L'Univers du classique

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Booklet + 3 Jewel cases in a paper card

Annotation last modified on 2024-10-09 01:20 UTC.

Tracklist

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1▼CD: ... Du chant grégorien à Mozart
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1Chant grégorien : Adorate Deum - Introïtus
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:08
2Musiques de danses au temps du Decameron de Boccace : "Bellicha"
performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
recording of:
Belicha (From a document in the British Library in London : Ms.29987) (in 1994-04)
composed in:
Italy (from 1300 until 1400)
composer:
[anonymous] (special purpose artist) (from 1300 until 1400)
[anonymous]12:18
3Le Chant des oiseaux
recording engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1993-05-15 until 1993-05-17)
choir vocals:
The Scholars of London (UK classical vocal ensemble) (from 1993-05-15 until 1993-05-17)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 1993-05-15 until 1993-05-17)
recording of:
Le Chant des oiseaux (from 1993-05-15 until 1993-05-17)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1529)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558) (in 1529)
Clément Janequin3:18
4Galliard
recording of:
Pavan and Galliard a 6 in C major: Galliard
composer:
William Byrd (English composer)
William Byrd2:00
5Missa Papae Marcelli : Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:38
6The Fairy Queen (extrait)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
partial recording of:
The Fairy Queen, Z. 629
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
Henry Purcell2:08
7Messe des morts : Agnus Dei
conductor:
Hervé Niquet (conductor) (from 1994-07-24 until 1994-07-27)
performer:
Le Concert Spirituel (French baroque ensemble) (from 1994-07-24 until 1994-07-27)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1994-07-24 until 1994-07-27)
recording of:
Messe des morts à 4 voix, H. 7: V. Agnus Dei (from 1994-07-24 until 1994-07-27)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Messe des morts à 4 voix, H. 7
Marc‐Antoine Charpentier3:16
8Concerto en ré majeur (deux extraits)
orchestra:
Capella Istropolitana
conductor:
Jaroslav Krček (Jaroslav Krcek)
partial recording of:
Concerto Grosso in D major, op. 6 no. 4
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
12 concerti grossi, op. 6
Arcangelo Corelli2:38
9Les Barricades mystérieuses
harpsichord:
Alan Cuckston (on 1990-10-22)
recorded at:
Harrogate College Chapel in Harrogate, North Yorkshire, England, United Kingdom (on 1990-10-22)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 5. Les Barricades mistérieuses (on 1990-10-22)
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:23
10L'Art de la fugue : Contrapunctus I
organ:
Wolfgang Rübsam (organist) (from 1992-04-28 until 1992-04-30)
piano:
Wolfgang Rübsam (organist)
recorded at:
Duke University Chapel in Durham, North Carolina, United States
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1992-04-28 until 1992-04-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Jean-Sébastien Bach4:30
11Passion selon Saint-Jean (début)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
partial recording of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 245)
revision of:
Johannes-Passion, BWV 245.1 (1724 original)
Jean-Sébastien Bach5:22
12La Forqueray
harpsichord:
Alan Cuckston
recording of:
Pièces de clavecin : Troisième Livre : No. 4. La Forqueray
composer:
Jacques Duphly (composer)
part of:
Pièces de clavecin : Troisième Livre
Jean‐Philippe Rameau4:51
13Le Messie : Hallelujah !
