De-Lovely Cole Porter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

#13 from Columbia 36767

Anmerkung zuletzt geändert am 2008-02-24 04:51 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Dean Martin3:02
2Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Billie Holiday3:13
3You Do Something to Me
vocals:
Marlene Dietrich (actress and singer) (am 1939-12-11)
Orchester:
Victor Young and His Orchestra (am 1939-12-11)
aufgenommen bei:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1939-12-11)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1939-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Marlene Dietrich2:59
4Charry Pies Ought to Be You
Gast vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl
Interpret(in):
Rosemary Clooney (am 1950-12-11)
arranger:
Axel Stordahl
recording of:
Cherry Pies Ought to Be You (Out of This World musical) (am 1950-12-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
publisher:
Buxton Hill Music Corp.
Rosemary Clooney & Frank Sinatra2:19
5I Concentrate on You
Perry Como3:13
6You’re the Top
recording of:
You’re the Top
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Nat King Cole1:34
7I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Dinah Washington5:28
8Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
Teil von:
High Society (1956 film)
Louis Armstrong5:09
9So Near and Yet So Far
recorded in:
New York, New York, Vereinigte Staaten (am 1941-09-10)
vocals:
Fred Astaire (am 1941-09-10)
Orchester:
Harry Sosnik and His Orchestra (am 1941-09-10)
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (am 1941-09-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
Fred Astaire3:09
10It’s All Right With Me
Harfe:
Stella Castellucci (am 1956-06-05)
Holzblasinstrumente:
Bud Shank (am 1956-06-05)
Klavier:
Lou Levy (am 1956-06-05)
Schlagzeug:
Nick Fatool (am 1956-06-05)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-06-05)
vocals:
Peggy Lee (jazz vocalist) (am 1956-06-05)
arranger:
Sy Oliver
cover recording of:
It’s All Right with Me (Can‐Can musical) (am 1956-06-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
recording of:
It’s All Right with Me (Can‐Can musical) (am 1956-06-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Peggy Lee2:24
11Waltz Down the Aisle
Xavier Cugat3:04
12Blow Gabriel Blow
recording of:
Blow, Gabriel Blow (Anything Goes)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Ethel Merman2:27
13At Long Last Love
recording of:
At Long Last Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Bing Crosby2:26
14Begin the Beguine
Interpret(in):
Bob Crosby and the Bob Cats
recording of:
Begin the Beguine (am 1939-02-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
The Andrews Sisters2:46
15Miss Otis Regrets
recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Jean Sablon3:08
16Night & Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frank Sinatra2:23

Nennungen

Veröffentlichung

ASIN:US: B000294SIE [Info]

Veröffentlichungsgruppe

Hommage an:Cole Porter (composer)