De-Lovely Cole Porter

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

#13 from Columbia 36767

Annotation last modified on 2008-02-24 04:51 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1Let’s Do It (Let’s Fall in Love)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Eartha Kitt2:42
2Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Tony Bennett2:21
3I Love You
vocals:
Billy Eckstine (on 1949-12-22) and Sarah Vaughan (on 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (on 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Billy Eckstine & Sarah Vaughan2:42
4Let’s Misbehave
recorded in:
Hollywood, Los Angeles, California, United States (on 1928-03-01)
vocals:
Phil Saxe & chorus (on 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (on 1928-03-01)
lyricist and composer:
Cole Porter (composer) (in 1927)
part of:
Anything Goes
Irving Aaronson and His Commanders2:53
5Begin the Beguine
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-09-26)
conductor:
Axel Stordahl (on 1945-09-26)
arranger:
Axel Stordahl
recorded at:
Vine Street Playhouse in Hollywood, Los Angeles, California, United States (on 1945-09-26)
cover recording of:
Begin the Beguine (on 1945-09-26)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Frank Sinatra3:09
6True Love
cover recording of:
True Love (High Society)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Nat King Cole2:20
7It’s De Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Eddy Duchin & Jerry Cooper3:05
8What Is This Thing Called Love
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Lena Horne2:42
9Night & Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Mel Tormé2:44
10Be a Clown
vocals:
Judy Garland (in 1948) and Gene Kelly (US dancer/actor) (in 1948)
recording of:
Be a Clown (The Pirate film) (in 1948)
lyricist and composer:
Cole Porter (composer) (in 1946)
part of:
The Pirate (1948 film)
Gene Kelly & Judy Garland2:54
11In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Engelbert Humperdinck4:11
12So in Love
vocals:
Dinah Washington (in 1960)
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Dinah Washington4:27
13Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman and His Orchestra3:31
14Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Fred Waring & His Pennsylvanians3:35
15Experiment
cover recording of:
Experiment (Nymph Errant)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Tony Bennett1:48
16Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Peggy Lee3:01
17You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter3:25
2CD
#TitleArtistRatingLength
1Why Can’t You Behave
recording of:
Why Can’t You Behave? (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Dinah Washington2:49
2You’ve Got That Thing
recording of:
You’ve Got That Thing (Fifty Million Frenchmen musical comedy) (on 1930-01-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
part of:
Fifty Million Frenchmen
part of:
High Society (stage musical)
Maurice Chevalier2:48
3High Society Calypso
recording of:
High Society Calypso (High Society, 1956 film)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Chappell Music Ltd.
part of:
High Society (1956 film)
Louis Armstrong3:07
4Don’t Fence Me In
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1952)
recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Roy Rogers42:50
5You Do Something to Me
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Benny Goodman3:14
6Miss Otis Regrets
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
The Mills Brothers3:26
7My Heart Belongs to Daddy
conductor:
Lionel Newman (from 1960-05-12 until 1960-05-13)
cover recording of:
My Heart Belongs to Daddy (from 1960-05-12 until 1960-05-13)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Marilyn Monroe5:08
8Two Little Babes in the Wood
Cole Porter3:16
9Since I Kissed My Baby Goodbye
Fred Astaire2:59
10C’est Magnifique
cover recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier])
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
Dean Martin2:39
11I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Sarah Vaughan2:52
12Let’s Not Talk About Love
recording of:
Let's Not Talk About Love (Let's Face It! musical) (on 1942-01-09)
lyricist and composer:
Cole Porter (composer) (in 1941)
Danny Kaye2:26
13What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Les Paul2:40
14Kiss Me Kate: Too Darn Hot (Original Broadway Cast)
recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Cole Porter4:03
15You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Bing Crosby & Ginny Simms2:08
16Get Out of Town
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Mel Tormé3:12
3CD
#TitleArtistRatingLength
1I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Dean Martin3:02
2Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:13
3You Do Something to Me
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-11)
orchestra:
Victor Young and His Orchestra (on 1939-12-11)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-11)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1939-12-19)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Marlene Dietrich2:59
4Charry Pies Ought to Be You
guest vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl
performer:
Rosemary Clooney (on 1950-12-11)
arranger:
Axel Stordahl
recording of:
Cherry Pies Ought to Be You (Out of This World musical) (on 1950-12-11)
lyricist and composer:
Cole Porter (composer) (in 1950)
publisher:
Buxton Hill Music Corp.
Rosemary Clooney & Frank Sinatra2:19
5I Concentrate on You
Perry Como3:13
6You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Nat King Cole1:34
7I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Dinah Washington5:28
8Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
part of:
High Society (1956 film)
Louis Armstrong5:09
9So Near and Yet So Far
recorded in:
New York, New York, United States (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter (composer) (in 1941)
Fred Astaire3:09
10It’s All Right With Me
drums (drum set):
Nick Fatool (on 1956-06-05)
harp:
Stella Castellucci (on 1956-06-05)
piano:
Lou Levy (on 1956-06-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-06-05)
woodwind:
Bud Shank (on 1956-06-05)
vocals:
Peggy Lee (jazz vocalist) (on 1956-06-05)
arranger:
Sy Oliver
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Peggy Lee2:24
11Waltz Down the Aisle
Xavier Cugat3:04
12Blow Gabriel Blow
recording of:
Blow, Gabriel Blow (Anything Goes)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Ethel Merman2:27
13At Long Last Love
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
Bing Crosby2:26
14Begin the Beguine
performer:
Bob Crosby and the Bob Cats
recording of:
Begin the Beguine (on 1939-02-06)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
The Andrews Sisters2:46
15Miss Otis Regrets
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Jean Sablon3:08
16Night & Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra2:23

Credits

Release

ASIN:US: B000294SIE [info]

Release group

tribute to:Cole Porter (composer)