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George-Frédéric Hændel3:43
14Concerto pour hautbois, cordes et basses continue F VII no. 2
oboe:
Gabriela Krcková (oboist)
orchestra:
Capella Istropolitana
conductor:
Jaroslav Krček (Jaroslav Krcek)
edit of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455: I. Allegro giusto / II. Grave / III. Allegro by Gabriela Krcková (oboist), Capella Istropolitana, Jaroslav Krček (Jaroslav Krcek)
recording of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455: I. Allegro giusto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Oboe, Strings & Basso Continuo in F major, RV 455
Antonio Vivaldi3:48
15Gloria (début)
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:49
16Quatuor op. 76 no. 3 "L'Empereur" : Menuetto
engineer:
Ferenc Pécsi (engineer) (from 1989-03 until 1989-05)
producer:
János Mátyás (producer) (from 1989-03 until 1989-05)
string quartet:
Kodály Quartet (from 1989-03 until 1989-05)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Hungaroton Studio in Budapest, Hungary (from 1989-03 until 1989-05)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: III. Menuetto e Trio (from 1989-03 until 1989-05)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:51
17Concerto pour piano no. 21, K 467 : Andante
engineer:
Horváth János (János Horváth, engineer) (in 1989-06)
producer:
Ibolya Tóth (in 1989-06)
piano:
Jenő Jandó (pianist) (from 1989-06-10 until 1989-06-12)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-06-10 until 1989-06-12)
conductor:
András Ligeti (violinist and conductor) (from 1989-06-10 until 1989-06-12)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-06-10 until 1989-06-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-06-10 until 1989-06-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:49
18Requiem : Introïtus
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1985-03)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:07
2▼CD: ... De Beethoven à Carmen
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1Symphonie no. 5 : Allegro con brio
recorded in:
Zagreb, Croatia (in 1988-09)
producer:
Teije van Geest (engineer/producer)
orchestra:
Zagreb Philharmonic (Zagreb Philharmonic Orchestra) (in 1988-09)
conductor:
Richard Edlinger (conductor and composer) (in 1988-09)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1988-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven57:00
2Sonate no. 8 "Pathétique" : Rondo
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:33
3Die Forelle, lied (La Truite)
piano:
Jenő Jandó (pianist)
mezzo-soprano vocals:
Tamara Takács (mezzo-soprano / alto)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:07
4Le Barbier de Seville, opéra (extrait) : Rosine : 'Una voce poca fa'
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
mezzo-soprano vocals [Rosina]:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:03
5Trois préludes op. 28 (no. 1, 2 et 3)
piano:
İdil Biret (pianist)
recording of:
Prélude no. 1 in C major, op. 28: Agitato
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
recording of:
Prélude no. 2 in A minor, op. 28: Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
quotes music from:
Dies Irae (plainchant)
part of:
24 Préludes pour le piano, op. 28
recording of:
Prélude no. 3 in G major, op. 28: Vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:02
6Symphonie Fantastique : Marche au supplice
orchestra:
CSR Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1987-12-05 until 1987-12-07)
conductor:
Pinchas Steinberg (conductor) (from 1987-12-05 until 1987-12-07)
recorded at:
Concert Hall of Czecho-Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-12-05 until 1987-12-07)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1987-12-05 until 1987-12-07)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:59
7Bunte Blätter op. 99 (3 extraits)
piano:
Dénes Várjon (pianist)
partial recording of:
Bunte Blätter, op. 99
composer:
Robert Schumann (German classical composer) (from 1838 until 1849)
part of:
Works of Robert Schumann by opus number (number: op. 99)
Robert Schumann4:49
8Chevauchée des Walkyries extrait de La Walkyrie, opéra
producer:
Günter Appenheimer (producer/engineer) (in 1988-10)
orchestra:
Slovak Radio Symphony Orchestra (in 1988-10)
conductor:
Uwe Mund (in 1988-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-10)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner35:30
9La Traviatta, opéra (extrait) Violetta : 'Sempre libera'
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Czecho‐Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:33
10Les jeux d'eau à la Villa d'Este (extrait des Années de pélerinage)
piano:
Jenő Jandó (pianist) (from 1991-09-06 until 1991-09-10)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4 (from 1991-09-06 until 1991-09-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt7:29
11Symphonie no. 3 : Troisème mouvement. Poco allegretto
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-06)
producer:
