60 Hits of the 60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Only the Lonely
recording of:
Only the Lonely (Know the Way I Feel)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison2:28
2The Loco‐Motion
Little Eva2:27
3Cryin’ in the Rain
recording of:
Crying in the Rain (Everly Brothers song)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers2:02
4Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:39
5The Young Ones
Produzent(in):
Norrie Paramor
vocals:
Cliff Richard (von 1989-06-16 bis 1989-06-17)
Interpret(in):
The Shadows (British pop/rock band that once backed Cliff Richard) (von 1989-06-16 bis 1989-06-17)
live recording of:
The Young Ones (von 1989-06-16 bis 1989-06-17)
Komponist(in):
Roy C. Bennett (US songwriter) und Sid Tepper
publisher:
EMI Film & Theatre Music Ltd. und Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard & The Shadows2.653:12
6Will You Still Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:43
7Don’t Make Me Over
recording of:
Don’t Make Me Over
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), JAC Music Co., Inc., MCA Music Ltd., New Hidden Valley Music Co., Windswept Pacific Music Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:42
8Hello Mary Lou
Ricky Nelson2:19
9The Twist
cover recording of:
The Twist
Texter und Komponist(in):
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L und Embassy Music Corporation (vom 2016-06 bis heute)
Chubby Checker2:38
10Take Five
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording engineer:
Fred Plaut
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Klavier:
Dave Brubeck (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Kontrabass:
Eugene Wright (bass) (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Schlagzeug:
Joe Morello (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
phonographisches Urheberrecht (℗) von:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) und TP4 Music (in 2017)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording of:
Take Five (original instrumental version) (am 1959-07-01)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:26
11Please Mr Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:30
12Spanish Harlem
Ben E. King2:53
13James Bond Theme
Produzent(in):
John Barry (English score composer)
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (am 1962-07-23)
Komponist(in):
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) und EMI United Partnership
Teil von:
James Bond themes
basiert auf:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven2:00
14What Do You Want
recording of:
What Do You Want?
Texter und Komponist(in):
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:37
15Stubborn Kind of Fellow
Produzent(in):
William Stevenson (Motown songwriter)
Bass:
James Jamerson
flute:
Thomas "Beans" Bowles
Gitarre:
Dave Hamilton (US guitar/vibraphone player)
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer)
Hintergrundgesang:
Rosalind Ashford, Annette Beard, Martha Reeves und Gloria Williams (original lead singer of the Del-Phis)
Sologesang:
Marvin Gaye
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-29)
mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten
recording of:
Stubborn Kind of Fellow
Komponist(in):
Marvin Gaye, George Gordy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Marvin Gaye42:46
16Running Bear
Johnny Preston2:39
17Walk Don’t Run
Techniker(in):
Joe Boles
Produzent(in):
Bob Reisdorff
E-Bass [bass]:
Nokie Edwards
E-Gitarre [lead guitar]:
Bob Bogle
E-Gitarre [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
Schlagzeug:
Skip Moore
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 39)
cover recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
The Ventures4.252:05
18Ya Ya
recording of:
Ya, Ya
Verfasser(in):
Lee Dorsey, Morris Levy, Clarence Lewis und Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:29
19Hallelujah I Love Her So
cover recording of:
Hallelujah, I Love Her So
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
Stevie Wonder2:30
20I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles4:16
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