60 Hits of the 60s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Only the Lonely
recording of:
Only the Lonely (Know the Way I Feel)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison2:28
2The Loco‐Motion
Little Eva2:27
3Cryin’ in the Rain
recording of:
Crying in the Rain (Everly Brothers song)
lyricist:
Howard Greenfield
writer:
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers2:02
4Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:39
5The Young Ones
producer:
Norrie Paramor
vocals:
Cliff Richard (from 1989-06-16 until 1989-06-17)
performer:
The Shadows (British pop/rock band that once backed Cliff Richard) (from 1989-06-16 until 1989-06-17)
live recording of:
The Young Ones (from 1989-06-16 until 1989-06-17)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
EMI Film & Theatre Music Ltd. and Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard & The Shadows2.653:12
6Will You Still Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:43
7Don’t Make Me Over
recording of:
Don’t Make Me Over
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), JAC Music Co., Inc., MCA Music Ltd., New Hidden Valley Music Co., Windswept Pacific Music Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:42
8Hello Mary Lou
Ricky Nelson2:19
9The Twist
cover recording of:
The Twist
lyricist and composer:
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L and Embassy Music Corporation (from 2016-06 to present)
Chubby Checker2:38
10Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:26
11Please Mr Postman
producer:
Robert Bateman (R&B singer/songwriter/record producer) and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (in 1961-04)
drums (drum set):
Benny Benjamin (US drummer) (in 1961-04) and Marvin Gaye (in 1961-04)
guitar:
Eddie Willis (in 1961-04)
handclaps:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
instruments:
The Funk Brothers (in 1961-04)
percussion:
Eddie “Bongo” Brown (in 1961-04)
piano:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
background vocals:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
lead vocals:
Gladys Horton (in 1961-04)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1961-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 331) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 410)
recording of:
Please Mr. Postman (in 1961-04)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes4.62:30
12Spanish Harlem
Ben E. King2:53
13James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven2:00
14What Do You Want
recording of:
What Do You Want?
lyricist and composer:
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:37
15Stubborn Kind of Fellow
producer:
William Stevenson (Motown songwriter)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
flute:
Thomas "Beans" Bowles
guitar:
Dave Hamilton (US guitar/vibraphone player)
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
background vocals:
Rosalind Ashford, Annette Beard, Martha Reeves and Gloria Williams (original lead singer of the Del-Phis)
lead vocals:
Marvin Gaye
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1962-06-29)
mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States
recording of:
Stubborn Kind of Fellow
composer:
Marvin Gaye, George Gordy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Marvin Gaye42:46
16Running Bear
Johnny Preston2:39
17Walk Don’t Run
engineer:
Joe Boles
producer:
Bob Reisdorff
drums (drum set):
Skip Moore
electric bass guitar [bass]:
Nokie Edwards
electric guitar [lead guitar]:
Bob Bogle
electric guitar [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 39)
cover recording of:
Walk, Don’t Run
composer:
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) and Windswept Pacific Music Ltd.
The Ventures4.252:05
18Ya Ya
recording of:
Ya, Ya
writer:
Lee Dorsey, Morris Levy, Clarence Lewis and Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:29
19Hallelujah I Love Her So
cover recording of:
Hallelujah, I Love Her So
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
Stevie Wonder2:30
20I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Ray Charles4:16
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