Günter Appenheimer (producer/engineer)
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic) (in 1990-06)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1990-06)
performer:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1990)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (in 1990-06)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (in 1990-06)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:57
12Frühlingstimmen, Valse
producer:
Günter Appenheimer (producer/engineer) (in 1988-01)
orchestra:
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1988-01-11 until 1988-01-21)
conductor:
Ondrej Lenárd (conductor) (from 1988-01-11 until 1988-01-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1988)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-01-11 until 1988-01-21)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring) (from 1988-01-11 until 1988-01-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss6:13
13Tableaux d'une exposition : "La Grande Porte de Kiev"
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (from 1987-07-04 until 1987-07-09)
conductor:
Daniel Nazareth (conductor and composer) (from 1987-07-04 until 1987-07-09)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-04 until 1987-07-09)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (from 1987-07-04 until 1987-07-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgski / Maurice Ravel6:34
14Danse slave no. 1 op. 46
producer:
Günter Appenheimer (producer/engineer) and Teije van Geest (engineer/producer)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (from 1987-09 until 1988-03-22)
conductor:
Zdeněk Košler (conductor) (from 1987-09 until 1988-03-22)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1988)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-09 until 1988-03-22)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (from 1987-09 until 1988-03-22)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:51
15Carmen, opéra (extrait) : Habanera
associate producer:
Günter Appenheimer (producer/engineer) (in 1990-07)
producer:
Günter Appenheimer (producer/engineer) (in 1990-07)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1990-07)
mezzo-soprano vocals [Carmen]:
Graciela Alperyn (mezzo-soprano) (in 1990-07)
orchestra:
Slovak Radio Symphony Orchestra (in 1990-07)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1990-07)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1990-07)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1990-07)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:50
3▼CD: ... De Tchaikovsky à Gorecki
#TitleArtistRatingLength
1Casse Noisette, ballet (extraits)
orchestra:
Orchestre philharmonique slovaque (Slovak Philharmonic)
conductor:
Michael Halász (conductor)
partial recording of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-02 until 1892-03)
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1892-12-18)
part of:
The Tchaikovsky Handbook (number: TH 14), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 14) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 71)
Pyotr Ilyich Tchaïkovski2:32
2Requiem (extrait) : Pie Jesus
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:34
3Prélude à l'après midi d'un faune (début)
orchestra:
Orchestre Philharmonique de la BRT (Brussels Philharmonic)
conductor:
Alexandre Rahbari (Alexander Rahbari, Ali Rahbari, often credited as “Alexander” Rahbari)
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy5:02
4La Bohême, opéra (extrait) : 'Si, mi chiamano Mimi' (Mimi)
soprano vocals:
Miriam Gauci (soprano) (from 1992-01-14 until 1992-01-17)
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic) (from 1992-01-14 until 1992-01-17)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-01-14 until 1992-01-17)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1992-01-14 until 1992-01-17)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1992-01-14 until 1992-01-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:28
5Première Gymnopédie
engineer:
Horváth János (János Horváth, engineer)
producer:
János Mátyás (producer)
piano:
Klára Körmendi (pianist) (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie2:44
6L'oiseau de feu (extrait) : Danse infernale du Roi Kastchei
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-01)
producer:
Günter Appenheimer (producer/engineer) (in 1990-01)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1990-01-18 until 1990-01-20)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-01-18 until 1990-01-20)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1990-01-18 until 1990-01-20)
recording of:
Firebird Suite: V. Infernal Dance of King Kastchei (catch-all for unknown versions) (from 1990-01-18 until 1990-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Firebird Suite (catch‐all for unknown versions)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1990-01-18 until 1990-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinski4:57
7Ainsi parlait Zarathoustra (extrait)
producer:
