone:
J.C. Higginbotham (on 1939-06-08)
trumpet:
Frankie Newton (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-532-X-12)
recording of:
Blues for Tommy Ladnier (on 1939-06-08)
composer:
Sidney Bechet
Port of Harlem Jazzmen4:25
9Pounding Heart Blues
recorded in:
New York, New York, United States (on 1939-06-08)
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sidney Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
trombone:
J.C. Higginbotham (on 1939-06-08)
trumpet:
Frankie Newton (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-536-11)
recording of:
Pounding Heart Blues (on 1939-06-08)
composer:
Sidney Bechet
Port of Harlem Jazzmen3:56
10Vamp
recorded in:
New York, New York, United States (on 1939-08-15)
alto saxophone:
Stanley Payne (on 1939-08-15) and Tab Smith (on 1939-08-15)
double bass:
Johnny Williams (jazz bassist) (on 1939-08-15)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-08-15)
guitar:
Ulysses Livingston (on 1939-08-15)
piano:
Kenny Kersey (on 1939-08-15)
saxophone:
Tab Smith (on 1939-08-15)
tenor saxophone:
Kenneth Hollon (on 1939-08-15)
trombone:
Dicky Wells (on 1939-08-15)
trumpet:
Frankie Newton (on 1939-08-15)
part of:
Vocalion (by matrix number) (number: 25203-1)
Frankie Newton and His Café Society Orchestra2:50
11Parallel Fifths
recorded in:
New York, New York, United States (on 1939-08-15)
alto saxophone:
Stanley Payne (on 1939-08-15) and Tab Smith (on 1939-08-15)
double bass:
Johnny Williams (jazz bassist) (on 1939-08-15)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-08-15)
guitar:
Ulysses Livingston (on 1939-08-15)
piano:
Kenny Kersey (on 1939-08-15)
saxophone:
Tab Smith (on 1939-08-15)
tenor saxophone:
Kenneth Hollon (on 1939-08-15)
trombone:
Dicky Wells (on 1939-08-15)
trumpet:
Frankie Newton (on 1939-08-15)
part of:
Vocalion (by matrix number) (number: 25204-1)
Frankie Newton and His Café Society Orchestra3:16
12Lady Be Good
double bass:
Ebenezer Paul (on 1941-09-06)
piano:
Art Tatum (US jazz pianist) (on 1941-09-06)
trumpet:
Frankie Newton (on 1941-09-06)
recorded at:
Monroe’s Uptown House in Harlem, New York, New York, United States (on 1941-09-06)
live instrumental recording of:
Oh, Lady Be Good! (on 1941-09-06)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Art Tatum4:31
13Lullaby of the Leaves
recorded in:
New York, New York, United States (on 1944-03-12)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-03-12)
double bass:
Al Lucas (Canadian jazz bassist) (on 1944-03-12)
drums (drum set):
Jack "The Bear" Parker (US jazz drummer & bandleader) (on 1944-03-12)
piano:
Mary Lou Williams (American jazz pianist and composer) (on 1944-03-12)
trombone:
Vic Dickenson (on 1944-03-12)
trumpet:
Frankie Newton (on 1944-03-12)
instrumental recording of:
Lullaby of the Leaves (on 1944-03-12)
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
Mary Lou and Her Chosen Five3:44
14Four O’Clock Groove
recorded in:
New York, New York, United States (on 1944-06-12)
double bass:
Pops Foster (on 1944-06-12)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1944-06-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1944-06-12)
piano:
James P. Johnson (on 1944-06-12)
trumpet:
Frankie Newton (on 1944-06-12)
vocals:
James P. Johnson (on 1944-06-12)
James P. Johnson's New York Orchestra3:47
15Twilight in Teheran
recorded in:
New York, New York, United States (on 1944-09-18)
producer:
Buck Ram (task: supervised by)
alto saxophone:
Earl Bostic (saxophonist) (on 1944-09-18)
baritone saxophone:
Ernie Caceres (on 1944-09-18)
double bass:
Slam Stewart (on 1944-09-18)
drums (drum set):
Cozy Cole (on 1944-09-18)
guitar:
Remo Palmier (on 1944-09-18)
piano:
Teddy Wilson (on 1944-09-18)
tenor saxophone:
Don Byas (on 1944-09-18)
trombone:
Tyree Glenn (on 1944-09-18)
trumpet:
Shad Collins (on 1944-09-18) and Frankie Newton (on 1944-09-18)
vibraphone:
Red Norvo (on 1944-09-18)
conductor:
Buck Ram (on 1944-09-18)
recording of:
Twilight in Teheran (on 1944-09-18)
composer:
Hal Kanner (composer & conductor) and Buck Ram
publisher:
Yerro Music
Buck Ram's All Stars2:59
16Swing Street
recorded in:
New York, New York, United States (on 1944-09-18)
producer:
Buck Ram (task: supervised by)
alto saxophone:
Earl Bostic (saxophonist) (on 1944-09-18)
baritone saxophone:
Ernie Caceres (on 1944-09-18)
double bass:
Slam Stewart (on 1944-09-18)
drums (drum set):
Cozy Cole (on 1944-09-18)
guitar:
Remo Palmier (on 1944-09-18)
piano:
Teddy Wilson (on 1944-09-18)
tenor saxophone:
Don Byas (on 1944-09-18)
trombone:
Tyree Glenn (on 1944-09-18)
trumpet:
Shad Collins (on 1944-09-18) and Frankie Newton (on 1944-09-18)
vibraphone:
Red Norvo (on 1944-09-18)
conductor:
Buck Ram (on 1944-09-18)
recording of:
Swing Street (on 1944-09-18)
composer:
Hal Kanner (composer & conductor) and Buck Ram
publisher:
Yerro Music
Buck Ram's All Stars3:00
17Gone at Dawn
recorded in:
New York, New York, United States (on 1944-10-10)
producer:
Herb Abramson (task: supervised by)
clarinet:
Hank D'Amico (on 1944-10-10)
double bass:
Sid Weiss (on 1944-10-10)
drums (drum set):
Cozy Cole (on 1944-10-10)
piano:
Dave Rivera (jazz pianist) (on 1944-10-10)
tenor saxophone:
Don Byas (on 1944-10-10)
trumpet:
Frankie Newton (on 1944-10-10)
recording of:
Gone at Dawn
composer:
Bill Simon (composer)
publisher:
Colgems-EMI Music Inc.
Hank D'Amico Sextet2:51
18Sugar
recorded in:
New York, New York, United States (on 1944-11-21)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1944-11-21)
drums (drum set):
Cozy Cole (on 1944-11-21)
guitar:
Harold Underhill (on 1944-11-21)
piano:
Reuben Jay Cole (on 1944-11-21)
tenor saxophone:
Morris Lounds (on 1944-11-21)
trumpet:
Frankie Newton (on 1944-11-21)
vocals:
Miss Rhapsody (on 1944-11-21)
recording of:
Sugar (That Sugar Baby o’ Mine) (on 1944-11-21)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
Miss Rhapsody acc. by Reuben Cole's Orchestra2:45
19I Love My Man
recorded in:
New York, New York, United States (on 1944-12-22)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1944-12-22)
double bass:
Oscar Smith (on 1944-12-22)
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1944-12-22)
guitar:
Leonard Ware (American jazz guitar player and composer) (on 1944-12-22)
piano:
Cliff Jackson (jazz pianist) (on 1944-12-22)
trumpet:
Frankie Newton (on 1944-12-22)
vocals:
Albinia Jones (Albennie Jones) (on 1944-12-22)
recording of:
I Love My Man (on 1944-12-22)
writer:
Gustafson-Hesselberg ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
Albinia Jones3:04
20S.K. Blues (Pt 1)
recorded in:
New York, New York, United States (on 1945-02-02)
producer:
Teddy Reig (task: supervised by)
double bass:
Al Hall (on 1945-02-02)
drums (drum set):
Harold "Doc" West (on 1945-02-02)
guitar:
Leonard Ware (American jazz guitar player and composer) (on 1945-02-02)
piano:
Pete Johnson (US boogie‐woogie pianist) (on 1945-02-02)
tenor saxophone:
Don Byas (on 1945-02-02)
trumpet:
Frankie Newton (on 1945-02-02)
vocals:
Big Joe Turner (on 1945-02-02)
recording of:
S.K. Blues (on 1945-02-02)
composer:
Saunders King
Big Joe Turner acc. by Pete Johnson’s All-Stars3:01
21Jazz Me Blues
recorded in:
New York, New York, United States (on 1946-05-07)
clarinet:
Sidney Bechet (on 1946-05-07)
double bass:
Jack Lesberg (on 1946-05-07)
drums (drum set):
George Wettling (on 1946-05-07)
piano:
Joe Sullivan (piano, USA) (on 1946-05-07)
trombone:
George Brunies (on 1946-05-07)
trumpet:
Frankie Newton (on 1946-05-07)
vocals:
Stella Brooks (on 1946-05-07)
recording of:
Jazz Me Blues (on 1946-05-07)
composer:
Tom Delaney
Stella Brooks2:38