De Tijdloze, Vol. 6

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1My Generation
produttore:
Shel Talmy
basso :
John Entwistle (il 1965-10-13)
batteria e percussione :
Keith Moon (drummer) (il 1965-10-13)
chitarra :
Pete Townshend (of The Who) (il 1965-10-13)
pianoforte :
Nicky Hopkins (pianist and organist) (il 1965-10-13)
voce:
John Entwistle (il 1965-10-13) e Pete Townshend (of The Who) (il 1965-10-13)
voce principale:
Roger Daltrey (il 1965-10-13)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965, nel 1970) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-10-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 37) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 232)
registrazione di:
My Generation (il 1965-10-13)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH e Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.53:19
2Blauw
registrazione di:
Blauw
paroliere e compositore:
M.J. Lau
editore:
Peermusic Holland B.V., Tenyor Music e Warner Basart Publ. Group
The Scene4:35
3Jump Around
registrazione di:
Jump Around
autore:
Dave Appell, Kal Mann, Larry Muggerud e Erik Schrody
House of Pain4.653:34
4They Stood Up for Love
registrazione di:
They Stood Up for Love
paroliere:
Ed Kowalczyk
compositore:
Patrick Dahlheimer, Ed Kowalczyk e Chad Taylor (US guitarist for Live)
Live4:04
5Hallelujah
tecnico di registrazione e tecnico di missaggio:
Leanne Ungar
tecnico di registrazione aggiunto:
John Smith (US recording engineer)
assistente tecnico:
Lee Friedman
produttore:
John Lissauer
voce:
Jennifer Warnes
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
arrangiatore:
John Lissauer
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrata presso:
Quadrasonic Sound in New York, New York, Stati Uniti
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 38) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 74)
registrazione di:
Hallelujah (nel 1984)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.154:34
6I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
7Papa Was a Rolling Stone
registrazione cover di:
Papa Was a Rollin’ Stone
paroliere e compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations3:56
8Firestarter
tecnico:
Neil McLellan
produttore e tecnico di missaggio:
Liam Howlett
voce:
Keith Flint (vocalist in The Prodigy)
diritti fonografici (℗) detenuti da:
XL Recordings (nel 1996)
mixata presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
lavorazione tecnica effettuata presso:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito
prodotta presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
campionamenti:
Close (to the Edit) di Art of Noise e S.O.S. di The Breeders
edit di:
Firestarter di Prodigy (UK electronic group, main member Liam Howlett)
registrazione di:
Firestarter
autore:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan e Paul Morley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. e Zomba Music
si basa su:
S.O.S.
cita la musica di:
Close (to the Edit)
The Prodigy4.653:47
9Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
10Common People
registrazione di:
Common People
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp2.44:08
11Wrong
Novastar3:35
12Bright Eyes
registrazione di:
Bright Eyes
paroliere e compositore:
Mike Batt
editore:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel3:56
13Always on the Run
tecnico:
David Domanich e Henry Hirsch
produttore:
Lenny Kravitz
tecnico di missaggio:
Henry Hirsch
chitarra basso, batteria e chitarra e voce principale:
Lenny Kravitz
chitarra ospite :
Slash (Guns N’ Roses guitarist)
sassofono ospite :
Karl Denson e Butch Tomas
tromba ospite :
Mike Hunter (Trumpet player)
esecutore:
Slash (Guns N’ Roses guitarist)
arrangiatore corno :
Lenny Kravitz
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1991)
registrazione di:
Always on the Run
paroliere:
Lenny Kravitz
compositore:
Lenny Kravitz e Slash (Guns N’ Roses guitarist)
editore:
Dik Hayd Music e Miss Bessie Music
Lenny Kravitz3.83:54
14Get Up Feel Like Beeing a Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:18
15Saturday
registrazione di:
Saturday
paroliere e compositore:
David Dewaele e Stephen Dewaele
editore:
Strictly Confidential e We'll Sue You
Soulwax3:12
16A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
17Hard Times
The Scabs4:49

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