Martin Sauer (engineer/producer) (on 1989-09-26)
orchestra:
Slovak Philharmonic (from 1988-10-18 until 1988-10-20)
conductor:
Zdeněk Košler (conductor) (from 1988-10-18 until 1988-10-20)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-10-18 until 1988-10-20)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1988-10-18 until 1988-10-20)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:57
8Premier prélude pour piano
piano:
Leon Bates (from 1989-12-01 until 1989-12-05)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-12-01 until 1989-12-05)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano) (from 1989-12-01 until 1989-12-05)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for clarinet and string orchestra, Cohn)
part of:
Three Preludes (original for piano)
George Gershwin1:30
9Ma mère l'Oye (extrait) : Les Entretiens de la Belle et la Bête
orchestra:
Slovak Radio Symphony Orchestra (in 1988-09)
conductor:
Kenneth Jean (conductor) (in 1988-09)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre) (in 1988-09)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel4:17
10Moment musical op. 16 no. 3
producer:
Martin Sauer (engineer/producer)
piano:
İdil Biret (pianist) (in 1989-10)
recording of:
6 moments musicaux, op. 16: No. 4. Presto in E minor (in 1989-10)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1896-10 until 1896-12)
part of:
6 moments musicaux, op. 16
Serge Rachmaninov3:07
11Roméo et Juliette, ballet (extrait) : Montaigus et Capulets
producer:
Rudolf Hentšel and Gejza Toperczer
orchestra:
Czecho-Slovak State Philharmonic Orchestra (Košice) (Slovak State Philharmonic Orchestra, Košice) (from 1989-11-20 until 1989-11-29)
conductor:
Andrew Mogrelia (conductor) (from 1989-11-20 until 1989-11-29)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) and Naxos
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1989-11-20 until 1989-11-29)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (from 1989-11-20 until 1989-11-29)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Serge Prokofiev5:38
12Concerto pour orchestre (extrait) : Intermezzo Interrotto
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-06)
producer:
Günter Appenheimer (producer/engineer) (in 1990-06)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (in 1990-06)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1990-06)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (in 1990-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1990-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:29
13Vint regards sur l'Enfant Jésus : Regard de la Vierge
grand piano:
Håkon Austbø (pianist) (from 1993-08-11 until 1993-08-13)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1993-08-11 until 1993-08-13)
recording of:
Vingt regards sur l’enfant Jésus: IV. Regard de la Vierge (from 1993-08-11 until 1993-08-13)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen5:22
14Simple Symphony (extrait) : Playful Pizzicato
orchestra:
Bournemouth Sinfonietta (from 1993-10-29 until 1993-10-30)
conductor:
Richard Studt (violinist, conductor) (from 1993-10-29 until 1993-10-30)
recorded at:
Winter Gardens (Bournemouth) in Bournemouth, Dorset, England, United Kingdom (from 1993-10-29 until 1993-10-30)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (from 1993-10-29 until 1993-10-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
Benjamin Britten3:23
15Symphonie no. 10 (extrait) : Allegro
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1989-06-20 until 1989-06-26)
conductor:
Ladislav Slovák (conductor) (from 1989-06-20 until 1989-06-26)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-06-20 until 1989-06-26)
recording of:
Symphony no. 10 in E minor, op. 93: II. Allegro (from 1989-06-20 until 1989-06-26)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1946 until 1953)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 10 in E minor, op. 93
Dimitri Chostakovitch4:20
16Stabat Mater (extrait) : début
engineer:
Phillippe Pelissier (in 1992-10)
producer:
Michel Piquemal (French baritone and conductor) and Xavier Rist
choir vocals:
Chœur régional Vittoria d’Île‐de‐France (Regional Île‐de‐France Vittoria Choir) (in 1992-10)
orchestra:
Orchestre de la Cité (in 1992-10)
conductor:
Michel Piquemal (French baritone and conductor) (in 1992-10)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1992-10)
recording of:
Stabat Mater, FP 148: I. Stabat Mater dolorosa (in 1992-10)
composer:
Francis Poulenc (French composer and pianist) (in 1950)
part of:
Stabat Mater, FP 148
Francis Poulenc4:14
17Symphonie no. 3 "des Chants de deuil" : Lento et largo
soprano vocals:
Zofia Kilanowicz (Polish soprano)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice)
conductor:
Antoni Wit (conductor)
edit of:
Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo by Zofia Kilanowicz (Polish soprano), Polish National Radio Symphony Orchestra (revived in 1945 in Katowice), Antoni Wit (conductor)
partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Górecki4:48