De Tijdloze, Vol. 6

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1I Will Follow
assistente tecnico:
Kevin Moloney
tecnico:
Paul Thomas (engineer)
produttore:
Steve Lillywhite
basso elettrico :
Adam Clayton
batteria :
Larry Mullen, Jr.
chitarra elettrica :
The Edge (U2 guitarist David Evans)
voce principale:
Bono (singer of U2)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1980)
registrata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
I Will Follow
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) e Larry Mullen, Jr.
editore:
Blue Mountain Music Ltd, Chappell Music (UK), Gallo Music, Island Music (Island Music Ltd.), Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Mother Music, PolyGram International Music Publishing B.V., Polygram Music, Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) e Blue Mountain Music Ltd. (nel 1980)
U24.153:34
2Inbetween Days
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore e tecnico di missaggio:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
batteria :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
chitarra basso [6-string bass] e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
video musicali:
In Between Days di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 320)
registrazione di:
In Between Days
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure4.12:57
3The Scientist
registrazione di:
The Scientist
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd.
Coldplay5:10
4Live Forever
registrazione di:
Live Forever
paroliere e compositore:
Noel Gallagher
Oasis3:43
5Piano Man
tecnico:
Ron Malo
produttore:
Michael Stewart (US producer/guitarist from California, 1945–2002)
armonica (a bocca) e pianoforte e voce principale:
Billy Joel (American singer-songwriter and pianist) (nel 1973)
basso elettrico :
Wilton Felder (nel 1973)
batteria :
Ron Tutt (drummer) (nel 1973)
chitarra :
Larry Carlton (nel 1973) e Dean Parks (American session guitarist) (nel 1973)
chitarra [guitar overdubs] :
William Bennett (guitarist) (nel 1973)
fisarmonica e tastiera [keyboards] :
Michael Omartian (nel 1973)
percussione :
Bobbi Hall (nel 1973)
arrangiatore:
Michael Omartian
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973, nel 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti (nel 1973)
video musicali:
Piano Man di Billy Joel (American singer-songwriter and pianist)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 421)
registrazione di:
Piano Man (nel 1973)
paroliere e compositore:
Billy Joel (American singer-songwriter and pianist)
editore:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (nel 1973) e Joelsongs (nel 1973)
Billy Joel4.355:37
6Islands
tecnico:
Rodaidh McDonald (producer)
produttore:
Jamie Smith (English DJ, record producer, and remixer)
tecnico di missaggio:
Jamie Smith (English DJ, record producer, and remixer) e Rodaidh McDonald (producer)
chitarra :
Romy Madley Croft (Romy Madley Croft, of The xx) (dal 2008-12 al 2009-04)
chitarra basso :
Oliver Sim (dal 2008-12 al 2009-04)
drum machine :
Jamie Smith (English DJ, record producer, and remixer) (dal 2008-12 al 2009-04)
tastiera :
Baria Qureshi (dal 2008-12 al 2009-04)
voce:
Baria Qureshi (dal 2008-12 al 2009-04), Romy Madley Croft (Romy Madley Croft, of The xx) (dal 2008-12 al 2009-04) e Oliver Sim (dal 2008-12 al 2009-04)
registrata presso:
XL Studios in London (Greater London), England, Regno Unito (dal 2008-12 al 2009-04)
mixata presso:
XL Studios in London (Greater London), England, Regno Unito (dal 2009-04 al 2009-05)
video musicali:
Islands di The xx (UK indie/dream pop trio)
registrazione di:
Islands (dal 2008-12 al 2009-04)
paroliere:
Romy Madley Croft (Romy Madley Croft, of The xx) e Oliver Sim
compositore:
Jamie Smith (English DJ, record producer, and remixer), Baria Qureshi, Romy Madley Croft (Romy Madley Croft, of The xx) e Oliver Sim
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The XX4.152:42
7Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:53
8You Know I’m No Good
registrazione di:
You Know I’m No Good
paroliere e compositore:
Amy Winehouse
editore:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4:15
9Hotellounge
registrazione di:
Hotellounge (Be the Death of Me)
paroliere:
Tom Barman (Belgian musician)
compositore:
Tom Barman (Belgian musician) e Rudy Trouvé (Belgian musician)
dEUS4:42
10Midlife Crisis
produttore:
Faith No More e Matt Wallace (US producer & engineer)
tecnico di missaggio:
Matt Wallace (US producer & engineer)
ebow e chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1992) e Slash Records (company, do not use as release label!) (nel 1992)
campionamenti:
Car Thief di Beastie Boys e Cecilia (original stereo mix) di Simon & Garfunkel (batteria)
video musicali:
Midlife Crisis (official video) di Faith No More
registrazione di:
Midlife Crisis
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) e Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
editore:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. e Vomit God Music (Mike Patton’s music publishing company)
registrazione dal vivo di:
Midlife Crisis
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) e Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
editore:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. e Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.14:16
11Fat Lip
registrazione di:
Fat Lip
autore:
Dave Baksh, Steve Jocz e Deryck Whibley
editore:
EMI April Music Canada, EMI April Music Inc. e Rectum Renovator Music
Sum 413:00
12Radar Love
produttore:
Golden Earring
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1973) e Red Bullet Productions B.V. (nel 1973)
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.255:04
13Synrise
Goose5:32
14Sleeper in Metropolis
esecutore:
David Harrow (English record producer, DJ, and multimedia artist)
registrazione di:
Sleeper in Metropolis
autore:
Anne Clark (English poet, songwriter and electronic musician) e David Harrow (English record producer, DJ, and multimedia artist)
compositore:
David Harrow (English record producer, DJ, and multimedia artist)
editore:
Red Flame Music Ltd. e Virgin Music (Publishers) Ltd.
