L'Univers du classique

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Booklet + 3 Jewel cases in a paper card

Annotation last modified on 2024-10-09 01:20 UTC.

Tracklist

1▼CD: ... Du chant grégorien à Mozart
#TitleArtistRatingLength
1Chant grégorien : Adorate Deum - Introïtus
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:08
2Musiques de danses au temps du Decameron de Boccace : "Bellicha"
performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
recording of:
Belicha (From a document in the British Library in London : Ms.29987) (in 1994-04)
composed in:
Italy (from 1300 until 1400)
composer:
[anonymous] (special purpose artist) (from 1300 until 1400)
[anonymous]12:18
3Le Chant des oiseaux
recording engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1993-05-15 until 1993-05-17)
choir vocals:
The Scholars of London (UK classical vocal ensemble) (from 1993-05-15 until 1993-05-17)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 1993-05-15 until 1993-05-17)
recording of:
Le Chant des oiseaux (from 1993-05-15 until 1993-05-17)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1529)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558) (in 1529)
Clément Janequin3:18
4Galliard
recording of:
Pavan and Galliard a 6 in C major: Galliard
composer:
William Byrd (English composer)
William Byrd2:00
5Missa Papae Marcelli : Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:38
6The Fairy Queen (extrait)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
partial recording of:
The Fairy Queen, Z. 629
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
Henry Purcell2:08
7Messe des morts : Agnus Dei
conductor:
Hervé Niquet (conductor) (from 1994-07-24 until 1994-07-27)
performer:
Le Concert Spirituel (French baroque ensemble) (from 1994-07-24 until 1994-07-27)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1994-07-24 until 1994-07-27)
recording of:
Messe des morts à 4 voix, H. 7: V. Agnus Dei (from 1994-07-24 until 1994-07-27)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Messe des morts à 4 voix, H. 7
Marc‐Antoine Charpentier3:16
8Concerto en ré majeur (deux extraits)
orchestra:
Capella Istropolitana
conductor:
Jaroslav Krček (Jaroslav Krcek)
partial recording of:
Concerto Grosso in D major, op. 6 no. 4
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
12 concerti grossi, op. 6
Arcangelo Corelli2:38
9Les Barricades mystérieuses
harpsichord:
Alan Cuckston (on 1990-10-22)
recorded at:
Harrogate College Chapel in Harrogate, North Yorkshire, England, United Kingdom (on 1990-10-22)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 5. Les Barricades mistérieuses (on 1990-10-22)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:23
10L'Art de la fugue : Contrapunctus I
organ:
Wolfgang Rübsam (organist) (from 1992-04-28 until 1992-04-30)
piano:
Wolfgang Rübsam (organist)
recorded at:
Duke University Chapel in Durham, North Carolina, United States
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1992-04-28 until 1992-04-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Jean-Sébastien Bach4:30
11Passion selon Saint-Jean (début)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
partial recording of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 245)
revision of:
Johannes-Passion, BWV 245.1 (1724 original)
Jean-Sébastien Bach5:22
12La Forqueray
harpsichord:
Alan Cuckston
recording of:
Pièces de clavecin : Troisième Livre : No. 4. La Forqueray
composer:
Jacques Duphly (composer)
part of:
Pièces de clavecin : Troisième Livre
Jean‐Philippe Rameau4:51
13Le Messie : Hallelujah !
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George-Frédéric Hændel3:43
14Concerto pour hautbois, cordes et basses continue F VII no. 2
oboe:
Gabriela Krcková (oboist)
orchestra:
Capella Istropolitana
conductor:
Jaroslav Krček (Jaroslav Krcek)
edit of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455: I. Allegro giusto / II. Grave / III. Allegro by Gabriela Krcková (oboist), Capella Istropolitana, Jaroslav Krček (Jaroslav Krcek)
recording of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455: I. Allegro giusto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455
Antonio Vivaldi3:48
15Gloria (début)
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:49
16Quatuor op. 76 no. 3 "L'Empereur" : Menuetto
engineer:
Ferenc Pécsi (engineer) (from 1989-03 until 1989-05)
producer:
János Mátyás (producer) (from 1989-03 until 1989-05)
string quartet:
Kodály Quartet (from 1989-03 until 1989-05)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Hungaroton Studio in Budapest, Hungary (from 1989-03 until 1989-05)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: III. Menuetto e Trio (from 1989-03 until 1989-05)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:51
17Concerto pour piano no. 21, K 467 : Andante
engineer:
Horváth János (János Horváth, engineer) (in 1989-06)
producer:
Ibolya Tóth (in 1989-06)
piano:
Jenő Jandó (pianist) (from 1989-06-10 until 1989-06-12)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-06-10 until 1989-06-12)
conductor:
András Ligeti (violinist and conductor) (from 1989-06-10 until 1989-06-12)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-06-10 until 1989-06-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-06-10 until 1989-06-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:49
18Requiem : Introïtus
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1985-03)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:07
2▶CD: ... De Beethoven à Carmen
3▶CD: ... De Tchaikovsky à Gorecki