Anne Clark54:04
15I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:44
16Mad About You
programmazione degli strumenti:
Phil Chill
produttore:
Alex Callier (member of Hooverphonic) e Roland Herrington
assistente tecnico di missaggio:
Mark Ryan (mixer)
tecnico di missaggio:
Alex Callier (member of Hooverphonic)
direttore d'orchestra:
Matt Dunkley
arrangiatore archi :
Matt Dunkley
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Belgium) S.A./N.V. (not for release label use! BE subsidiary of SBE until 2005-7) (nel 2000)
mixata presso:
SynSound (recording studio) in Brussels (Brussels-Capital Region), Belgio
video musicali:
Mad About You / V1 di Hooverphonic (Belgian Pop & Trip-Hop band) e Mad About You / V2 di Hooverphonic (Belgian Pop & Trip-Hop band)
parte di:
ZAMU Award: Song (numero: 2000)
registrazione di:
Mad About You
paroliere e compositore:
Alex Callier (member of Hooverphonic)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Hoover Music
Hooverphonic4.353:44
17Last Goodbye
tecnico e tecnico di missaggio:
Andy Wallace (engineer)
produttore:
Mary Guibert, Michael Tighe (singer-songwriter/guitarist) e Andy Wallace (engineer)
batteria e percussione :
Matt Johnson (drummer for Jeff Buckley)
chitarra e voce principale:
Jeff Buckley (American singer, guitarist and songwriter)
chitarra basso :
Mick Grondahl (bass guitarist)
parte di:
Triple J’s Hottest 100: Twenty Years (2013) (numero: 3)
registrazione di:
Last Goodbye
paroliere e compositore:
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley3.54:32
2▼CD
#TitoloArtistaValutazioneDurata
1My Generation
produttore:
Shel Talmy
basso :
John Entwistle (il 1965-10-13)
batteria e percussione :
Keith Moon (drummer) (il 1965-10-13)
chitarra :
Pete Townshend (of The Who) (il 1965-10-13)
pianoforte :
Nicky Hopkins (pianist and organist) (il 1965-10-13)
voce:
John Entwistle (il 1965-10-13) e Pete Townshend (of The Who) (il 1965-10-13)
voce principale:
Roger Daltrey (il 1965-10-13)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965, nel 1970) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-10-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 37) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 232)
registrazione di:
My Generation (il 1965-10-13)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH e Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.53:19
2Blauw
registrazione di:
Blauw
paroliere e compositore:
M.J. Lau
editore:
Peermusic Holland B.V., Tenyor Music e Warner Basart Publ. Group
The Scene4:35
3Jump Around
registrazione di:
Jump Around
autore:
Dave Appell, Kal Mann, Larry Muggerud e Erik Schrody
House of Pain4.653:34
4They Stood Up for Love
registrazione di:
They Stood Up for Love
paroliere:
Ed Kowalczyk
compositore:
Patrick Dahlheimer, Ed Kowalczyk e Chad Taylor (US guitarist for Live)
Live4:04
5Hallelujah
tecnico di registrazione e tecnico di missaggio:
Leanne Ungar
tecnico di registrazione aggiunto:
John Smith (US recording engineer)
assistente tecnico:
Lee Friedman
produttore:
John Lissauer
voce:
Jennifer Warnes
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
arrangiatore:
John Lissauer
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrata presso:
Quadrasonic Sound in New York, New York, Stati Uniti
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 38) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 74)
registrazione di:
Hallelujah (nel 1984)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.154:34
6I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
7Papa Was a Rolling Stone
registrazione cover di:
Papa Was a Rollin’ Stone
paroliere e compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations3:56
8Firestarter
tecnico:
Neil McLellan
produttore e tecnico di missaggio:
Liam Howlett
voce:
Keith Flint (vocalist in The Prodigy)
diritti fonografici (℗) detenuti da:
XL Recordings (nel 1996)
mixata presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
lavorazione tecnica effettuata presso:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito
prodotta presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
campionamenti:
Close (to the Edit) di Art of Noise e S.O.S. di The Breeders
edit di:
Firestarter di Prodigy (UK electronic group, main member Liam Howlett)
registrazione di:
Firestarter
autore:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan e Paul Morley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. e Zomba Music
si basa su:
S.O.S.
cita la musica di:
Close (to the Edit)
The Prodigy4.653:47
9Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
10Common People
registrazione di:
Common People
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp2.44:08
11Wrong
Novastar3:35
12Bright Eyes
registrazione di:
Bright Eyes
paroliere e compositore:
Mike Batt
editore:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel3:56
13Always on the Run
tecnico:
David Domanich e Henry Hirsch
produttore:
Lenny Kravitz
tecnico di missaggio:
Henry Hirsch
chitarra basso, batteria e chitarra e voce principale:
Lenny Kravitz
chitarra ospite :
Slash (Guns N’ Roses guitarist)
sassofono ospite :
Karl Denson e Butch Tomas
tromba ospite :
Mike Hunter (Trumpet player)
esecutore:
Slash (Guns N’ Roses guitarist)
arrangiatore corno :
Lenny Kravitz
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1991)
registrazione di:
Always on the Run
paroliere:
Lenny Kravitz
compositore:
Lenny Kravitz e Slash (Guns N’ Roses guitarist)
editore:
Dik Hayd Music e Miss Bessie Music
Lenny Kravitz3.83:54
14Get Up Feel Like Beeing a Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:18
15Saturday
registrazione di:
Saturday
paroliere e compositore:
David Dewaele e Stephen Dewaele
editore:
Strictly Confidential e We'll Sue You
Soulwax3:12
16A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
17Hard Times
The Scabs4:49

Accreditamenti